More Music to Fuel The Savage Spirit!

The Dahlmanns – American Heartbeat LP (Beluga/Ghost Highway)

This is my first time hearing The Dahlmanns, I’ve heard the band’s name around before of course but this is my first exposure to them. All I keep thinking as I’m sitting here listening to this record is why haven’t I gotten off my lazy ass and checked out this band before! This is the band’s 2^nd LP but they’ve released a bunch of EP’s since their debut in 2010.  If you don’t fall in love with these songs just from Line Dahlmann’s vocals alone, then you have no soul! It also helps that the tunes here are so super catchy and well written, they have a timeless feel to them. What a marvelous LP, I’m going on the hunt for more Dahlmanns records! – J Castro

Direct Hit! – Crown of Nothing LP (Fat Wreck Chords)

This is the band’s 5^th LP and they continue to tweak their sound slightly, keeping it similar yet not letting it become stagnant. Out of all the current “Fat” bands with the classic “Fat” sound, Direct Hit are my favorites. Their 2013 LP Brainless God is an absolute masterpiece in pop punk lore and Crown of Nothing doesn’t fall too far from it. Direct Hit’s kind of remind me of Propagandhi if Propagandhi were actually good. They cram loud guitars coupled with strong yet snotty vocals, laid over catchy as measles in an unvaccinated kindergarten class room melodies. Great record to add to an untarnished discography.  – J Castro

Flesh Rag – Inside Your Mind LP (Schizophonic/Loose Lips)

It’s about that time for the mighty Flesh Rag to reawaken from their slumber deep within the mountains of the north, swinging their mighty battle axe reminding us how puny and weak we all really are. This is the band’s second LP, continuing their unique brand of tough, macabre psych that sounds like the Pink Fairies cut with the MC5 or imagine The Stooges writing music on a bad acid trip at a morgue. Flesh Rag sounds tight and mighty as ever on this album, the songs fly by you like a hurled hatched narrowly missing your head.  Remember, if not handled properly Flesh Rag records can cause permanent damage. – J Castro

Isolation Party – Fiberoptic Holiday LP (No Front Teeth)

This London Ontario band’s debut LP comes in like a comet from the north, leaving a fiery trail of destruction in its wake.  Isolation Party takes angular post punk guitars and wraps them around power pop melodies to create one of the year’s most exciting LP’s! If you’ve ever said to yourself:  “Swell Maps would be so great if they weren’t SO weird” or “I’d like more power pop bands if they weren’t so sappy,” then Isolation Party are the band for you.  Their song “Mr. Telephone” is an instant classic and once listened to, will hug your brain for days. If you dig early XTC, Pere Ubu, or Magazine then you’ll instantly want to raise a glass to these guys. – J Castro

Ben Katzman’s De-Greaser – Quarter Life Crisis LP (BUFU)

These guys come from Miami Beach, FL and play a paint peeling, face melting brand of loud ass rock with punk rock ferocity. I mean, the first thing that hits you when listening to this record is the guitars, everyone else in the band seems to be running to catch up to them. This isn’t a bad thing at all. And those guitars aren’t just a hard open palmed slap to the face hit either. I mean they hit like wrecking ball to the chest.  Once you get the air back into your lungs you’ll be begging for it again! If you’re into bands like Turbonegro, Zeke, and Electric Frankenstein then I highly recommend these malcontents. – J Castro 

Johnny Mafia – Princes de L‘Amour LP (Dirty Water)

Johnny Mafia are a pretty cool band from Sens France, listening to this record is my first time hearing them. The band has been around since 2010 and this here is their second LP, the first on the Dirty Water label.  The band lists Jay Reatard and The Ramones as influences but the songs on this LP seem to me to fall more towards the Libertines, Cribs, Vaccines sound instead. Let me state that there is nothing wrong with that mind you, I like every one of those bands and I mean listing Johnny Mafia amongst them as a compliment. But if you’re looking for that manic, under produced, recorded in my mother’s garage sound, you won’t find it here.  – J Castro

Neighborhood Brats – Claw Marks LP (Dirt Cult)

This band has been scorching the earth with releases since 2011 and in my opinion, after 2 LP’s and 6 EP’s hasn’t given us a clunker yet. If you’re not familiar with this band, this is as good a place to start as any. I love it when punk bands grab what’s great about different genres of punk, smash them all together and come up with something that sounds familiar yet totally unique. That’s exactly what Neighborhood Brads have done and continues to do so in brilliant fashion on this LP. If you get the chance, go see this band live while they’re touring in support of this LP right now, you won’t leave disappointed. – J Castro

