Aerosol Burns – Afraid Of The Phone 7” (Pogo
Time)
Chris Parker
from Chain Letters has written another two songs under a new band name called
Aerosol Burns. While Chain Letters had Sophia from Young People With Faces on
vocals, this time Matt Mayhem from No Tomorrow Boys and Young People With Faces
takes over the vocal duties. As you can see Parker likes to keep his
connections close and much like Chain Letters, Aerosol Burns members are spread
out all over the globe. Both songs on Afraid
Of the Phone are power-pop nuggets like rougher, edgier
Buzzcocks/Undertones with the pop simplicity of Protex. Aerosol Burns is rough
around the edges in all the right places so the melody doesn’t get buried. For
fans of ’77 punk-power-pop this is a must. – Ed Stuart
Andy California – My Dying Bed 7” (Slovenly/Black
Gladiator)
Andy California
is writing the songs like he has moonshine in his veins instead of blood. My Dying Bed is backwater blues and
generated from the kind of backwoods even the locals might be scared to venture
into. Think the area of the crimes in True Detective season 1. Andy California
is bringing back the hillbilly blues and sounds like he recorded it much the
same way as they did back so many years ago. The songs are so primal that they
may well as have been played by a caveman. – Ed Stuart
Avenue Z – Azimut LP (Slovenly)
The origin story
of the name is this; Avenue Z is the last street before you hit Coney Island in
Brooklyn, NY. Coney Island is the famed home of the Cyclone roller coaster,
Nathan’s Hot Dog eating contest and the beach The Warriors need to get back to.
The band, Avenue Z, does not offer any ode to ‘70’s era Brooklyn. Instead
Avenue Z plays a mix of fuzzed out synth riffs much like Lost Sounds would, but
also adding instrumentals that having slowly building melodies. Avenue Z is a
mix of Catholic Spray and Magnetix and Azimut
is sung entirely in French. Azimut is
more set for the aural landscape experience that needs to be given time to
develop and set the mood. – Ed
Stuart
Birds of Paradise – Fremont St Experience Cassette
(Shake!)
Birds of
Paradise are Hannah Lewis and Roy Vucino. Vucino is involved with Red Mass and
PyPy just to name a few. About two songs into this release, Birds of Paradise
switch musical gears. “A-Bomb Baby” sounds like a straightforward 60’s stomper
mixed with a touch of The Normal, but the following song is nothing like it.
Fremont St. Experience is a more ‘60’s influenced pop once you get past the
early psych songs. – Ed Stuart
Bloodtypes – Pull The Plug LP (P.
Trash/Bomb Pop)
We have been
receiving a lot of good second and follow-up LP’s, here at the Audio Ammunition
flying fortress and Pull The Plug
keeps this streak going. Bloodtypes origin story is nestled in the Portland
wetlands former Epoxies members met a German expatriate and The Bloodtypes were
born. They subsisted on a steady diet of Rezillos, Blondie, Epoxies, Sci-fi,
space travel, new wave and ‘80’s synth-pop and that diet has morphed into their
second LP, Pull The Plug. The
Bloodtypes are serious and campy like a blood soaked surgeon at a restaurant
asking, “Can I have more ketchup for my burger?” In their case, its fighting
nuclear catastrophes and cyber invasions with sexy spies all to a cool pogo
inducing beat. – Ed Stuart
Bullnettle – S/T LP (Dirt Cult)
Annie from This
Is My Fist! and Manipulation has a new band called Bullnettle. Bullnettle, a trio based in Chicago,
plays a mix of ‘90’s lo-fi rock n’roll grungy punk-pop. The vocals are raspy
and the music at times reminds me of what early Tenement, early Mudhoney and
early Superchunk were doing. Bullnettle plays tight, concise, dirty, melodic
punk-pop. It’s the kind of songs that were abundant in the late ‘80’s – early
‘90’s before the majors swooped in and over-produced this type of music. This S/T could have fit in right on a Sub Pop
