Tuesday, September 1, 2015

The Nervous




Denver Colorado’s The Nervous play punk rock that’s equally riotous, subversive, and striking. Some of their influences include X, The Avengers and The Bags.   The band recently talked to us about their recent tour, their love for Swedish punk and their distaste for Canadian ferry boats. 

Interview by J Castro

Let’s start by telling me who is all in The Nervous and what does everyone do in the band?
Jennie - Vocals, lyrics, peacekeeping
Johnny - Guitar, most of the song writing, heavy lifting
Bryan - Bass, riff contributor, AV genius   
Bunny - Drums, comic relief, band hygiene


How did you all meet and decide to play music together?
JENNIE: I met John in a back yard at a punk rock barbecue in 1997. 18 years and 2 kids later, music has been a family affair.  As for Bunny and Bryan, I’m not sure I could pinpoint the exact moment we all met - we’ve known one another since our teens/early 20’s,  except for Johnny - he’s a wee bit older but that’s another story. We built a practice space in our basement so babysitters were no longer an issue, and got to work.

JOHNNY: I had been playing in punk and hardcore bands for years, Jennie had been after me for some time to start one with her but I always seemed to have something else in the works. The Danish/Swedish scene in the early 2000’s, Gorilla Angreb and the Vicious in particular got me excited to start a band like that, Jennie was perfect for this since she loved all these bands as well. I released a 7” by a hardcore band that Bryan played in years ago, that’s how we met. We’ve been involved in several projects over the years, we were both geeking out over these records coming out of Denmark and Sweden so he was the guy. Bunny has also been in and out of bands over the years including one with Bryan so that’s our connection, he’s our 3rd drummer the other 2 grew up, haha.

BRYAN: We've known each other for years from going to and playing shows together with our former bands. I've played in previous bands with both John and Bunny, neither of which ever did anything beyond playing a few shows. Jennie & John asked me to join fairly early, we basically forced Bunny to play drums as he came to all of our shows anyway. Plus playing together gives us an excuse to get our kids together to play.


The Nervous - S/T 7" 2011

Is The Nervous current “Dangerhouse” sound what you had in mind for the band when first starting out or did the music take on a direction of its own once you started playing?
JOHNNY: I’ve been into old punk and hardcore for as long as I can remember, it was on heavy rotation in the late 90’s until the Danish/Swedish punk scene of the early 2000’s. I played the hell outta those records it was my main inspiration to finally start this band but
since they were tapping into a lot of early US punk/hardcore, particularly Gorilla Angreb with their early LA/Dangerhouse/X sound it was definitely there.  Recently I’ve been inspired by so many other more current bands like Red Dons, White Lung, Generacion Suicida, La Misma, Kakka Hata, etc… and that’s kinda ended up in our songs too.

JENNIE: I also had Dangerhouse very much in mind when we started playing, channeling the spirits of Alice Bag and Penelope Houston, but like Johnny I was very much into the bands Masshysteri, Gorilla Angreb, Amdi Petersens Arme, and the like.  Those Swedes and Danes know how to rock!  We continue to play with so many kick ass bands like Rayos-X, Generacion Suicida, Arctic Flowers, etc. that it’s hard not to draw some inspiration, right?

BRYAN: I don't know that we formally set out to sound like Dangerhouse redux, though I'm far from offended by the comparison. I wanted to write songs that sound like No Hope for the Kids & TheVicious.


What sorts of things typically inspire your song lyrics?  Are there any subjects you purposely try to stay away from?
JENNIE: I get a lot of inspiration from my patients (I’m an RN) both good and bad.  Greatest Generation came from all the horrible racist shit I heard at work when Obama was elected.  The elderly were some of the worst offenders and I really had to dig deep to keep my cool and do my job.  I wrote those lyrics on a napkin in the hospital cafeteria on my lunch break just to blow off a little steam.  Other subjects just present themselves like going through life as a female or the time my neighbor committed suicide and blew up his house.  The rest of my ideas come from the History Channel (naturally) and bumper stickers.  I don’t think any subject is off limits - if I come across it and it pisses me off, I’m probably gonna write a song about it.

BRYAN: I only wrote a small amount of the lyrics, mostly when bummed out about one thing or another. And any words I wrote got handed off to Jennie to turn into something coherent.