Pale Lips –After Dark LP (Spaghetty Town/Alien Snatch/Gods Candy/)

How can you not like this band? I mean seriously, if you claim to be a rock n roll fan you’ve got to dig Montreal’s Pale Lips. They play short, fun, catchy tunes that when played at high volume feels like someone opened the windows to your musty old soul and let in a cool breeze. They take the core fundamentals of classic rock n roll from the 50’s and 60’s and add their own unique, contemporary spin to it. So like the old adage goes, “what once was old is new again.” This is Pale Lips second LP, hopefully there will be many more to come. The universe needs more bands like this. – J Castro

Quitters – Singing Like Nobody’s Listening 12” EP (Red Toad Music)

Quitters are from Montpelier, France and have been around since 2015. This is their 3^rd release and already seem to have found a sure footing in their sound. This quartet plays loud, catchy songs that have an emo and indie rock touch to them. If you’re into bands like 00’s emo punk heroes like Get Up Kids, The Movielife and The Anniversary you’re going to go seriously nuts for Quitters.  This kind of music isn’t necessarily my first “go to” but even I can tell this band puts a lot into their craft and for that alone I can admire what they set out to do. – J Castro

The Sensations – Just Let Me Turn You Up LP (Paper and Plastick)

Tokyo’s Sensations play wild, good time pop punk with Ska influence. Just from the opening song “Dig Your Own Grave” you can tell these guys are all about a good time like early Fishbone. That opening song pretty much sets the tone for the entire record. I know some cringe at the mention of “ska” but the hons are used sparingly on this record and I don’t get that cheese ball frat boy feel from these guys that I used to get from band like Mustard Plug or MU330. These guys have more in common with bands like Less Than Jake or a less scrappy Operation Ivy. The Sensations must be absolutely explosive live. – J Castro

Territories - S/T LP (Pirate Press)

WOW, Territories are a really great band from Calgary, Alberta! I’m really digging this quite a bit. This record of starts off with really thick, melodic guitars and a rhythm section that sounds like distant thunder echoing in the mountains during the monsoon season. The vocalist has an earnest Springsteen style about him that makes listening to this record feel like putting on your favorite worn in denim jacket. All of the songs ooze this charismatic heartfelt sincerity you don’t get much in punk rock, not the real deal like this anyway. Territories goes well on the same shelf as groups like Iron Chic and Gaslight Anthem.  – J Castro

Useless ID – 7 Hits From Hell 7” (Fat Wreck Chords)

These guys have been around since the mid 1990’s and have released a crap ton of LP’s and EP’s on a myriad of different labels, probably outlasting most of them. The fact that this band has been around for as long as they have is to be commended for sure. From what I can tell, this is the band’s 11^th EP and they released their 10^th LP on Fat Wreck Chords in 2016. If you’ve never heard Useless I.D. before, let’s just say they’re right at home on Fat Wreck Chords. They play tight, fun loving, baggy shorts/backwards baseball cap, riding your skateboard down a steep hill style of punk rock.   – J Castro

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Pale Lips: A candy coating for the savage soul.

Montreal's Pale Lips play fun, hyperactive, stripped down rock 'n roll music with hints of 60's garage rock and girl groups, power pop, and late 70's punk rock.  As soon as you put it on it makes you want to dance to it at high decibels.  They just released their delightful debut EP Got A Sweet Tooth earlier this year on the famed No Front Teeth recording label with more on the way.  So make sure you floss and brush twice a day because Pale Lips are here to stay!

Interview by J Jordan Castro

Let’s start out with introductions!  Who are Pale Lips and what does everyone do in the band? 

Pale Lips are

Ilona Szabo - guitar

Jamie Radu - bass

Lynn Poulin - drums

Jackie Blenkarn - vocals

How did you all meet and decide to play music together?

PALE LIPS: Ilona used to play with her band Dagger Eyes, and when Lynn saw them play she knew she wanted to start a band with Ilona. Jamie was recruited by Lynn at a party after they bonded during a conversation about music. None of the three girls wanted to take on the role of lead vocals, but Ilona and Jamie were friends of Jackie, who happened to be a karaoke connoisseur...and voila! Pale Lips was born.