or Merge roster of that era, but now Dirt Cult continues it’s run of form and
Bullnetle is worth listening too. – Ed Stuart
Colour Me Wednesday – Anyone & Everyone EP (KROD)
The new four
songs from Colour Me Wednesday are made up of dreamy pop-punk from by the
Doveton sisters. The band is a four-piece on record, but three-piece (only the
girls) in the photos. Colour Me Wednesday floats somewhere between pop-punk and
indie with very positive lyrics, most notably on “Two Fifty For You Girls.” “In
Your Shoes” is a track that seems more indie than punk and flirts with
Pulp/Spector territory, but the other three tracks are more of the Colour Me
Wednesday shown on previous releases. – Ed Stuart
Copout – Spray Paint EP (Toanol)
Spray Paint, the debut EP by Copout, is heavily
influenced mostly by, you guessed it, Black Flag and they even cover the song
as well. Copout, who are made up of members of Fourfuznies, are not solely
worshipping at the altar of Black Flag (pre and post Rollins eras), but are
adding touches of Lifetime style melody and Kid Dynamite quick bursts of energy
and bits of Dag Nasty. – Ed Stuart
The Country Dark – Hypnic Jerk LP (Humu)
Hypnic Jerk is the third LP from these Finnish dirty
garage boys. The Country Dark reminds me of The Cramps, B-movies, outlaw road
races, biker bars and danger. One of the things I find really impressive that
The Country Dark plays American Roots rock n’ roll so well you would swear they
were American. That’s a testament to them and the global influence and access
of musical culture. – Ed Stuart
Disasterbaters – S/T Cassette (Shake!)
‘60’s garage
stompers that could go well with a Back From The Grave or Trash Rock comp.
Disasterbaters channel their inner Yardbirds-esque on their S/T release. Disasterbaters play a tried
and true ‘60’s influence with songs may not only stomp, but rock too. – Ed Stuart
Divers – Achin’ On 7” (Dirt Cult)
“Achin’ On” is
like Elvis Costello, Mick Jones, Bruce Springsteen and Paul Westerberg decided
to write a song together, but didn’t rely solely on their writing styles and
talents only. Divers, from Portland, sound is current and from the past at the
same time. They have the sound of older bands (like the songwriters I
mentioned) with the sound of newer bands (imagine a slower Modern Pets or
earlier Gaslight Anthem). Divers are hot off the heels of their debut LP, Hello, Hello and this single won’t slow
them down. The B-side, “Can’t Do That,” is a Dead Moon cover. Bouncy ’77 style
punks with bits of new wave, post-punk and blue collar. – Ed Stuart
Earl Grey – Passing Time LP (KROD)
Pop Metalcore? I
wasn’t really sure at first how to describe this for a band I’m guessing is
named after British Tea. At times, the band has Lifetime style breaks and plays
melodic hardcore, but the singer does more talk/scream than singing. In their
bio, Germany’s Earl Grey is compared to Man Overboard and As It Is, but I think
of bands like 88 Fingers Louie or even Lagwagon. It’s a blend of
pop-punk/metal/hardcore that I would think the kids would be all over. – Ed
Stuart
Earth Girls – Someone I’d Like To Know 7” (Dirt
Cult)
Liz from Libyans
and Broken Prayer fronts this punk-garage-pop power trio. Yes, you read that
right especially if you remember Broken Prayer. On Someone I’d Like To Know, Earth Girls play catchy summer pop. Someone is full of cheer and happiness.
Earth Girls really rely on Liz’s vocals provide the bulk of the melody on all
four songs while the band carries on at more of a straight ahead punk pace.
It’s a system that worked well for the early Thermals and works for Earth Girls
on this 7-inch. – Ed Stuart
Endless Mike & Beagle Club – Saint Paul LP (A-F)
Pittsburgh
native Mike Miller, better known as Endless Mike heads this musical project.
