Showing posts with label White Zoo Records. Show all posts
Showing posts with label White Zoo Records. Show all posts

Thursday, April 14, 2016

Dr. Boogie: Keeping Rock n Roll Roused in the West




The beauty of being in a rock n roll band these days is that there are so many influences to draw from.  A band now can take a little from this jar, a little from that one and create something extraordinary.  That’s exactly what L.A.’s Dr. Boogie have done.  They take the charisma from bands like the Rolling Stones and T-Rex, the groove of Mott the Hoople, and the Faces, and the energy late 70’s punk like The Damned and The Boys.  This band has come up with an electrifying new spin on dirty glam, blues kissed rock n roll.  Not only can these guys play, but Dr. Boogie are the type of people that when they walk into a room, you know they’re the band.  I don’t think there’s a finer dressed musical group this side of the mighty Mississippi. Dr. Boogie are the type of band that keeps rock n roll alive.  It may not be in the mainstream much anymore, but was it ever really meant to be?  This type of music thrives better in dimly lit clubs as opposed to sports arenas anyway. 

Interview by J Castro

Let’s start by telling us who is in Dr. Boogie and what does everyone do in the band:
JEFF: Chris P. - Vocals/Guitar, Dustin James - Lead Guitar, Jeff Turpin - Bass, Luis Herrera - Drums


How did you all meet and decide to play music together?
JEFF: I met Dustin back when we were both in High School.  We were both into the same type of shit so we hit it off immediately.  We started playing music together shortly thereafter and have been playing side by side in bands ever since.  We both met Luis while playing in one of our first bands.  Our bands used to play together and then after ours disbanded we started a new group and asked Luis to come in on drums.  When we met Chris we were all looking for each other without knowing it.  Our minds were exactly in tune with one another and that is how Dr. Boogie began.  From the first time we sat down and ran through some material we knew right away that this was something special.  


How would you describe the kind of music you play to your grandparents? 
JEFF: That much needed kick in the teeth that this generation has needed for years.  


What band or musician first inspired you to want to learn how to play a musical instrument?
JEFF: The Germs  


What would you say is your favorite part about making music: writing it, recording, performing, or something else? 
JEFF: That's a tough one because they all come along with their own rewards.  I think without it all we would feel like there was something missing.  To only to do one thing without the others would eventually run its course.  


Speaking of recording, you guys have your debut LP out soon on 
Deadbeat Records.  Can you tell me a bit about it?  
JEFF: The album is out now and we couldn't be happier with it.  We worked with a longtime friend and very talented engineer Gabe Lowry on the record over at Fox Force Five Recorders in Los Angeles, CA.  Without Gabe and that specific studio I don't think we would have been able to capture the sound that we were looking for on this record.  Everyone played a pivotal role in creating and recording this album.  

Gotta Get Back To New York City LP released on Dead Beat Records 

You guys just got back from a West Coast Tour.  Can you tell me how you feel    it went and share your favorite moment of the tour with us? 
JEFF: The tour went great.  We were able to play with a lot of great bands and make a lot of new friends and fans.  The best moment had to be the show that we did with Dick Dale at The Ritz in San Jose.  Being able to share the stage with a guy like that and play in front of a sold out show at a venue of that size was definitely a great way to end the tour.  


Dr. Boogie is currently based in Los Angeles, CA.   What is the local music “scene” 
like now over there?  Do you ever feel competition between bands with so much going on? 
JEFF: The music scene is very scattered with so many people out here trying to do their thing.  It has gotten a lot better over the last few years with more and more rock 'n roll bands surfacing but the clubs out here don't seem to have as much to offer as they may in other places across the country.  


