Showing posts with label 1960's. Show all posts
Showing posts with label 1960's. Show all posts

Tuesday, June 17, 2014

The Cheap Cassettes


     In the late 1990’s, The Dimestore Haloes, along with a handful other bands were the soundtrack to my young adulthood. I felt a connection with a lot of these bands not only because of their greatness but also because they were all around the same age as me. Then suddenly they all started retreating back to the corners of the country from which they all came. This was now the mid 00's, a time in underground punk that I call “the dark times.” A time when good bands and labels were few and far between, compared to the salad days of the mid to late 1990's that is.  But now it’s 2014 and the genre is experiencing a resurgence of sorts and Chaz and Kevin of The Dimestore Haloes are back, this time as The Cheap Cassettes, a glam, power-pop powerhouse that hits you like a pair of difibulators to the chest. The Cheap Cassettes are here to send Rock N’ Roll energy back into the pulse less hearts of America!


Interview by Jay Castro

First off, I want to thank you both for taking some time here for us, we appreciate it!
CHAZ: No worries, I’ve got the day off work and I was spending it watching old Kix videos on YouTube. In my underwear, trust me you are not interrupting anything important.

KEVIN: No problem. Glad to be here.

Let’s start with introductions: who are you guys and how do you help fuel the Cheap Cassettes Rock N’ Roll machine?
CHAZ: I play guitar and sing. I write a good portion of the songs. I play Gibson guitars and I use Dr. Rubin’s hair grease.

KEVIN: I play drums, some of the bass, a little rhythm/lead guitar and some backing/lead vocals. I also ended up doing most of the mixing/mastering/album art.

You guys used to be in a much beloved band of the late 1990’s early 2000’s called The Dimestore Haloes.  What led to the decision to put the brakes on that?
CHAZ: It just kind of fell apart in 2003. We had done four full length records and a bunch of singles and had a bunch of different line ups, and it seemed like it had run its’ course. Then Kevin left Boston for Hawaii, so that ended that. I had always kind of hoped we’d do more someday but then after our original drummer, Jimmy Reject died in 2006, it just seemed more definitely over with.

KEVIN: I always end up taking the blame for that one ha ha. Let’s just say that our bass player at the time literally couldn’t play and we had some other issues. That and I followed a girl half way across the world.

I was reading the bio on The Haloes Facebook page and it read “Made some great records nobody heard, played some great live shows few people attended,” do you plan to try a different approach with Cheap Cassettes so that this isn’t the case again?  Do you think if social media was as prevalent then things would have been any different?
CHAZ: Well, the thing for me is this; we are from a different generation of Rock and Roll type people, and unlike a lot of kids today, we never learned to be businessmen. We never had a manager, we never had a booking agent, we haphazardly did everything ourselves, and while we were great at writing songs and playing guitars and looking cool onstage, we were not good at those practical, real world aspects of the business. Looking back, I am satisfied that we are still known and remembered by a clued in elite, for lack of a better term, who were very into the more interesting bands from that era. I think those types of people are happy that, unlike the Dropkick Murphy’s for instance who started out in our scene and quite quickly became more of a mainstream thing, the Haloes still sort of belong to the underground. As far as doing anything different with the Cheap Cassettes: probably not ha ha.

KEVIN: I can’t really comment too much about the records and live shows. I think I played on one 7” and the last album? I was just glad to have been part of the whole disaster! To me, the real Dimestore Haloes was always Chaz, Jimmy, Lorne and Marcus so as far as a different approach: I guess the way we are going about the whole thing is pretty unique. If social media was prevalent when I was in the band I wouldn’t have had to mail out press kits and make follow up calls on my land line phone ha ha.


So the collection of songs you have up on your Bandcamp page (cheapcassettes.bandcamp.com) has been a long distance work in progress.  Recording took place on the east coast and mid west and then there’s Hawaii? How did you end up there and has it been difficult piecing everything together in this manner?
CHAZ: Kevin has lived in Hawaii since the mid 2000’s, I left Boston in 2011 and have lived in Ann Arbor, Chicago and Madison, Wisconsin since then. We’ve done the record one piece at a time, emailing tracks and lyrics back and forth. We only “speak” via text and email. Neither of us likes talking on phones. We’ve seen each other and hung out a few times when Kevin is on the mainland, but we haven’t physically played together in a little over ten years. So it’s a weird thing, but it’s a great Rock and Roll album that came about in an unusual way. We still rock like murder, as somebody once said.