What band, musician or songwriter first inspired you to want to pick up and learn to play an instrument?

ILONA: The Cramps

JAMIE: Kim Deal from The Pixies and Matt Freeman from Rancid

LYNN: her brother Stevie Kicks from The Briefs, The Cute Lepers

JACKIE:  I can’t actually play any instruments, or sing really, but I’ll say Ronnie Ronette (because “Be My Baby” is a go-to karaoke song for me).

How would you describe Pale Lips “sound” to your Grandparents?

PALE LIPS: Rock and roll you can foxtrot to.

Got a Sweet Tooth 7" released May 7th 2015 on No Front Teeth Records

You came out with your debut EP Got a Sweet Tooth on No Front Teeth records.  Can you tell me a little about the record (where was it recorded, who helped out with it etc.) and how you hooked up with No Front Teeth in London?

PALE LIPS: We recorded at Raven Street Studios in Ottawa, Ontario with Rey Sabatin. Rey is a friend of Ilona’s who wanted some experience recording and mixing bands, so he gave us a great deal and did an excellent job with our debut EP. We had only been playing together for less than a year at that point, and we recorded five songs in two days (the three on the EP plus two others that we put up as demos on our Bandcamp), so it was definitely an interesting experience and poor Rey has the patience of a saint. No Front Teeth was suggested to us by Lynn’s brother Stevie, who had put something out on that label with his band The Cute Lepers. Once we got in touch with Marco at No Front Teeth, he was super stoked on the songs and more than happy to put the record out.

Tell me about the song “Rock n’ Roll Dipshit”.  Was it inspired by an actual person or just the idea of the typical rock n’ roll lunkhead?

PALE LIPS: Rock n Roll Dipshit was, indeed, loosely inspired by a real-life person, but the song itself is less about an individual and more about the rock and roll dipshit archetype.

There have been a lot of bands lately speaking out against their audience using their phones during their performances.  What sorts of things annoy or distract you when you’re playing?

PALE LIPS: Probably the only annoying or distracting thing is when people stand too far back from the stage. We definitely play better and have way more fun when people are really getting into it. Everybody should always move closer!

Pale Lips Demos released December 2014

There’s an old folk story about the first time John Lennon met Bob Dylan.  Lennon being a huge Dylan fan asked him what he thought of the Beatles and Dylan replied “you’re good but your music isn’t saying anything”.  John being totally mortified, started writing Rubber Soul shortly after.  What do you think about that story, was Dylan right?  Does music have to “say something” to be relevant? 

PALE LIPS: Music doesn’t have to say anything to be relevant, if it did we wouldn’t be considered relevant at all. Music can inspire any range of emotions, it can say something or nothing at all, and it just has to be enjoyable to listen to. Mostly we just want people to have fun when they’re listening to us.

What’s your favorite LP to play from start to finish and tell me about the first time you heard it, where were you and how were you introduced to it?

ILONA - King Tuff Was Dead. I was anticipating a big change in my life that didn’t end up happening.

JAMIE - Attack in Black Years (By One Thousand Fingertips). I had just gone through a breakup and was living in my friend’s apartment. I would just flip this record over and over again.

LYNN - The Monks Bad Habits. I briefly had a band way back in the day called Inner City Kitties, and my friend in the band introduced me to this record. I fell in love and still listen to it all the time, it’s one of my all-time favorites.

JACKIE - Ramones Leave Home. I first heard this album in the back of my friend’s car when I was about fifteen. We would drive around all the time listening to it on repeat. To this day it’s my favorite Ramones album, and probably my favorite album of all time. I never get sick of it and can sing it by heart.

What’s the best piece of advice you’ve read or someone told you that you still follow to this day?

ILONA - My dad always says, “watch and listen.”

JAMIE - “Why, sometimes I’ve believed as many as six impossible things before

breakfast.” A quote from Lewis Carrol’s Alice in Wonderland.

JACKIE - My mom was a Scout leader so she taught me to always be prepared. Very practical.

LYNN - My brother always tells me, “Stay in your zone, breathe and have fun.”

Where can people go or log on to hear and buy your music?

PALE LIPS: We have a Bandcamp page! https://palelips.bandcamp.com

We have sold out of our 7” entirely but digital download (and streaming) is still available.