You came out with another four song demo cassette earlier this year.  Can you tell me a bit about it; where was it recorded, who helped with the engineering, production etc..?
JOHNNY: Those songs were among several recorded over a weekend last Summer at Buzz or Howl in Portland with Stan Wright.  We ran out of time and mixing long distance is a slow process. We wanted something to take with us on tour, so I mixed those songs on my own.  We’ve since had it mixed proper in town and just got the masters back from Daniel Husayn at North London Bomb Factory.

The Nervous - S/T Demo Tape 2015

Tell me about the song “Waste of Time” off of your new demo tape.  It sounds to me like it has a “call to arms” message to it.  Was there anything specifically that inspired you to write that song?
JENNIE: “Call to arms” is one way of putting it, or maybe a call to action.  I’m one of those “pray in one hand and shit in the other and see which one fills up first” kind of people, and that notion is what inspired this song.  You know - get off your ass and speak up kind of stuff.  I think this sort of attitude is more important now than its ever been.


 The band just wrapped up a West Coast tour, how do you feel that went and tell me a bit about your experiences on the road?
JENNIE: All in all, I think it went really well - no van troubles, no big fights.  We had to bring our kids with us for the first leg of the tour - which meant cramped legs and no swear words until Seattle.

JOHNNY: Yeah, better than expected, our kids were troopers.

JENNIE: Our first stop was a practice space in Boise, ID and we ended in a warehouse in LA. Getting into Canada was a bit dodgy, and figuring out the BC ferries nearly caused us to miss our Vancouver show. We discovered ketchup flavored potato chips and Lays - All Dressed.   

JOHNNY: Stupid ferries schedules, but we did get to hang out at a cool cemetery on the bay so there’s that right?

JENNIE: Riiiiight. We played with old friends and saw some new bands that were killer -  The Line Traps from Victoria and Rough Kids from LA stick out most in my memory.  We also played with Sick Ward from Seattle and Piss Test from Portland, old buddies and great bands.  Had lunch with Martin Crudos in Fresno.  Low points were few - Bryan never did get his sushi-rito, and John got heckled by guys selling “demo” CDs on the pier in SF.

JOHNNY: Good times were had, really enjoyed all the bands and hanging out with so many kick ass people. Fuck those “demo” guys, typical street scam shit.

BRYAN: We had a blast! We didn't kill each other, played more great shows than duds, hung out with old friends, met some new ones and played with some rad bands. It was also my first time in Canada, & the fucking Ketchup & All Dressed Potato Chips made the entire trip worthwhile on their own. 


What sort of feeling or sentiment do you hope an audience member walks away with after seeing you play live?
JENNIE: I hope to leave the audience feeling energized and maybe a bit shaken up when they leave.  I try to engage and sing directly to everyone in the room - in punk, participation is mandatory!  I love bands that go nuts and give their all whether they are playing to 5 people or 500.  I want The Nervous to be one of those bands.

BRYAN: I'd be satisfied to hear someone say "that was better than staying home watching Seinfeld reruns" after a gig. I don't have any delusions of grandeur that we're changing the world, mostly I hope people have fun and like what we're doing. 



The Nervous is currently based in Denver Colorado.  What is it like playing in a punk band there?  Is there a supportive crowd or community that gets what you’re doing musically and supports the band?
JOHNNY: I also play in a hardcore punk band, the hardcore scene is pretty good right now and because of my connection to those kids the Nervous gets a lot of support on the DIY side of things. Because we’re all older and have a long history playing in bands we get some support in the clubs but honestly I would rather play all ages, more noise for everyone.

JENNIE: Ah, yes.  Denver.  You know, Denver has always had an ebb and flow punk scene.  Right now however Denver seems to be riding the folk-indie-Americana train, which can be pretty frustrating because there are not enough DIY punk bands.  Lotsa millennials walking around wearing vests, playing banjos, and waxing their mustaches.  Barf!  We have a tight knit hardcore scene and the hardcore kids have been gracious enough to allow us to play alongside them.  We try to stick to all ages shows for this very reason.   

BRYAN: As a whole, I don't think this town gets us. Or maybe we're just not as great as I think we are, haha. Luckily Mark Masters seems to like us so we do get some good gigs thrown our way. 