KEVIN: Like I said earlier, I ended up meeting the love of my life and followed her. We ended up coming back to where she grew up, Hawaii. For various reasons we had to stay. It sounds cliché, but it’s true! Chaz approached me sometime in 2010, I think, about making a long distance record. I thought it was a great idea and we kind of worked out a way for him to send me tracks online. I then recorded my parts (drums, some bass/guitars/backing vocals) at my house and mixed everything down. It hasn’t really been difficult at all. In fact it’s been kind of seamless. The only trouble we run into is that we are both really busy and two weeks turns into two months turns into two years.

I loved that you covered “Happy When It Rains” by Jesus and Mary Chain, Darklands is one of my favorite records of all time! Is there any music that you guys listen to that you think may surprise some of your fans?
CHAZ: I listen to everything from old country and rockabilly to power pop, blues, new wave, heavy metal, post punk...I like guitar music, and I like good songs. Genres and haircuts and shoes don’t really matter, as much to me now as they did when I was a feisty youngster.

KEVIN: I suggested that we each pick a song to cover and I ended up choosing that song. I remember having a list of songs that I wanted to tackle and that one just struck me. I don’t think anything I listen to would really shock any of our fans. I have been listening to The Replacements last two albums non-stop for about two months now, that may ruffle some feathers!

Chaz, I read your post How to Be a Well Dressed Man about Town, Spring 2014 Edition on your blog http://chazmatthews.blogspot.com and I absolutely loved it especially that you kept affordability in mind.  Tell me a bit about what led you to write about men’s fashion and have you had any thoughts about a career in that industry?
CHAZ: I’ve always been into clothes, and history, and retro fashion. Even in the Haloes era, I was very into rockabilly and doing the whole ‘50’s thing. It’s evolved since then for me, and a lot of the stuff I’ve always liked is accidentally in fashion now, maybe because of TV shows like “Mad Men” reminding people of how cool people dressed in the ‘50s. I think its fun to write about things I like, that’s what blogging is about I suppose, and one of the things I like is the timelessness of that certain era of style. I also love those old ‘70’s and ‘80’s glam rock looks, but as you get older, those looks don’t age so well. The ‘50s and early ‘60’s look is timeless and it’s also very Rock and Roll. I would include the mod and skinhead fashions with that as well. You can age well in those looks. As for a career in fashion, I wouldn’t have the slightest clue how to proceed there.

Besides the Dimestore Haloes and now Cheap Cassettes, you guys have been involved in a few other musical endeavors, can you tell me about the absolute worst shows you guys played and what made it so disastrous?
CHAZ: Saints In Vain and Streetcar were bands I was in pre-Haloes that never really released anything. All I have for this question is that in the Haloes days, we considered it very punk rock to be under rehearsed and over lubricated with alcohol and that led to a lot of things, some good, some not so good. We considered tuning your guitar to be kind of something fancy rock stars did, and we wanted no part of it. Those were different times.

KEVIN: I wasn’t in any of Chaz’s old bands, so I can’t really comment. I was in a few bands in the mid-late 90’s that nobody has ever heard of though. Sputnic, The Hanks, The What-Nots, Lugano etc. The What-Nots actually opened up for the Dropkick Murphys in 1996 I think. Downstairs Middle East, we sucked so bad. When I was 16, I ran a record label/distro out of my bedroom. I released two 7” records by Sputnic and a cassette tape of a band called Plankton.


There are a lot of retro influences in Cheap Cassettes sound, like old power pop, mod, glam, ‘50’s Rock N’ Roll etc. In your travels, have you found any current active bands that inspire you?
CHAZ: Oh yeah, lots. I love the Strypes. I love almost all of the bands on Wild Records, especially The Dragtones. I love the Crazy Squeeze from L.A., Giuda from Italy, Lion’s Law from France. I like JD McPherson and Nick Waterhouse and John Paul Keith and Nikki Hill. There’s so much, I can’t remember it all.