What lies ahead for Pale Lips, any more records or touring news coming up?

PALE LIPS: Our debut full length album, Wanna Be Bad, is coming out in early 2016 on Hosehead Records! Our great friend Max Desharnais from Sonic Avenues did an absolutely awesome job producing, recording and mixing the album and we are incredibly proud of how it turned out. Now we are just waiting on the vinyl so we really have no idea when the album will be ready - but it’s coming! We have no concrete plans yet, but are hoping to book some US dates and maybe a brief stint in Europe once we have the vinyl in our hands. We are playing a couple of shows with Paul Collins Beat in January in Ottawa and Montreal,  So 2016 is off to a great start and we are hoping to keep up the momentum.

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The Ills

     When I first started hearing about the Ills, I heard comparisons to bands like The Spoiled Brats and The No Talents. So, when I finally got a chance to hear these Iowa City monsters, they did not disappoint! Those influences are indeed there, but the Ills have taken that sound and stuck their own brand on it. It is theirs, they own it now, and lucky for us they are sharing it with the rest of us lowly dogs!

Interview by Jay Castro

Who’s answering the questions here?

Danny and Erika

Who is in the band and what instrument do they play?

Erika Ebola - Vox

Danny Dysentery - Guitar

Molly Marburg - Bass

Tommy Tinnitus - Drums

Are you all originally from Iowa City?

None of us are. Tommy Danny and Molly are all from different areas of Iowa, Erika is from Texas and Iowa.

How did Rip Off records find their way into your hands in Iowa?  

Danny: When I was a kid, Iowa City record stores carried a lot of punk and garage punk records.  I would make trips to Iowa City to go record shopping. I had heard about The Rip Offs in Maximum Rock 'n' Roll and spotted their LP at a local record shop and bought it and I loved it. When I met Erika she was into it too, and we started obsessing and collecting a lot of that kind of stuff, like the No Talents, the Drags, the Statics, the Makers, The Registrators etc.

Erika: I first heard about this stuff when I was a kid in Texas. I was kind of on the hunt for female attitude and vocals that kind of matched how I felt. I loved those classic grrrl bands from Olympia labels (like Bratmobile and Bikini Kill) and those awesome women fronted bands from the early LA scene, (X and the Bags etc.).  A friend had this Spoiled Brats song dubbed on a tape and made a joke that no one could like this, except probably me! So, it was played for me, and I instantly fell in love with it! Which lead to you know all that stuff, girl and guy, and then I ended up in Iowa.

Does the band play shows a lot in Iowa City?  Is there a scene out there that the rest of the country should know about?

Erika: We play a lot.  There are a lot of cool and different punk bands in Iowa City, but there’s not a scene of bands that sound similar.  Everyone is doing their own thing. It doesn’t really create a cohesive scene “sound” but I think that's great because that would be boring.  There are a lot of really cool bands here if your into different kinds of punk, like Lipstick Homicide, Slut River, Conetruama, NERV, Big Box, and a lot more… and they are all doing their own thing from straight up pop punk to black metal hardcore.

Also, it’s a very academic town. It has the highest percentage of the adult population holding a bachelor's degree or higher in the US, yet, it is still very small. Maybe this has an influence on how stuff end up playing out here, I dunno.

Danny: What she said.

Your newest 7” is on No Front Teeth records, how did you get involved with that label?

Erika: It’s kind of a strange circle. Jim from Rapid Pulse Records originally pointed us in their direction. They heard some demos of ours and were interested and put out our first 7”. Our new EP Get It is actually coming out as a split release between the Canadian label Shake! Records and No Front Teeth Records. We played a show with the Ketamines last year and their drummer Ryan (who is also in Fist City) helped connect us with Shake! Then, Shake! reconnected with NFT for this release.

The Ills did a pretty cool video for your song Total Dick.  Was that fun to make? Where and how did that happen?

Danny: Erika made it. We filmed it in a local junk shop owned by our friend Brian who’s a big fan of the band.  I think Erika did her part in the bathroom of our apartment.

People have compared the sound of your band to the glory days of Rip Off records and bands like The No Talents.  Bands I’m pretty sure are integral to your sound. Those are some pretty big shoes to fill!   Do you feel any pressure because of those comparisons?  Are the almighty Ills up for the challenge?