Endless Mike & Beagle Club is an expansive band/project built on parade of
musicians, instruments and emotive lyrics. The lyrical idea is not retelling
the life of Saint Paul, but Mike connecting a personal journey to Paul’s
journey. Paul, the apostle who originally called for the persecution of Jesus’s
followers until he was stuck blind and his sight later restored, who became one
of Jesus’s biggest supporters. On Saint
Paul, Mike, while not comparing himself to Paul, is spending numerous songs
about life experiences and the choices the affect that life. Musically, this is
a mix of punk, folk, singer/songwriter and indie with a troubadour that is
reaching for a connection with the listener. – Ed Stuart
Evacuate – Blood Money LP (Evacuate)
San Diego much
like other parts of Southern California falls under the LA/OC shadow unfairly
and doesn’t get recognized as a scene of it’s own. While sometimes seems being
categorized as the mellow one of the So. Cal cities, Evacuate didn’t get the
memo. Since 2007, Mike (Cheap Sex, Virus) and Karlos (Lab Rats) have been
leading Evacuate into battle. Blood Money,
the band’s third LP, is socially and politically conscious punk/hardcore that
does it right. These guys are pros and know when to shift gears from sing along
choruses to straight up hardcore assault to technical breakdowns. I think what
some people miss about punk/hardcore is that it’s not about playing fast all
the time, it’s about balancing anthemic, technical and melodic parts without
losing the song’s energy and musical flow which Blood Money does. – Ed Stuart
The Falcon – Gather Up The Chaps LP (Red Scare)
Well, apparently
what we have here is a release by an honest to goodness punk rock super
group. It’s got members of the
Lawrence Arms, Alkaline Trio, and The Loved Ones in its roster. I own one or
two older records by each of these bands but I don’t know much about any of
them, none were really my thing. I
remember liking The Loved Ones best though. From what I’ve heard this band
released an LP about 10 years ago and it was a big hit with the kids. This
album is full of impeccably produced punk songs with meany pants vocals, thick
muscular sleeveless guitars, and angrily pounded drums that will justify you
walking around wearing that sour look on your puss. - J Castro
Fire At Will – Life Goes On LP (KROD)
Life Goes Out is the third LP by French melodic
hardcore Fire At Will. After listening to a lot of newer melodic hardcore bands
it makes me think Rise Against is more influential than I would have ever
thought. Fire At Will plays an aggressive brand of Rise Against/Strung Out/Good
Riddance with tough breakdowns, high energy and melody. – Ed Stuart
The Forty Nineteens – Rebooted LP (Self-Release)
This is the 2nd
LP by this Temecula, CA band (I believe) and they also have quite a few EP’s
under their studded belt as well.
They play loud, solid, black slacks black biker jacketed, bar brawling
rock n’ roll. They even have a piano player! To me it’s similar sounding to maybe San Diego’s Dragons (I
miss them so) and newer Social Distortion stuff. They list Dramarama, The
Plimsouls and Tom Petty as influences as well, which I certainly hear infused
in their music as well. They’ve got songs about Zombies, Selfies, and Dodge
Chargers, there’s something even for the kids on this record! I would love to
see a New Trocaderos/Forty Nineteens tour someday. If any of the band members
of either band is reading this, look each other up and make it happen! - J Castro
Foster Care – Sterilization LP (Total Punk)
Short, sharp and
ferocious, kind of like a really agitated badger. Imagine said agitated badger
in a bag. Now if you would be so kind as to imagine having someone place that
bag over your head and this will place you in a similar mental state as
listening to this new Foster Care LP by our comrades over at Total Punk. In my
opinion, the best straight up punk rock label in America right now. They don’t
tinker around with frilly junk or artsy experimental BS. They scrape down deep
into the gutters for their bands. And when these bands come out, they’re really
pissed off and that’s when Total Punk captures them and distributes this
bottled aggression to the good people of the planet. This record is an example
of that, rest assured it will leave severe bruising. – J Castro
The Guests – Red Scare ‘15 EP (Sabotage)
The Guests
really have the ‘80’s down so much that this EP could be passed around as a
lost recording from that era. Red Scare
sounds like The Cure, The Smiths, Echo and The Bunnymen, and Psychedelic Furs
along with other UK new wave influences. What makes The Guests (who are also
members of Sheer Mag), so interesting is that they focus on the early songs of
these bands before the keys became a bigger influence. On Red Scare, The Guests have nailed the sound and songwriting without
being a clone band or nostalgic for nostalgia’s sake. If you were a fan of
these aforementioned bands, you really need to give this a listen. – Ed Stuart
Healing Waters – Water Cassette (Shake!)