KEVIN: To be honest nothing new has really grabbed me and shook me in quite a while. I am pretty picky about what I listen to these days. I like to dig back and (re)discover old bands and records. I love The Tripwires from Seattle although they haven’t put anything out in a while. I love when The Figgs release new records. The Swingin’ Utters, The Copyrights. Anything Rusty Willoughby does. The Obits are awesome. Chaz is way more hip to the new bands playing around these days.

What can we expect from Cheap Cassettes for the remainder of the year?  Any tours, new albums etc?
CHAZ: The album will finally have a physical release this year. It’s called All Anxious, All The Time, and there will be a CD to buy some time in the near future. We also have a track on the new Jolly Ronnie/Mooster Records compilation CD. As far as live shows, there are tentative plans in the works and we’ll let you know when we know.

KEVIN: All the songs are recorded and I am currently in the process of mastering the album. It WILL be out this year, we promise. I would love to play out at some point. My wife and I are planning on moving back to the mainland within the next year or so, so you never know. I can already hear people going “Ohhh no.”








Thursday, August 1, 2013

Sonnyskyes


Can weathermen inspire a longtime musician to break out on his own and start his own labor of love project? Well, yes and no. “I felt a kinship to [weathermen] because they perform alone.” Even though the LP The Imaginary Friend Ship was record entirely by himself, Sonnyskyes has enlisted some friends to help him perform his brand of stripped down lo-fi garage pop that ranges from 13th Floor Elevators psych to early 60’s fuzzed out pop live. The debut LP The Imaginary Friend Ship from Sonnyskyes took three years to complete, but has very quickly gathered attention in LA Record, led to shows with Lovely Bad Things and Burger Records agreeing to release the cassette version of the LP.


Interview by Ed Stuart

Who’s answering the questions?
Mike Smith

Where is the band from?
Long Beach, CA

Who is in the band and what instrument do they play?
Sonnyskyes is my personal recording project.
When I do play out, I have a great backing band: Jonny (guitar) and Kevin (drums) from the Crystal Antlers and Josh Teague (bass).

How did the band start?
I have been recording music since high school. My sketches would be handed over to one of the bands I played in and reinterpreted. I am no longer in a band. So, I decided to really get into the recording process and the concept of Sonnyskyes was born.

Originally the band was called Sonnyskyes & The Telepathics. Why did you decide to drop the Telepathics part?
Sonnyskyes is my weatherman name! I felt a kinship to them because they perform alone. I love the idea that weathermen “predict” the weather. So, the Telepathics was what I called my imaginary band.

Since you have played in bands before, was going solo and recording every instrument yourself liberating musically or far more pressure or both?
Liberating yes! But I had to be disciplined which meant I put a lot of pressure on myself. I had to get in the mindset of each instrument and member of The Telepathics. For example, I would define what the Sonnyskyes bass player would do on a given track.  Then I would pretend I was that bass player, lean against the wall, pretend I had a cig hanging out of my mouth and lay down the bass line. I guess every instrument that was not vocals or guitar I had to define parameters for that member of and stick to the script.

What made the final decision to just go ahead, record everything and self-finance the LP yourself? That’s a big decision and commitment? What was the timeframe of the entire process for the LP from the start of the writing to the first press of the LP?
The project took almost 3 years to wrap up.  I worked so hard for so long I felt just a digital release did not do it justice. It became my baby and I only wanted the best for it!
It is a piece of art to me.

At any time during the writing process, did you miss the collaboration that does happen with a band?
Actually no! However once I started rehearsing the songs with friends to play a few shows… I realized how much I missed it! Collaboration through music is kind of unique as opposed to other art forms… not many people get together and abstract paint.

I was reading on the Let’s Die Friends blog, that you were recording bass and drum tracks at lunch? If this is true, how did you not get in trouble? Also that’s pretty cool that there is an available room at your job to lay down tracks.
While recording the “The Imaginary Friend Ship”, I had a band room at work. I would come in early and mic the drums, lay the tracks down at lunch and then eat at my desk.  Sometimes I would record after hours or on weekends too. I also would record vocals there. It was much better than singing in my spare room at home for all my neighbors to listen!

Currently on Bandcamp, Sonnyskyes LP is available in entirety for free. Is there a reason for this? Is a limited time deal?
I actually paid $20 so I have 1000’s of free downloads.
I love this record and I want people who want it to have it.

