Showing posts with label Joan Jett. Show all posts
Showing posts with label Joan Jett. Show all posts

Tuesday, May 28, 2019

Audio Ammunition Podcast Episode 2 - Joan Jett and Fyre Festival





This week we talk about our first ever concert experiences, the Joan Jett documentary Bad Reputation available to watch now on HULU and the Fyre Festival documentary currently on Netflix called FYRE. We also tackle the age old question - should rock n' rollers smile?  Our featured song is by Tommy and the Commies called "Permanent Fixture". You can find it on their stellar 2018 debut album titled Here Come Tommy and The Commies on Slovenly Recordings. Enjoy!














                                                         Tommy and The Commies
               https://slovenly.bandcamp.com/album/tommy-and-the-commies-here-come-lp






And as usual, our theme song is "Alright" by Radiohearts 




If you like what you hear and read on our most humblest of blogs, please follow our blog, give us a like on Facebook (audioammunition.page/) or Twitter (@AAmmunition). If you like our podcast, would you please give us a review or rating?? We're on iTunes, Google Play, Spotify etc. Thank you so much!  








Audio Ammunition is a monthly podcast that covers music in all forms whether it be in film, TV, digital and/or vinyl release. Audio Ammunition originally started as a blog concerned with giving much needed press to local and smaller bands. We primarily deal with punk, power pop, new wave, garage, indie, and hardcore.


Check out this episode!



















Monday, December 29, 2014

The Venomous Pinks


Venomous Pinks are an all girl punk band from Tempe, AZ. With that being said these four aren’t your typical twinkly pop punk princesses with spunky haircuts. In fact you might find a few of those types of people stuck in these girl’s boot heels. This band plays hard and fast as if they’re the Allied Forces storming the beach at Normandy. If you’ve seen this band live you know what I’m talking about. First you hear the vocals growl the battle commands; next the guitars come in relentlessly spraying sonic projectiles into the battlefield and whatever unlucky bastard is still left standing gets knocked on their face by the heavy guns of the drum kit. It’s a kill or be killed world out there and Venomous Pinks take no prisoners.    


Interview by J Castro

Who’s currently in the band and what do you all do in Venomous Pinks?
The Venomous Pinks are: Drea Doll – Vocals/Guitar, Jukie – Drums, Gaby Kaos – Bass, Corrie Zazzera - Guitar

Does being in an all female punk rock band still pose its unique challenges or do you feel the ground has more or less leveled out? If not what sorts of things do you feel Venomous Pinks endure that an all male punk band otherwise wouldn’t have to put up with?
JUKIE: We don’t put up with it anymore. We pretty much still get comments and predispositions that go along with the stereotypical characteristics of being an all girl band. It’s all in how you handle it. It used to bother me a lot when we first started out 4 years ago, but today it goes in one ear and out the other. We are established as musicians and if people can’t see past our gender then it is their problem.

On your Bandcamp page one of your tags is Riot Girl. Did Kathleen Hanna and the whole Kill Rock Stars scene of the 90’s have a big influence on you? 
JUKIE: Last year Drea and I went to see her documentary, The Punk Singer. After viewing the film I was able to come to terms with being in an all girl band; it meant the judgments were never going to stop, and it isn’t worth getting all upset over it. We have it a lot easier today than the riot grrls did in the ‘90’s. What inspired and impressed me was how they handled it. Everything they went through made the movement stronger. Sometimes at shows we call on all the grrls to come to the front and rock out with us and it is amazing...it’s a tribute to the OG riot grrls and to all of our awesome female fans. 

Venomous Pinks have opened up for a lot of legendary bands like The Adicts, P.I.L., Channel 3 and The Weirdos).  One of them was also The Queers, whose lyrics have been deemed somewhat sexist and homophobic by the “politically correct internet punk posse.” How do you feel about that?  As women, have you ever been offended by a bands lyrics or onstage antics? 
JUKIE: Funny you asked us this. Lately we have been getting a lot of crap from people claiming we are not punk because we don’t sing about politics or piss people off with our lyrics. Apparently to some of our “judges” punk means having green hair and slamming down Mickey’s malt liquor while screaming into the mic about everything that is wrong with the world. To me, and my band mates, punk rock is about being who you are and owning it. It also means coming together and accepting one another for who they are. People’s inability to do that is unfortunate and ignorant. So if bands in the punk category want to sing about controversial subjects that may cause people to become angry and uncomfortable, that’s great...that’s what they identify with….and guess what? That’s probably what they want...to get a rise out of you.  