Healing Waters
is David from Girlfriend. Healing Waters is lo-fi bedroom pop and it’s heavy on
both. Water does seem to remind me of
early-mid 80’s Bauhaus, Echo and The Bunnymen with its effect-laden melodies
and bits of musical interlude. – Ed
Stuart
Heavy Times – Black Sunglasses 7” (Hozac)
Chicago’s Heavy
Times are one of those bands that are great to listen to, but when it comes
time to write about them; not so much. No matter what I say to try to describe
them to you, I’m going to be doing them a disservice. They’re one of those
bands that in my opinion defy rock sub-genres or transcend them so much that
the lines begin to blur. They’ve got a lot of energy and presence and there’s a
rawness to their music but the vocals remain at a constant defiant drone. Some of what I can hear is Husker Du,
Devo, and maybe some early Pere Ubu and Psychedelic Furs thrown in there for
melodic purposes. This Chicago band has been around a while and judging by the
weight and density of this EP, I don’t think they’re going anywhere anytime
soon. – J Castro
Kill Her First – Born To Be Strong EP (KROD)
German Screamo
rockers Kill Her First are back with their new release, Born To Be Strong. The band plays a newer hardcore more influenced
by Rise Against than Minor Threat. Kill Her First is a mix of
metal/hardcore/punk with two different singers, one who screams and one who
sings. It’s clear from the start that Kill Her First have an axe to grind and
that leaves them not wanting for topics or anger. – Ed Stuart
Jukebox Zeros – Count To Ten CD (Rankoutsider)
Some how we
missed the Jukebox Zeros party, we lost our invite, but we stumbled into the
much later after party. Jukebox Zeros is meat and potatoes, dive bar punk rock
n’ roll with nods to Heartbreakers/Dolls mixed with The Humpers’s loose and
booze attitude. Jukebox Zeros features Peter from Thirteen and while the band
is from Philly Count To Ten shows the
band flexing their ‘70’s Bowery-era muscles and playing for the fun of it.
Another helping of meat and potatoes please because Count To Ten brings me comfort. – Ed Stuart
Juvie – You Ain’t Gonna Rock and Roll No More LP (Surfin Ki)
Travis Ramin
(Tina and The Total Babes, Nikki Corvette) has led Juvie into ‘50’s territory
on their debut LP, You Ain’t Gonna Rock
and Roll No More. The opening track, “Hot Lisa,” sounds like a Dave Edmunds
number or cover he would have done while “Little Diane” has more of a doo-wop
feel. You Ain’t Gonna Rock and Roll No
More leans more to the rock n’ roll than previous releases without losing
their glam touches, listen to “Love Crunch.” It’s like the NY Dolls with
touches of Buddy Holly/Little Richard and power-pop. – Ed Stuart
Killer Kane Band - S/T 7” (Hozac Archival)
This record was
made when that buffoon rip off artist Malcom McLaren squeezed the life out of
the New York Dolls and Killer Kane went out, grabbed some buddies and formed a
new band. Among those he enlisted
for this band was Blackie Lawless, future front man of hair metal maniacs
W.A.S.P.. This record doesn’t contain the manic energy the Dolls did though.
The first song “Mr. Cool” is a mean, lurking Alice Cooper slow burner. The
second, “Long Haired Woman” is a power packed Stooges number and the third song
seems to tip the hat to the MC5 with a song called “Don’t Need You” that’s
built around a fantastic heavy guitar riff. All of these songs were remastered
by the band’s original guitar player Andy Jay and they sound terrific. A must
have for any rock n roll fan!
- J Castro
Kitchen’s Floor - Battle of Brisbane LP (Hozac)
A new LP from
this long running peppy as a prancing puppy Australian bunch. In all
seriousness though, this is one for the gloom and doom hall of fame. This
record should come packaged with a black cloak! Just like Mad Max, Kitchen’s
Floor world is “fire and blood,” but add coldness and despair to that list. The
music isn’t dismal though, these tunes move pretty steadily past you like a
tank rolling over rocky terrain. It’s the vocals that are the element that
keeps steering the mood into anxiety and darkness. The first thing that comes
to mind of course is Joy Division but these guys aren’t Interpol type copyists.