Danny: In the beginning it was kinda more of a “let’s be this kinda band”, and I still love them. Now we are not trying to be one kind of thing anymore, we’re just mixing all our influences and everything together. But those comparisons are flattering and kind, and we do love rip off records, but we’re nowhere as good as those bands!

Erika: It is flattering that we have those comparisons. They are a part of our influences. But, we would never try to or want to fill their shoes.  They are pretty fantastic at what they did and got that covered. Plus, we gotta do our own thing! I think there may have been a moment of pressure to self-edit to keep within that expectation. But that’s all self-inflicted pressure that we said, “ehh, forget about it”, to a long time ago! We have a lot of different influences and I think our music will continue to reflect that.

On your bands profile, you list your other interests as Punk Punk Punk.  Surely you have some non punk interests?  Baking, knitting, sculpting, c’mon spill the beans!

Danny: I really love Italian horror movies, film in general, pretentious art shit, coffee and rock n roll and all music really.

Erika:  I collect purses and nail polish and movies.  As a band I think we all like drinkin’.

Do you think Rock ‘N’ Roll can still be a vital and influential force for kids in such a disposable age?

Danny: I think on a massive scale, no. On an individual scale, yes. Because like there are teenage punk bands right here in my town that are exciting and inspiring... to see like 14 and15 year old kids taking the time to write songs and learn instruments and put together good bands shows that. But in the mainstream I think no, it’s time has passed. I don’t think there’s gonna be one band that's gonna come along soon that's gonna capture peoples imagination and bring rock back into the forefront. It looks like right pop is here to stay. Is there even big rock band right now? I guess I don’t know and don’t pay attention to even know.

50 years ago people used to buy music and get their water free; now people pay for water and get their music free. How do you think this affects the music industry?

Danny: I don’t know about paying for music, but they charge way too much for water here at the local grocery store. And you have to buy water because the local tap is so fucking nasty you can’t use it. I mean its 29 cents a gallon now...  as for music it’s harder to get people’s attention now, it’s not like when you had to read reviews, decide if you wanted to spend your money based on word of mouth, make a commitment and give that record a chance. Now all you have to do is go and click a button and if it doesn’t hit you on a gut level then… bam, yr done. You don’t give it any attention.

Erika:  People still buy vinyl and tapes. I don’t know much about the economics of the larger music industry and I don’t think it much affects bands like us.  But, you know because everything IS free and easy; it is disposable. It can be strangely difficult to get people to even listen to something that is free and in front of them. There’s no personal investment or connection with a band or record before hearing it. It’s “ill check that out” which translates to, I’ll listen to 10 seconds of two songs and then decide if I’m interested or writing it off entirely.

Where can people hear the band, purchase your music or buy those awesome purple Ills T-shirts!?  

You can hear some of our music at sand

http://snd.sc/11Sdz2q

Our 7” Ep Get It should be out in May. It should be able available from: Shake! Records, http://www.experienceshake.com/  and NFT, http://www.nofrontteeth.co.uk/merch.html  

You can get the shirts, our old 7” and our newest one (soon) at

https://sites.google.com/site/theillsrock/home/stuff

What’s next for The Ills?  Any tour plans?

Getting ready to record our 2nd album! Writing the third! We plan to hit the road soon for our EP and 1st LP that should be out on Big Neck Records this summer!

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Gaggers

Interview by Ed Stuart

Who’s answering the questions?

Terminal Gagger

Where is the band from?

London

Who is in the band and what instrument do they play?

Terminal Gagger: Vocals

Dagger Gagger: Guitar & Vocals

Rudy Retch: Bass & Vocals

Bushy Signal: Drums & Vocals

How did the band start?

Me and Dagger started it a few years ago after knowing each other for while and being in different bands and stuff so we decided to start a band together and initially there was my cousin Chris (Busy Signal) on drums and I played bass as well as singing. Then after a bunch of 7”s and our first LP Rip You Apart, Chris left to study medicine. He’s pretty handy with a knife.

What bands did you have in mind when starting this band?

Definitely early GG / Jabbers, Dead Boys, Pagans, Eater…snotty, straightforward punk rock.

Why the decision to move from a three piece to a four piece?

That was because Chris left. So we found a new drummer, Bushy, who had already been in loads of bands with Dagger, and I gave up the bass to just sing, and we recruited Rudy.