LA Record wrote, “Sonnyskyes revels in a fresh presentation that eschews predictable and traditionally packaged rock music for a more untutored, irreverent palate. The album wears its lo-fi sensibilities proudly on its sleeve.” Now that the LP is out, how do you feel reading that first batch of reviews that is coming in?
Awesome! I have played in a few bands and feel like I really have not received this level of positive feedback before. My heart went into these songs and I feel that people can hear it!

Sonnyskyes has received some positive praise rather quickly. This has got to be rewarding. KCRW posted on their site about an early show with Lovely Bad Things, good review in LA Record and isn’t Burger Records putting out the cassette version of the LP? Not to mention the LP itself was showcased on the Pirates Press blog. This has got to be great after all the work?
Burger IS going to release a cassette! I pulled the Best Coast cover off the Burger version and replaced it appropriately with my Colleen Green cover. The response has been quite amazing! Pretty awesome considering it is just I recording tracks in my bedroom.

Sonnyskyes have a played a few live shows so far. At this point is this the direction the band is heading?
I am back to writing and recording new songs. This time around I plan on stepping up the production a bit… Maybe recording final drums and vocals at Jonny’s Cathouse Studio. I think it would be cool to record 4 songs and maybe 2 from the “Imaginary Friend ship” with the live band of pals.  All the while see about lining up some great shows.

Where can people hear the band?
Download album(s) on my bandcamp for free!
http://sonnyskyes1.bandcamp.com/

My soundcloud where I post more ideas and demos.
https://soundcloud.com/sonny-skyes

What’s next for Sonnyskyes?
I plan to just keep at it… for whoever cares to listen!









Tuesday, May 14, 2013

The Resonars



     The Resonars are full of the vocal harmonies and jangly guitar melodies that made the early to mid-1960’s so sweet before the Vietnam War changed the social and musical landscape. Originally beginning as a full band, later becoming a solo project for years and now recently becoming a full band again at the insistence of Burger to play this year’s SXSW. The Resonars seemed renewed and full of purpose with an EP and a few LP’s being released and re-released. The band’s brand of Byrds and Hollies influenced songs is poised to introduce them to a whole new set of ears.


Interview by Ed Stuart

Who’s answering the questions?
Matt Rendon
Jeremy Schliewe

Where is the band from?
Tucson, AZ

Who is in the band and what instrument do they play?
James Peters – drums
Isaac Reyes – guitar, vocals
Matt Rendon – guitar, vocals
Jeremy Schliewe – bass, vocals

How did the band start? 
Matt: It’s been a solo recording project since 1997. The performing band started when we were invited to SXSW early last year.

What was the reason to release the Long Lost Thoughts EP where Matt plays every instrument and sings everything by himself after a few releases? Bright and Dark is done the same way with only Matt playing everything too. Has there been a release where the entire band plays on the recording?
Matt: The four-way split released on Trouble In Mind next month will be the first with the entire band.

In 2012, it looks like a full band was brought together for a SXSW performance. Can you elaborate on this story?
Matt: Sean Bohrman called Isaac, and asked if he could cajole me into playing a Burger Caravan show in Tucson and SXSW a week later. Isaac brought in James and I brought in Jeremy.

Jeremy: As far as my end is concerned, I was playing with Matt in another band called The Freezing Hands.  At this time The Resonars was still a one-man show.  Matt was toying around with the idea of making The Resonars a live act.  He asked me if I would like to be a part of it.  I answered yes, of course, with no hesitation.  I had heard a good chunk of his music, though not all of it, and thought it was great.  It was precisely the type of band I wanted to be in.

Do you think music can still be a vital force in such a disposable age?
Jeremy: Music will always be a vital force.  The landscape may have changed—it seems there is a lot more out there now because bands don't have to wait around to be snatched up by a big label in order to get exposure.  With so much music available for a minimum of effort, it does seem to create a lot of flashes in the pan, acts that will probably not enjoy as long a stint of popularity.  That's just the nature of the beast these days.  It doesn't mean that tan act is bad or in it for the wrong reason.  It's just the way of the listening public.  Things come and go quickly—at least that's how it seems to me, but the love of music will always be there in one form or another.