Speaking of playing with a lot of influential bands, there’s an old saying: “Don’t meet your heroes.” Have you ever come across anyone in all the bands you’ve played with that made you think that statement true or made you think “I really enjoyed this person’s music a whole lot more before I met them.”
JUKIE: Yes, this happened to me once after meeting a certain prima donna drummer at Punk Rock Bowling. Now when I listen to their music I don’t enjoy it as much, and it sucks because they are a really kick ass band. Out of respect for them, and their huge contributions and influences to punk rock, I won’t mention who it was.

Last year the band covered Hall and Oates “Maneater. What led to the decision to record that song and what other kinds of music do you listen to that you feel may surprise some Venomous Pinks fans?
JUKIE: Drea and I were inspired by our former bass player to include this song in our set. We love a lot of old school rock n roll from the ‘80’s, ‘70’s, ‘60’s, and ‘50’s. That may surprise some of our fans...our love for music goes way beyond punk rock...back to the musicians who inspired some of our favorite modern bands. I enjoy listening to a lot of hard rock, metal and old school hip hop. My main love though is pure, raw, rock and roll; mostly the classic rock from the ‘70’s and alt/grunge rock from the 90s.  

DREA: When I hear older songs, I hear the potential it could have to be a punk song. That’s basically what happened with “Maneater.” I brought the idea to the table and the girls were down to try it. There are a couple of older songs I’d like to cover some day.  As far as music goes, I like a little bit of everything. I think having a diverse music taste can help you grow as a musician. I love ‘60’s rock n’ roll like the Animals and Jimi Hendrix all the way to the ‘80’s with bands like New Order and The Cure. But my true love will always be punk.

Venomous Pinks have been around since 2011 and you’ve just released your second EP but the band plays out in the Phoenix/Tempe area quite a bit. Do you enjoy playing live as opposed to the meticulous process of making records?
JUKIE: Yes, playing live is so much more fun than being stuck in a recording studio. However, our last EP session was an amazing experience. We recorded at Villain Recording studios in Phoenix with Byron Filson...he is the man! I would record anything with him in a heartbeat. 

DREA: Playing live and recording are both hard work. I equally love both. 


Like I said before, the band plays out quite a bit, can you tell me about the most memorable show you’ve played, good or bad and what made it so unforgettable?
JUKIE: The most memorable show for me was when we opened up for Betty Blowtorch at Hollywood Alley. Getting to share the stage with Sharon, Blair and Judy was incredible. It was even more special because it was at Hollywood Alley...one of my favorite places to play and the venue I played my first show ever as a drummer. 

DREA: A memorable show for me would be our CD release because it had been a project in motion since April. It was really cool to see it come full circle. It was awesome how many came out and supported us. Thank you!

Where can people go or log on to get your music?
JUKIE: Pick a place...Xbox music, Amazon, iTunes, Spotify, our Bandcamp site….BUT the best place to get our music is from us at a show. 

What can we expect from Venomous Pinks in 2015? 
JUKIE: Expect more music videos, more out of town shows and an LP. Expect bigger shows and events from us. Expect an amazing experience when you see us play live that will leave you wanting to hear more. Expect the best rock/punk rock/metal/all girl (or whatever category you want to throw us in...we don’t care) band, The Venomous Pinks.   










Tuesday, October 22, 2013

Scorpion vs. Tarantula



This is not your timid 20 something’s on stage staring at their sweat beads on the ground.   SVT bunch play earsplitting, express train punk Rock ‘N’ Roll the likes of which The Valley of the Sun has never seen before.  A singer that prowls around the stage in Blade Runner Replicant makeup programmed with Bon Scott venom and Joan Jett strut and a guitar player that was in one of the best garage punk bands of the mid 90’s, The Chinese Millionaires.  What more can a fanboy ask?   Grab on to something load bearing, I hear the air raid sirens, and the house is beginning to rumble.  Behold, the Scorpion vs. Tarantula Rock ‘N’ Roll hurricane is about to plug in.


Interview by Jay Castro

Whos answering the questions?
Jay Bennett, guitar

Who is in Scorpion vs. Tarantula and what instrument do they play?
L. Hotshot, vocals. Tana Satana, bass, Michael “Cappy” Renfroe, drums.

I noticed you have had quite an assortment of drummers.  Do you think your busy schedule has something to do with this?  You seem to play quite a bit.
Drummers are the most difficult band members to find and they are the most difficult to retain. Ours have come and gone for numerous reasons, but we're happy with the one we've got right now. He's been with us since September 2012.

