Showing posts with label Tempe. Show all posts
Showing posts with label Tempe. Show all posts

Thursday, September 15, 2016

Alvie & The Breakfast Pigs: Wallowing In Muddy Rock 'n Roll




When I first heard Alvie and The Breakfast Pigs they were a loud, high energy, busted up blues band that reminded me of groups love like The Dirtbombs, The Oblivians or early White Stripes.  I only got to see them live a couple of times before they moved from the dusty roads of Tempe AZ, to the rolling hills of San FranciscoThe Breakfast Pigs weren't trying to reinvent the wheel, but what they were doing was running over everyone in the room with it and that I admired.  This group had guts, that much was apparent.  Along with frontman Alvie Adam's appreciation for trashy blues, the band has now added a splash of Exile on Main Street  and a pinch of Ooh La La on their new EP Indian Rugburn.  Needless to say I am delighted in what I heard.  Not just the music itself but the fact that this particular type of music is coming from a young band.  Most people their age have dismissed bands like The Rolling Stones and the Faces as misogynistic dinosaurs. Yes, rock; n roll is mean, unsafe and unpredictable, but that's what makes it so great,  Alvie and The Breakfast Pigs embrace this beast. So for those who like being wrapped in your warm cozy blankets, there's a never ending cesspool of EDM DJ's and Three Mile Pilots out there to tickle your stodgy souls .  But for the rest of us that still like sweat, grit and fire in our music: Alvie and The Breakfast Pigs are here and ready to kick over some troughs.  

Interview by J Castro

Who is currently in the band and what does everyone do in it?
Alvie Adams- Rhythm Guitar/ Lead Vocals
Philip Thorneycroft – Lead Guitar
Jake Natkin- Drums
Brady Boyle- Bass/ Vocals when he feels like it.


So Alvie, you moved from Tempe AZ to The Bay Area a couple of years ago correct?  The band consists of all new lineup from the band you had in Arizona, how did you meet up with the new Breakfast Pigs?
ALVIE: Yeah, it has been quite the journey to get here. Philip and I moved to Alaska for a summer to save the money to afford to come out to the bay and keep playing music. Philip was actually one of our OG breakfast pigs back when we were originally a 4 piece in 2010. We played a few shows just for fun before he moved away. Jake has been our drummer since 2013 before the first EP Snake Headed Faceless Cowboy came out when we were a 3 piece. Mike Spero our old bass player is on to bigger and better things. He now plays bass in Authority Zero and is killing it. Brady has been a friend for years and used to live in Tempe in our house “Breakfast”. He had been in SF for 5 years and was down to replace Mike when we made the move. So it was actually pretty easy after we got out here.



What are the crowds and the venues like out in San Francisco as opposed to Tempe?  Do you find people there are generally more responsive to your music? 
ALVIE: If you ask anyone in the SF they would tell you that the music scene here is dying, which it kind of true, but I’d say its more like moving across the bay to Oakland. Compared to AZ the music scene is still kicking ass here in SF. With lots more venues and people of all ages actually down to go out and see live music. Seems like people that aren’t in the music community still actually care about the local scene. With rock ‘n’ roll not being the most popular genre in this day and age we are having some great response to our loud music and hoping this is only the beginning.


After one of your shows, what sort of feeling or sentiment do you hope your audience walks away with? 
ALVIE: I think our music is best after a few drinks have gone down that hatch to get people to loosen up and just dance. I hope that when people come see our show, they leave with a lot of energy and a sense that rock n roll can be danceable and more fun than a DJ set.




Tell me a bit about your new EP Indian Rug Burn.  I know this may be a bit Sophie’s Choice, but which new song stands out to you most?
ALVIE: We are very excited to be releasing Indian Rug Burn in San Francisco; we have come a long way. This EP represents our journey to get to where we are today. With songs like “Hey Bay” that represent our first few years in the bay and songs like “Stuck in Whittier” which talk about our life when we lived in Whittier, Alaska in a small Fishing town.


And speaking of songs, what sorts of things do you typically enjoy writing songs about?  How do you think the move out to the coast has influenced your songwriting?
ALVIE: I think our song writing style is evolving quite nicely. We really took a group approach on writing this EP rather then just having one person come up with the songs, I think it really shows. When writing lyrics I really like to keep it ambiguous so that the audience can really interpret our songs in their own way. Like most people lately, the Political dilemma has been on my mind. However, I usually try to keep it light subject matter with some humor if we can. I think the move has really just opened my eyes to life outside of AZ and to be honest it’s a complete 180 in every way.