The music is heavier and more chaotic like if Ian Curtis had fronted Mission of
Burma or something. Another solid release from the maniacs at Hozac! - J Castro
The Lashouts – State Of Excess LP (Self-Release)
State of Excess, the bands follow up to 2011’s Elation and Shame, is produced by
Stephen Egerton of Descendents/All fame. The Lashouts have a heavy helping of
All and Descendents influence and the songs Egerton would have written.
Remember the ones with bits of jazz and rock riffs thrown in. State of Excess, which is mostly billed
as pop-punk does have quite a bit of rock and polish to go with the punk. – Ed
Stuart
Leftover Crack – Constructs of The State LP (Fat
Wreck)
Has it really
been over 10 years since Fuck Word Trade
was released? Yes, it has been that long. Leftover Crack features members from
Choking Victim, F-Minus, Star Fucking Hipsters, Intro5pect, and so many more. Constructs of The State continues the
band’s musical mix of ska, crust, metal, hardcore, anarcho punk with
politically and socially aware lyrics. Leftover Crack effortlessly blends all
the aforementioned styles into a seamless hybrid it makes you wonder how some
other bands can’t pull off just one style. Constructs
of The State picks up as if the band wasn’t on a ten year plus hiatus,
which is a testament to the songwriting and musicianship. The timing of this
latest release is ingenious considering the heated ongoing presidential race. – Ed Stuart
The Lippies – S/T LP (Red Scare)
The Lippies are
from Grand Rapids, Michigan and are a self-proclaimed feminist pop punk
band. The Lippies have also made
one of the best records I’ve heard so far this year. And that pop punk part of
the label they slapped themselves with …puh-leeze! They’re way better than that. Yeah, the tunes are really catchy but they’re scrappy and
heavier than you’re run of the mill cheese ball “pop punk” band wearing ball
caps and baggy shorts. I hear
ghosts of The Avengers, Sick Things (UK) and even Tilt’s Cinder Block in
vocalist Tonia Broucek. The rest of the band is right there to match her in
power and style. Rolling Stone Magazine can keep their Tacocats and Colleen
Greens, The Lippies just kicked out a real bona fide contemporary punk
record. - J Castro
Low Levels – S/T Cassette (Shake)
Low Levels is a
high-energy post-punk/punk/art band from Vancouver. The band features members
of WPP, Hanson Brothers, and Devil’s Eyes. On Low Levels, the band utilizes the guy-girl sing trade off weapon
effectively. Low Levels has found a good balance between punk energy and
post-punk technique, which reminds of what early Fugazi was doing when
combining both influences. –
Ed Stuart
Made in Japan – Instant Hit EP (Hozac Archival)
The story of
L.A.’s Made in Japan is an unfortunate one, but sadly one that’s heard all too
often. This is another “slipped
through the cracks” tale of a brilliant band that somehow fame and/or
recognition eluded. They were featured in the 1980 horror film New Year’s Evil where they caught the
ear of the Hozac folks. They were never signed and released only one other
promotional 7” back in the day, but only to promote the film. Their music is of
course MAGNIFICENT. It’s like The Nerves mixed with the Jam and stirred up with
an Alex Chilton stick. It’s a slice of late 70’s/early 80’s New Wave/Power Pop
in its most glorious light. How this band never got any bigger is definitely a
mystery of the ages. - J
Castro
Marriage + Cancer – Killjoy 7” (Dirt Cult)
After reading
some articles about Marriage + Cancer the band was described, sometimes by the
band themselves, as either melodic punk or pissed pop. Killjoy is dark, haunting and more akin to a nightmare sequence in
a horror movie or psychological thriller. Yes, there are punk parts, briefly in
“Nothing’s Wrong When Nothing’s Real,” but it doesn’t drive the songs as much
as the sparse melodies. “Killjoy” reminds me more of ‘90’s alternative with
dark grungy riffs and angular melodies. Marriage + Cancer arose from the ashes
of Nucular Animals and are trying to supplant themselves into your dark wave
visions. – Ed Stuart
Mike Bell and the Movies – Room LP (Lame-O Records)
All too often
self-proclaimed power pop bands sway a bit too much to the “pop” side and their
music turns out too sugary and gooey for me. Or it’s a too “power” and just
ends up being mediocre punk with some sugar sprinkled on top, which quite
frankly just sounds ridiculous.