According to the band’s bio, The Gaggers got together through a staunch hatred of everything new and polished. This motto is definitely evident in the band’s decision to record in such a raw fashion. Is this hatred a comment on your local scene or music in general?

We just all like real punk rock which, to us, needs to have that rawness and urgency otherwise it loses the ‘punk’ and just becomes ‘rock’. Nothing wrong with that but that’s not what we’re going for. There needs to be energy and bile.

Judging by how fast Gaggers singles sell out seems like you have a fan base that supports “out with the new and in with the old!” motto. One of the YouTube comments on your Hostage video is “the return of true punk in the UK after 20 years of total embarrassment.” Vibrator Buzz called “The Gaggers . . . the new 100 Club, [and] the new Roxy.” Does this have any effect on what the band does or the band operates? I would think the band would have to be happy with generating such a supportive fan base. Most bands are lucky to have one single sell out. Does that band have any thoughts on this?

We are definitely happy with compliments like that! People like Dirk at Vibrator Buzz know the score! I’ve always said that there’s nowhere to go in punk except backwards. We’re nearly 40 years behind the times and proud of it! The whole London punk scene at the moment has a very genuine late ‘70’s feel – the sound, the look, everything. The No Front Teeth connection helps to sell the records fast but I truly believe this is what people have been waiting for from London punk rock and there are a bunch of us doing it – The Ten-0-Sevens, The Ricky C. Quartet, Johnny Throttle, The Unreleasables, Thee Spivs, all the other bands we’re involved with…

Considering members of Gaggers also play in Teenage Tricks, Disco Lepers, Botox Rats, Black List Brigade, The Blowouts, The Seminals, The Troubadours, The Hateful, Needle Automatics, Dagger Dicks, and The London Guns; how do you find time for Gaggers with the members in all these other bands? Also seems like you guys are creating a scene in London with all these bands. How is the punk scene in London?

We are all workaholics!! We also all have full-time jobs too. Some of those bands are now defunct like the Disco Lepers, Blacklist Brigade, The Blowouts, Seminals, Hateful and Dagger Dicks. As I said earlier, the London punk is great – but very small so a lot of the scene is made up of bands! I think a lot of foreign punks think that when they come to London they will see the scene of 1977…unfortunately not, it’s not really that vibrant a scene. It’s cool, but small.

Explain the connection with No Front Teeth records.

I started No Front Teeth over ten years ago with my friend Jon and we still both run it to this day. There was a time when there were loads of people involved but we stripped it right back down to the two of us. We originally started as a zine but then started to put out records by our own bands and also to put out music by bands that we loved especially in the form of compilations. We really wanted to get a lot of those Hostage and Disaster bands more coverage in Europe.

Do you think music can still be a vital force in such a disposable age?

Definitely. The power of music will never die. I actually think music is more powerful now than ever even with the digital age supposedly killing it. Also, punks are traditionalists and will keep vinyl alive forever. No Front Teeth is a 7” label and the 7” is perhaps the most obsolete format of music, apart from the eight track! But it also holds a really powerful position – people respect the 7” and really chase it.

How is the new record entitled Blame You coming along?  Any scheduled release date?

It’s taking a while longer than expected but it’s coming along really well. All the drums are recorded. The bass and rhythm guitars are done and some of the vocals. So we still need to record the lead guitars, finish the vocals and also the backing vocals. Then there’s the mixing…so I think we’re looking at a late Summer release hopefully.

 

50 years ago people used to buy music and get their water for free, now people pay for water and get their music for free. How do you think this affects music in any way?

I’m glad that people are downloading music for free – it was about time that the music industry suffered. I know that’s a strange thing to say being in a band and running a record label but I think that the greed had to stop. As I said, punks are traditionalists so we’re not really affected by that at all. I see a lot of Gaggers stuff available for download on blogs and I take it as a compliment. Someone took the time to upload the music so that others could download it – that’s fine. Also, so much of our stuff is now out of print so how else are people supposed to hear it?

Where can people hear the band?

On blogs! Maybe iTunes at some point…or come see us live.

What’s next?

We are on the soundtrack for a new horror movie called ‘Bath Salt Zombies’ that has just been released and some other bands are the Murder Junkies, Antiseen, Dwarves, Meatmen…so we’re in good company! I guess we’ll start writing record number three. More shows. More 7”s, some splits…all good shit to get you gagging. Cheers.

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