You’re premiering a video for the song “Hey Bay” off the new EP today.  Tell me a bit about it?  Where was it shot and who helped out with the production? 
ALVIE: With the band new to the bay area and money always running short with musicians we really wanted to make it a personal video about the Bay area. We shot and edited everything ourselves.  The Video is pretty much just us dicking around in SF having a good time. This is what our music is about and we wanted to show that off with drinking, friends and great beautiful bay scenery.


What’s been your favorite part about making music so far: the writing process, the recording of it, or performing it in front of a crowd? 
ALVIE: Wow that is a tough question. With me (Alvie) being a recording engineer I may be biased in my answer. I really like watching the songs start as drums and continue to grow into something that is normally different than you expected, always hoping it’s different in the best way possible. I will also be very excited to play all these new songs live. Being on stage leaves us with this certain kind of feeling that we all love.


The new EP, at least to me, has a strong Stones, Faces, kind of 70’s bluesy/rock feel to it.  Were those types of bands actually influences on you when you wrote these songs at all?  If not, who was?
ALVIE: Yeah J, it for sure does. Stones, CCR, Faces and Edger Winter Group are definitely some of the older bands that we love.  Some new bands that we are inspired by are Highly Suspect, Fidlar, The Monsters, and Radio Moscow. The band has always tried to keep our bluesy rock feel even with new songs.  


 What are your goals for your band and your music?  In like say 5 years, where would you like to see your music career?
ALVIE: Well, if we keep things moving the way they have been, we hope to have a full length LP out next year, which is already in tracking stages for recording. We also are planning a small tour with dates TBA in the Spring, so 2017 is looking to be a busy year already. If we can continue to grow and keep moving forward in the next 5 years we would love to do more than just a West Coast tour. We are on the look out to be a part of as many festivals as we can find; also, hopefully to play with more of the bands that we love and support.



What is the best way people can hear and get a hold of your music?
ALVIE: We really want to have it available as much as possible. I would say Spotify or Bandcamp is the best way to hear the music, but it will be on most platforms. We are also going to release this EP on some smaller labels in California and on the east coast, so tapes will be available as well.  Or, if you’re in the bay area you can always come catch a show and buy the new EP on vinyl.


What lies ahead for the band for the rest of 2016?
ALVIE: As of right now we are just trying to book as much as possible until the end of the year. We are planning a tour with one of our Oakland favorites Bones and Bootleggers, but that tour will most likely be in the Spring. We are going to try and book some LA and greater Bay Area shows to keep expanding in California. 


Be sure to follow Alvie and The Breakfast Pigs on all of their latest adventures!



















Tuesday, October 22, 2013

Scorpion vs. Tarantula



This is not your timid 20 something’s on stage staring at their sweat beads on the ground.   SVT bunch play earsplitting, express train punk Rock ‘N’ Roll the likes of which The Valley of the Sun has never seen before.  A singer that prowls around the stage in Blade Runner Replicant makeup programmed with Bon Scott venom and Joan Jett strut and a guitar player that was in one of the best garage punk bands of the mid 90’s, The Chinese Millionaires.  What more can a fanboy ask?   Grab on to something load bearing, I hear the air raid sirens, and the house is beginning to rumble.  Behold, the Scorpion vs. Tarantula Rock ‘N’ Roll hurricane is about to plug in.


Interview by Jay Castro

Whos answering the questions?
Jay Bennett, guitar

Who is in Scorpion vs. Tarantula and what instrument do they play?
L. Hotshot, vocals. Tana Satana, bass, Michael “Cappy” Renfroe, drums.

I noticed you have had quite an assortment of drummers.  Do you think your busy schedule has something to do with this?  You seem to play quite a bit.
Drummers are the most difficult band members to find and they are the most difficult to retain. Ours have come and gone for numerous reasons, but we're happy with the one we've got right now. He's been with us since September 2012.