In this age of convenience and disposable products we live in, do you think punk rock or even music or art in general can still have as big an influence on kids as at once did?
JENNIE: Now here’s a broad question! Yes. Maybe music and art has an even broader effect on kids nowadays because they have so much more access.  When I was a kid, I had Encyclopedia Britannica and the radio - only kids with cool older siblings were in the know, and I wasn’t one of those.

JOHNNY: Definitely, in some ways I think a lot of kids are even more obsessed than they once were. With so many bands and access to scenes that were once only accessible by letters and tape trading kids have influences bleeding into everything they do from all over the world.

BRYAN: I fucking hope so, if I didn't believe that punk & counterculture in general could still be inspirational & urgent I wouldn't be playing in this band. Speaking as a "kid" in my late 30's, I'm still constantly influenced and inspired by bands I see, music I listen to and the art I imbibe. World Burns to Death opened my eyes to genocidal events that history books at school didn't think important enough to mention. Mark Mothersbaugh's 'Myopia' exhibit blew my fucking mind seeing how much vital & varied output 1 person can produce. Seeing how tight bands like The Nervosas, Piss Test & The Rough Kids are live makes me want to practice more, play more, do more. I call that influence. 
The trick for the kids is keeping their attention long enough to wade through the quagmire of mediocrity & vapid bullshit to find something worthwhile. Speaking as a parent, I see my kid bombarded by so much media, so many more options and so many more distractions than I had at his age, and I think that overstimulation makes it easier to turn off; to let it all end up as background noise. In the end, he mostly wants to listen to Weird Al, Blitz, & The Ramones or watch Dr. Who or read Tolkien, so I guess the classics are classics for a reason. 


Where are the best places to go or log on to hear or buy your music or to learn more about your band?





What does The Nervous have in store for the rest of 2015?
JENNIE and JOHNNY:  We’ll have a 12” out in time for Europe this fall.  We’ll be touring with Kuudes Silma from Finland and Dirty Protest and Radio Bikini from (mostly) the Netherlands.  We’ll be passing through Finland, Sweden, Holland, the UK - the tour is still being finalized. We met Kuudes Silma when they passed through Denver this past spring -- awesome gothy post-punk well worth checking out.  Dirty Protest is another punk band and Radio Bikini is Dutch Crust at its finest. I think we’re wrapping up the tour opening for the Stranglers in Eindhoven. We’re all piling in a bus - can’t imagine it won’t be fun.


BRYAN: New LP & European tour with Radio Bikini, Dirty Protest and fucking Kuudes Silma!!!









































Friday, August 28, 2015

New Junk City









After hearing Atlanta, Georgia's New Junk City’s self-released Self-Titled debut LP that came out in the latter part of 2014, I had to know a bit more about what makes them tick.  They have a distinct sound that’s loud yet intimate and unpretentious.  John (singer/guitar player) was kind enough to allow us to momentarily peer into his soul.

Interview by J Castro

Let’s start off by telling me who’s currently in the band and what does everyone do in it:
John plays guitar and sings. Zac plays bass. Justin plays guitar. Jeff plays drums.


How did you all meet and decide to play music together?
JOHN: The other guys have been playing music in Atlanta for a lot of years in a bunch of different bands. Jeff and Zac were both members of Die Benny and toured together in Mose Giganticus (from Philly) in the early/mid 2000’s. Justin was in a band called Wrister, and they all knew each other from playing shows and what not. Jeff and Justin were also in one of my favorite Atlanta bands for a few years called Bad Mammals. Jeff and I have known each other since high school and I was lucky enough to fill in on guitar on a tour with Bad Mammals.

After that band ended, Jeff and I started working on some songs I had set aside that didn't quite fit with my solo stuff. We did a few studio sessions and realized we needed another guitar player. I love Justin's guitar playing and was really stoked that he was into the songs. We had a fill in bass player for the first few shows but nobody could really commit. Zac offered his services shortly after and we graciously accepted.

New Junk City LP by New Junk City Artwork and Design by Chandler Galloway.

You guys came out with your Self-Titled debut LP late last year.  Can you tell me a little about your experience making it?  
JOHN: It was a really simple and straight forward recording process. We did everything at The Cottage in Atlanta, GA with engineer/producer Damon Moon. It was done in three or four days over the course of a couple months. Damon is a really easy guy to work with. He is a true professional - very invested in the idea and experience of "making records." He is sincerely one of my favorite people and we're lucky to work with him.