Both the “power” and the “pop” must be equally represented in the mix
darn it! Well, Philadelphia’s Mike Bell and The Movies hit the mark ever so
true. Fast tempos, catchy as a cat’s claw guitar riffs and vocals that can
sound both heart felt and snotty all at once. The band describes themselves as “Power Pop through the lens
of Pop Punk.” I couldn’t have said that any better myself. This is one of my
favorite records I’ve heard all year! - J Castro
Mind Spiders – Prothesis LP (Dirtnap)
Mind Spiders, a
Denton, Texas supergroup of all-stars featuring members of Marked Men,
Radioactivity and Bad Sports, are back with their fourth LP, Prothesis. Mind Spiders have a Devo
(Freedom of Choice/New Traditionalists era) crush, but add darker brooding
synth-pop influences to help drive the songs.
In some ways, Prothesis acts as one
collective experience and not separate songs much like a movie soundtrack
worried less about hits and catchy choruses and more on soundscape. – Ed Stuart
Mo Troper – Beloved LP (Good Cheer)
Morgan Troper
better known as Mo Troper (Your Rival, Sancho) is writing the songs that I
remember hearing in the late ‘80’s/early ‘90’s alternative radio heyday. An era
where Weezer’s Blue LP was a radio staple and MTV played music videos (I know
its hard to believe now) for “Sweater Song” and “Buddy Holly” in regular
rotation. Beloved captured this era
along with bands like early Superchunk and Dinosaur Jr. where the songs weren’t
fast enough to be called punk and the pop melodies were hidden in the lo-fi
recordings of distorted guitars and earnest vocals. – Ed Stuart
Pat Todd & Rankoutsiders – Blood and Treasure LP (Hound Gawd)
Pat Todd was the
frontman/songwriter of The Lazy Cowgirls, which was an LA institution for over
twenty years. Now, Pat Todd and his band of Rankoutsiders have been playing
tried and true rock n’ roll by a man who lives, breathes and bleeds the genre. Blood and Treasure is the fourth LP for
Pat Todd & Rankoutsiders, which blends rock n’ roll, country and blues.
It’s music without flash and gimmick, typically undervalued in LA, and is
delivered with honesty and heart. – Ed Stuart
Pears – Green Star LP (Fat Wreck)
Pears, after the
release of Go To Prison, in some ways
have become the hardcore darlings of the block. Last year saw the release of Letters To Memaw on Fat, which might
have worried some fans of Pears initially, but that worry should go away after
listening to Green Star. First of all
“Snowflake” and “Anhedonia” were re-recorded for Green Star and production wise it’s a lot better. Pears took more
time on their song craft for this follow-up and it shows. Go To Prison is shotgun blasts of high energy, which is a good
recipe for hardcore, but Green Star
keep the fury and adds pop, melodic catchy choruses, and technical breakdowns
without losing the fury. – Ed Stuart
Prix – Historix LP (Hozac Archival)
Long lost tapes
from power pop royalty Chris Bell, Alex Chilton and a host of others finally
see the light of day here in America. Apparently this record was released in
2002 on CD in Japan only. Why they were the lucky sole recipients of this album
back then I will never know. But the good folks at Hozac have rectified that
situation. This record is pretty much what you’d expect from these Big Star
alums; tender, hyper melodic, earthy rock n’ roll songs about finding love,
losing love and wishing for love. When it boils down, that’s what most good
rock n’ roll is about right? As you’d expect this record ain’t no slouch, it’s
pretty fantastic especially if you’re a fan of early power pop like Big Star,
Raspberries, and Dwight Twilley.
- J Castro
Quitters – Move On To Honest Things EP (KROD)
Quitters mixes
punk, indie and melodic hardcore. “I Think About this Things When I’m Drinking”
opening riff is something from early Get Up Kids/early Menzingers and continues
on ‘90’s-’00’s pop-punk path. “Runaway” is more of the same, but with some
gruff/tougher vocals in there. Move On To
Honest Things does have a lot in common musically and stylistically with
the major label bands of this genre.
– Ed Stuart
The Raydios – Craps 7” (Secret Mission)
With Fink as the
singer of your band, that band will never really suck, that much is a given.