Band members seem to be from different places around the country, how did you end up in AZ?
L. and I moved here from Chicago in summer of 2005, and we originally are from Michigan, also the home state of Tana. L. and I had been in a band together during our Chicago years. It wasn't until summer of 2008 that we got the notion to get another project going.

What is the origin story of Scorpion vs. Tarantula? 
L. and I put the band together in June 2008 with a drummer called Notah in his house in Glendale. We played our first shows that December. We recorded our first album in the summer 2009 with a friend of Michigan playing bass. Tana joined the band in November 2009. Notah split the band in May 2011 to pursue outside interests. For a while, we had five people. It's been the four of us since February 2012. We made our second album in March 2012. We just recorded our third record a few weeks ago.

Like I said before, you play around the Phoenix Metropolitan area quite a bit, have you taken the Scorpion vs. Tarantula show on the road much? 
Two trips to California is all that we've done. But there will be more, if people will have us.

What are some of the earliest musical influences in your life, when first discovering music as a child that set you on a path to want to start/join a band?
I decided I wanted to play music in the early 1990’s after hearing the early singles and first LP by New Bomb Turks, the early LPs of the Devil Dogs, and the many, many records made by Billy Childish. L. is into much of the same kind of music as I am. Tana likes some of that stuff, in addition to bands like the Muffs, Distillers, and Urge Overkill. I don't know about the drummer. I barely talk to him. He does wear a Descendents T-shirt a lot.

With some of you guys being from the Midwest, I think it definitely shows in the songs,  they have that Motor City toughness to it.  A sound that is pretty indigenous to that part of the country.  Phoenix/Tempe seems to have a large horde of metal fans and thepunkthat is out there, seems to lean toward the hardcore variety.  Although it does seem to be getting better, has it been difficult for you guys to carve out your niche here?
I just really like music from Michigan and the Midwest, and I listened to it most of my  life. Just like people from here are real proud of the musicians that preceded them in Phoenix and Southern California.

As far as carving out a niche, I don't know that we have carved out anything. We've played a lot of shows, seen some good bands, and met some really nice people along the way. I'm not sure what else you can ask for at our level.





People used to buy music and get their water free; now people pay for water and get their music free. How do you think this affects the industry and especially musicians?
I haven't figured out, and probably never will figure out, the best way to apapt to the changes in the music industry. I was in a band in the late 90’s that was lucky enough to have three different national and international labels want to put out various singles and an LP. The LP sold over 3,000 copies, and I even received a royalty check. Three-thousand doesn't sound like a lot, but the idea of selling 3,000 copies now is inconceivable. In a lot of ways, it was all luck and we happened to meet the right people and have them say nice things about us. I don't know how to capture lightning in a bottle again, unfortunately.

As far as getting music for free, that's the way it has evolved, probably to a point of no return. Our music is on Spotify, which for a band at our level, is an excellent service. On one hand, it's frustrating to see that we're getting paid fractions of pennies for the work we've done. On the other, I'm thrilled that a surprising number of human beings are listening to the music I helped create. It's surprisingly given that we have no label, no publicist, no radio exposure. All we have is a Facebook presence and maybe some local word of mouth.

I have followed Scorpion vs. Tarantula on Facebook for a while.  Whoever does the posting seems to have a formidable knowledge and love of pop culture.  What, aside from music, influences you?
Thanks for following us on Facebook. L., the singer, does the majority of the posting because she's really good at it. She has a great sense of humor and a knack for finding good stuff on the Internet. It's the best way to keep in touch with people who may have an interest in the band and what we do. The people in this band generally like all the usual stuff every other white, middle-class, suburban-raised, 1970s and 80s kid grew up with. So let's just say the baseline for everything we do is Kiss and Welcome Back Kotter.

Where can people hear the band?
Spotify, Bandcamp, iTunes, our Facebook page, CD Baby, Amazon. You can buy physical copies at The Record Room, Revolver Records, and Stinkweeds. You can see us at Yucca Tap Room, Chopper John's, Palo Verde, Hollywood Alley, the Ice House Tavern, the Lost Leaf, and numerous other venues.

Whats next for the mighty SVT?
We just recorded our third album. It will be available in the fall. We probably will wind up writing a bunch of new songs and shoot for making a fourth record next summer. We will continue to perform as demand dictates. Hopefully, we will be able to make some out-of-town trips and perhaps even do a weeklong tour or something.