How would you describe New Junk City’s sound to someone that’s never heard your band before?
JOHN: This is always the question that’s the hardest to answer for me. However I describe our “sound” will probably be wildly inaccurate to everyone else that listens to the band. None of us really agree on any music other than the songs we write (and maybe Dookie by Green Day.) I think at the heart of it we’re just a punk rock band. We have a really wide array of influences and interests. We probably land somewhere between Uncle Tupelo and the Get Up Kids.


What sorts of things typically inspire you song lyrics?  Are there any subjects you purposefully try to stay away from?
JOHN: I mostly just write about my life and experiences and those of the people around me. I definitely believe in “write what you know” so I just try to write things that are honest. It’s probably best to let the songs speak for themselves.

I stay away from overtly political stuff and I have no interest in bizarre surrealist lyrics. There isn’t anything wrong with either of those things, I just really enjoy trying to tell personal stories I think people can connect with.


New Junk City is currently based in Atlanta, GA.  What’s it like for a band like yours to play there?  Is there a supportive scene going on out in the land of peaches?
JOHN: There is a really supportive network of musicians in Atlanta. It’s a big city, so everyone definitely has their own scene, but in my experiences, there is very little shit talking, competitiveness, or drama. I think that there are really good music ethics in Atlanta. We’re lucky to have so many good venues in our city, and even luckier that they are run by people that actually give a shit about music and musicians. Every time I go on tour, it makes me thankful for the venues, bookers, and folks running sound at our venues in town.




Speaking of shows, tell me about the worst show you’ve ever played.  
JOHN: Bad shows happen, I don’t really want to talk about them other than to say I’m glad that the vast majority of our shows are awesome. The bad ones just make us more thankful for that.


I was reading this interview with Keith Richards and he said that anyone buying digital music is getting short changed.  Do you agree with this statement?
JOHN: It depends on the person’s relationship with music, right? Isn’t it up to them whether or not they’re getting short changed?

As far as fidelity, most people don’t know what they’re listening to. Even most people that consider themselves “audiophiles” don’t know what they fuck they’re hearing. Digital music can sound more compressed, and yeah, yeah, yeah, vinyl sounds “warm,” but a lot of music these days is recorded digitally and produced to sound good in that format.

Anyone actually paying for music in any format these days is great, and who am I to tell them how they are listening to music is wrong or somehow less than the way that I choose to? Anyone that says anyone else’s experience is less than theirs is an asshole. Besides, some artists are doing strictly digital releases due to the fact that vinyl is expensive, cassettes are still seen as a novelty, and no one buys CDs.


Coming from a state that’s deep in the heart of the south.  How do you guys weigh in on the whole Confederate Flag controversy: symbol of southern heritage or symbol of tyranny and oppression?  
JOHN: I don’t really like getting involved in anything political, but I’ll say that I really don’t care about the flag. I’m not invested in it; it bears no meaning to my heritage or history. Patterson Hood wrote a poignant piece on the issue, and you should really just read what he has to say: http://www.nytimes.com/2015/07/09/magazine/the-souths-heritage-is-so-much-more-than-a-flag.html?_r=0

Are there any other bands currently playing and based in Atlanta that you guys are into?
 JOHN: Tons! My favorites right now are: The Hotels, Coma Girls, Joseph Lazzari, The Wild, Wymyns Prysyn, Terminally Ill Babes, Seagulls, Places to Hide (RIP), Wicked Pretty, and Slugga.

Shameless plug: We’re all big fans of Zac’s other band, Bodyfather. Dissonant, noisy post punk type stuff. If you like Hot Snakes, you’ll probably dig it. I also play bass in an indie pop band called Gold-Bears.


Where are some of the best places people can log on or go to listen or buy you music?
JOHN: You can buy the record here:

Dumb internet stuff is here:
Twitter: @newjunkcityatl

Stewart, who runs No Breaks Records (they put out our record) has an impressive collection of other releases he has put out in addition to a vast library available in his distro. He is the best dude in the world and everyone should buy records from him here: http://www.nobreaksrecords.com/


What lies ahead in the near future for New Junk City?
JOHN: We’re currently in the studio. We’re putting the finishing touches on a couple songs for an upcoming 7” with Robot (re)pair on Night Animal Records, and writing the rest of what will be the next LP. We have a quick little weekend tour in the Carolinas in September, and after that hopefully more consistent regional touring.

Thanks!











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