Matt: There’s always gonna be kids, adults too, who need music to reflect their feelings, or to make them feel better so in that sense, absolutely. Can it be a vital force socially? I don’t think so. Everything is too splintered. There are microcosms, like the Burger scene in Fullerton where there seems to be an unending flood of talent, bands exchanging ideas and influencing each other, it’s a culture. Of course, that is an observation from an old fart in Tucson, I could be completely wrong.

How do the band hook up with Burger? It looks like Burger put out Crummy Desert Sound, That Evil Drone and re-released Bright and Dark.
Matt: I had That Evil Drone recorded and the label I was on at the time didn’t seem that interested. I was despondent and ready to quit making records when the Makeout Party rolled in to Tucson. Sean and Lee had just started Burger and I kind of sheepishly asked them if they would want to release it. They were genuinely excited to do it, and as anyone can tell you who knows them, their excitement is pretty contagious.

How is the Tucson scene? Are there any similar bands that play in the same vein as The Resonars?  I know Tucson is known primarily as a college town with University of Arizona being there.
Matt: The Tucson scene is OK. There needs to be more youth and there are some new bands I’m genuinely excited about. The Resonars are pretty unpopular, though. People think we’re too loud and we’re not arty, gimmicky, or doing the Americana thing.

Jeremy: Not being from Tucson originally, I don’t have as good a grasp on the "scene" as the other Resonars do.  It seems to me that what we're doing is fairly unique, in that our sound does have a heavy sixties rock influence.  There are certainly other bands I enjoy seeing here, but I can't think of any others that go for the sixties vibe to such a degree.

It looks like the band is playing Europe in the fall. Do you know any bands The Resonars will play with? How excited is the band for this opportunity?
Matt: Yeah, we’re touring Europe in September/October with a bunch of other Trouble In Mind bands. We’re so excited about it that we’re all willing to give up our jobs to do it.

Jeremy:  Personally, I'm really excited for this tour.  It's a great opportunity to see some cool places and share what we do with another chunk of the world.  I know we'll be playing with Mmoss, which will be awesome.  I'm a big fan of their stuff.

50 years ago people used to buy music and get their water for free, now people pay for water and get their music for free. How do you think this affects music in any way?
Jeremy:  It has its good points and bad points.  Growing up, it was much harder for me to get my hands on music.  I had to scrape up the money for it and hope that one of the local dealers had something in their stock that was to my liking.  I get a little envious of the younger generation sometimes because of all the easy access they had to music from a young age.  I wonder sometimes if I'd be a different or better musician if I had what they did.  In the end, though, I think that this wide availability—whether it's paid for or not--is a positive thing since it's all for the love of music.

Matt: Whereas I, as a kid, would have to wait months to find a copy of say, a Pretty Things record, today’s kids have access to it instantly. Someone tells them about a band, it sounds interesting, and they can hear them that minute. I think for people who are looking to be inspired, it’s definitely a good thing.

I’ve read a couple interviews where The Resonars records where done primarily with a 4-track. In blurt-online there is a quote “I got a hold of a four-track reel-to-reel and it ended up breaking. I got an eight-track reel-to-reel and didn't like it. Then I started working with an ADAT and that sound was far too clean. I also tried an eight track cassette, but nothing seemed to work," he says. "I was getting more and more frustrated, until finally I just said ‘fuck it' and went back to the original four-track cassette.” How influential is that in the sound of the recordings? What is it about the 4-track that is so special in the recording process?
Matt: It’s the only machine I’m truly comfortable with. I’m a total dunderhead when it comes to machinery and recording technology. With that 4-track (it’s a Vestax MR-44, by the way) I can hit record and not worry about the bullshit and just focus on the music. I got it to the point where I can make it sound at least as good as any 1960s garage-punk recording.

"Photographs, if you give them the time, they can almost create a sound. You start hearing the soundtrack behind this photograph. It doesn't matter what the images are, they always sort of set something off[.]" Most bands usually just use life experience as a lyrical starting point. What brought about the photograph idea?
Matt: I don’t even remember! I think I was just leafing through one and a song popped in to my head, and then another, and another.

Where can people hear the band?
http://www.reverbnation.com/theresonars

What’s next for The Resonars?
Jeremy: I am going to keep rocking with these fine fellows.

Matt: We need to start recording a new LP, the first to be recorded by a full band. We tour Europe for three weeks in September/October. After that, who knows? I’d like to stay on the road!


Photo credit by Jessie Jones.




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