This is a guy that helped define the modern garage punk sound. He’s the real
deal, a real honest to goodness living rock n’ roll titan. Heavily influenced
by bands like The Real Kids, DMZ, and all things fast and trashy form the mid
to late 1970’s. This is what he brings to the table, and it’s more than enough
to satisfy everyone in the band and anyone listening to the records he’s made
that have any sense of what real rock n’ roll is supposed to be about. This
record is no different. Two songs
of lo-fi rock n’ roll with a power pop backbone. Buckle up tight boys and girls
because this one’s another neck breaker.
– J Castro
Red Mass – EP Rouge N.2 EP (Slovenly)
Much like Avenue
Z, Red Mass is another band on Slovenly’s Mondo Mongo imprint label. Mondo
Mongo being geared more for bands that sing in their native language instead of
English. Red Mass is the brainchild of Roy Vucino (Birds of Paradise, Py Py,
CPC Gangbangs) and is a revolving music project. Red Mass has featured over 100
different musicians in its history. EP
Rouge N.2 is sung entirely in French and is “recorded as a tribute to the
French-German Satanic horror drama “Possession” (directed by Andrzej Zulawski)[.]”
Red Mass mixes early metal with drum machines, punk with goth and industrial
influence for this dark EP. – Ed Stuart
Sandratz – Social Swarm Cassette (Shake!)
According to an
interview I read with Sandratz, Ft. Lauderdale is a party city and far more
gritty of an area than Miami. While they know South Florida better than I do, I
can say that Sandratz’s Social Swarm
is a garage punk fuzz blast that mixes touches of Sonny Vincent NYC rock n’
roll with bits of garage freakout. Sandratz is self-proclaimed trash rock band,
but what they leave out is that they lean heavily on the punk while keeping the
rhythm shakin’. – Ed Stuart
The Sangomas – Giddyup & Destroy Cassette
(Shake!)
Wow! Giddyup & Destroy sounds like it
would be more at home on Hound Gawd, but Shake released The Sangomas debut LP
instead and it is a scorcher. The Sangomas are guitar-fueled mayhem that has
one foot in the punk pond and the other in the rock one. Sangomas would fit
right in with Hellacopters, Gluecifer and Backyard Babies style of rawk n’ roll
that isn’t afraid to show it’s guitar chops and solos. – Ed Stuart
The Sick Things – S/T Cassette (Shake)
I believe these
songs were originally released as demos by the band before Shake! decided to
put them out on this S/T release. The
Sick Things are a mix of ‘70’s glam/punk/rock/American Power Pop. It’s like
“American Girl” Tom Petty had the Heartbreakers made up of Badfinger, KISS,
‘70’s era Stones and Thin Lizzy instead of his Heartbreakers. Sick Things, made
up of Sangomas, Barn Burner and Windpisser, are not afraid to solo and use
cowbell most notably on “Dog Days,” nor are they afraid to add some glam and
American Power-pop touches like they do on “Empty Castles.” This is the
soundtrack of kids hanging out, listening to records, kissing in bedrooms that
choose to live dazed and confused. – Ed Stuart
Spectres – Utopia LP (Sabotage)
First of all,
this is Spectres from Canada not Spectres from England. Utopia, the band’s third LP, is a post-punk/mid ‘80’s musical
playground featuring the likes of Sisters Of Mercy, Cure, Joy Division, and
Psychedelic Furs. There are a lot of bands in this musical space, but Spectres
are good at what they do. It seems to be a key ingredient with post-punk bands
that add musical texture and atmosphere is to have the songs work together as a
unit and Utopia does just that. – Ed Stuart
Spring Breaks – Wimp Cassette (Shake!)