Band members seem to be from different places around the country, how did you end up in AZ?
L. and I moved here from Chicago in summer of 2005, and we originally are from Michigan, also the home state of Tana. L. and I had been in a band together during our Chicago years. It wasn't until summer of 2008 that we got the notion to get another project going.

What is the origin story of Scorpion vs. Tarantula? 
L. and I put the band together in June 2008 with a drummer called Notah in his house in Glendale. We played our first shows that December. We recorded our first album in the summer 2009 with a friend of Michigan playing bass. Tana joined the band in November 2009. Notah split the band in May 2011 to pursue outside interests. For a while, we had five people. It's been the four of us since February 2012. We made our second album in March 2012. We just recorded our third record a few weeks ago.

Like I said before, you play around the Phoenix Metropolitan area quite a bit, have you taken the Scorpion vs. Tarantula show on the road much? 
Two trips to California is all that we've done. But there will be more, if people will have us.

What are some of the earliest musical influences in your life, when first discovering music as a child that set you on a path to want to start/join a band?
I decided I wanted to play music in the early 1990’s after hearing the early singles and first LP by New Bomb Turks, the early LPs of the Devil Dogs, and the many, many records made by Billy Childish. L. is into much of the same kind of music as I am. Tana likes some of that stuff, in addition to bands like the Muffs, Distillers, and Urge Overkill. I don't know about the drummer. I barely talk to him. He does wear a Descendents T-shirt a lot.

With some of you guys being from the Midwest, I think it definitely shows in the songs,  they have that Motor City toughness to it.  A sound that is pretty indigenous to that part of the country.  Phoenix/Tempe seems to have a large horde of metal fans and thepunkthat is out there, seems to lean toward the hardcore variety.  Although it does seem to be getting better, has it been difficult for you guys to carve out your niche here?
I just really like music from Michigan and the Midwest, and I listened to it most of my  life. Just like people from here are real proud of the musicians that preceded them in Phoenix and Southern California.

As far as carving out a niche, I don't know that we have carved out anything. We've played a lot of shows, seen some good bands, and met some really nice people along the way. I'm not sure what else you can ask for at our level.





People used to buy music and get their water free; now people pay for water and get their music free. How do you think this affects the industry and especially musicians?
I haven't figured out, and probably never will figure out, the best way to apapt to the changes in the music industry. I was in a band in the late 90’s that was lucky enough to have three different national and international labels want to put out various singles and an LP. The LP sold over 3,000 copies, and I even received a royalty check. Three-thousand doesn't sound like a lot, but the idea of selling 3,000 copies now is inconceivable. In a lot of ways, it was all luck and we happened to meet the right people and have them say nice things about us. I don't know how to capture lightning in a bottle again, unfortunately.

As far as getting music for free, that's the way it has evolved, probably to a point of no return. Our music is on Spotify, which for a band at our level, is an excellent service. On one hand, it's frustrating to see that we're getting paid fractions of pennies for the work we've done. On the other, I'm thrilled that a surprising number of human beings are listening to the music I helped create. It's surprisingly given that we have no label, no publicist, no radio exposure. All we have is a Facebook presence and maybe some local word of mouth.

I have followed Scorpion vs. Tarantula on Facebook for a while.  Whoever does the posting seems to have a formidable knowledge and love of pop culture.  What, aside from music, influences you?
Thanks for following us on Facebook. L., the singer, does the majority of the posting because she's really good at it. She has a great sense of humor and a knack for finding good stuff on the Internet. It's the best way to keep in touch with people who may have an interest in the band and what we do. The people in this band generally like all the usual stuff every other white, middle-class, suburban-raised, 1970s and 80s kid grew up with. So let's just say the baseline for everything we do is Kiss and Welcome Back Kotter.

Where can people hear the band?
Spotify, Bandcamp, iTunes, our Facebook page, CD Baby, Amazon. You can buy physical copies at The Record Room, Revolver Records, and Stinkweeds. You can see us at Yucca Tap Room, Chopper John's, Palo Verde, Hollywood Alley, the Ice House Tavern, the Lost Leaf, and numerous other venues.

Whats next for the mighty SVT?
We just recorded our third album. It will be available in the fall. We probably will wind up writing a bunch of new songs and shoot for making a fourth record next summer. We will continue to perform as demand dictates. Hopefully, we will be able to make some out-of-town trips and perhaps even do a weeklong tour or something.