Spring Breaks
features members from Riff Randells, Hotel Lobbyists and What’s Hot. Wimp is a quick tempo, female fronted,
high-energy bratty punk with an ’82 speed, but a lo-fi lack of polish. Spring
Breaks don’t take their foot off the gas most notably on “Wimp,” and
“Montreal.” “Phil and Ronnie” is the exception, which almost sounds like a
cover in comparison to the other four songs on Wimp. – Ed Stuart
Tenement – Bruised Music Vol. 2 LP (Grave
Mistake/Toxic Pop)
First of all, Bruised Music Vol. 2, is not the
follow-up to last years opus Predatory
Headlights. Bruised Music Vol. 2
is the companion to Vol. 1 of the
same title that came out a couple of years ago. This release covers the
Tenement period from 2011 to about 2015. It’s a collection of singles from LP’s
Napalm Dream and Blind Wink, but also shows them experimenting and incorporating
with string instruments and moving slightly away from their melodic pop-punk
sound. “Books On Hell and Sermons” goes into Spoon territory while “Jet Plug”
is a toy piano ditty that reminds me of Sebadoh’s indie-bedroom pop. I like the
songs like “You’re Life or Mine” and “The Way It Seems” but that’s me. Tenement
is a modern day Husker Du and Jawbreaker with a prolific songwriting output
that is the envy of any band. – Ed Stuart
This Life – Stories of The Year EP (KROD)
Intense
metal/hardcore band with vocals that are screamed more than they are sung. This
Life is another French hardcore band that focus on the political and social
topics. Stories of The Year, is the
band’s new release after a couple of EP’s. – Ed Stuart
Ton Ton Macoutes – Dinero 7” (Slovenly/Black
Gladiator/Shit In The Milk)
In
Haitian/Creoele folklore, the Ton Ton Macoute would kidnap and punish unruly
children by capturing them in his gunnysack. This band is made of members from
Wau and Arraghs, Necromancers and The Haunted. Dinero is a blues/garage/swamp/punk mash up much like The Gun Club,
Cramps and The Scientists from this Spanish foursome. Primal, lo-fi, and sharp
around the edges on the first two tracks, but displays a more tender side,
albeit minor, on “Oh No.” – Ed Stuart
Topsy Turvy’s – I Expect Nothing and I’m Still Let Down EP (KROD)
One plus of
globalization is that if you are a fan of particular genre of music you could,
in theory, go to another country and find a scene of that genre. For example,
Topsy Turvy’s are from France, but if you weren’t told this, you might believe
they are from the USA. I Expect Nothing
and I’m Still Down goes between faster pop-punk like Face To Face and more
traditional ‘90’s-‘00’s pop-punk like Menzingers/Direct Hit. Topsy Turvy’s
proves there is a global scene to keeping pop-punk alive that the big labels
wrote off in the ‘90’s. – Ed
Stuart
Traumahelikopter – Look The Other Way 7” (Bachelor)
Upon first
listen of “Look The Other Way,” I
was thinking this sounds like a Pixies riff as played Jesus and Mary Chain.
“Look The Other Way” would, and should, be a radio hit, but it probably won’t
because it’s not Autotuned to soulless perfection. The sparseness of the
opening riff on “Look The Other Way” has throwbacks to early post-punk, new
wave and even bits of early college rock and so does the chorus. “No Hope” is
more entrenched in the Jesus and Mary Chain meets a light touch of My Bloody
Valentine with some comparisons to The View. Traumahelikopter definitely pulls
from all the right ‘80’s and early ‘90’s references of the era before
alternative became a dirty word. –
Ed Stuart
Useless Eaters – Temporary Mutilation EP (Slovenly)
Useless Eaters
take a musical turn on their new EP, Temporary
Mutilation. Early Useless Eaters releases like Desperate Living were more of a mix of equal punk and art damage. Temporary Multilation is more focused on
the post-punk/art damage with a The Fall, early Christian Death influence
especially on “Scene + Sequence.” The musical progression is akin to when Wire
followed up Pink Flag with Chairs Missing and you realized you
needed both. – Ed Stuart
Van Dammes – Better Than Sex EP (Vild)
First of all on Better Than Sex, the Van Dammes have
really streamlined their sound. On their debut VD EP, Van Dammes were more fuzzed out, a little slower and content
to show their influences more directly. On Better
Than Sex, the songs are more confident, choruses are catchier and
production is a little better. Van Dammes sounds more like a Hives meets
quicker Ramones with garage style recording. The bass is fuzzy and distorted,
but the band plays more punk instead of using that sound for doom. The EP will
go by quicker than you think with all four songs finishing in under six
minutes. – Ed Stuart