I was reading an interview with a former drummer for The Cramps and he was saying how guarded Lux and Ivy were with their image, to the point where they were imprisoned by it.  How important do you think having a certain appearance or presence is to a rock n roll band?  Do you feel more bands these days should pay more attention to that sort of thing? 
JEFF: Obviously image and aesthetic have pretty much gone hand in hand in rock 'n roll since day one and it actually is rather important to pay attention to.  You got to have it all.  Not just the look, not just the music, not just the attitude.  It’s a combination of it all.  



Do you feel kids now days miss out on anything growing up with electronic music and listening to digital albums? 
JEFF: Yea, soul


What is the best piece of advice you’ve read or have been told that you still live by to this day? 
JEFF: If you want it done right, do it yourself.  


Where can people go to hear and buy your music?
JEFF: Our music is available on vinyl and CD on dead-beat-records as well as digitally on iTunes, Amazon, CD Baby, etc.  We also have a 7 inch available on whitezoorecords.com (Italy)  

What’s ahead in 2016 for Dr. Boogie? 
JEFF: We are heading out for a US/Canada tour in April/May.  And then we'll be at the Fuck You We Rule OK festival in Tulsa, OK in July.  Also, going to try to get back into the studio to knock out some more tracks that we have been working on since the release of our debut record Gotta Get Back To New York City.


Follow Dr. Boogie on social media:  

instragram.com/drboogiemusic
@drboogiemusic

twitter.com/drboogiemusic
@drboogiemusic


Be sure to catch them on their upcoming Spring Tour! 

























Friday, May 16, 2014

Faz Waltz



     Somewhere in Italy, there is a group that eats and breathes T. Rex records while watching endless reruns of Marc. One of these disciples is Faz Waltz, one of two major glam punk bands originating from Italy. Faz Waltz plays the style of glam, punk, Rock N’ Roll that T. Rex, Sweet and Slade played before they musical term was coined. Just because the 20th Century is gone doesn’t mean there are those that forgotten the influence of “20th Century Boy.” It is only fitting Faz Waltz comes from Italy, a country shaped like a boot, and is the heir apparent to wear the same silver glam boots that Slade wore. 


Interview by Ed Stuart

Who’s answering the questions?
Hi, I’m Faz La Rocca.

Where is the band from?
Como, Italy.

Who is in the band and what instruments do they play?
Faz La Rocca: Vocals, Guitar
Diego Angelini: Bass
Marco Galimberti: Drums

How did the band start?
I have played in a band since 1998 and after some experiences with punk rock; I started to write material for a new project, Faz Waltz in 2006. I just wanted to have some fun with the roots of punk and try to stand out from all the other bands around.

What is it about glam music that is so endearing? At first, glam music was, arguably, thought of a passing fad, but it has been very influential especially in the last few years considering bands like Giuda and Faz Waltz are heavily influenced by glam. Any thoughts on why that is?
Well, glam rock has never been taken too seriously, it has been seen as a kind of joke. At the beginning, it was the same for Rock N’ Roll in the fifties. In 1970, the rock scene was founded on the magniloquence and the virtuosity, with a serious approach to the lyrics and the technical skills; glam rock wasn’t anything like that. Simple, easy, and fun just like Rock N’ Roll. Punk was coming.

What is the music scene like in your hometown?
We’ve got plenty of punk bands, some are very good, The Leeches for example, but apart from Faz Waltz and Giuda, there isn’t really a glam rock scene in Italy nowadays. That’s why in the beginning it wasn’t so easy to get gigs.

Do you feel being in a glam band gives you more songwriting freedom? On Back to Mondo, the band has melodic ballads like “King of Nowhere” and classic glam stompers like “I Wanna Find My Place.”  If Faz Waltz was a punk band do you think you would have the same songwriting freedom?
I’ve never thought about it. I just write songs, the way I like, the way they come, and it doesn’t matter. If a song is good, it’s good, sometimes it depends on who is listening I think. I know punks that love the ballads more than the glam stompers.

Do you think music can still be a vital force in such a disposable age?
For sure. music is what I breathe from the time I open my eyes in the morning till I go to bed, the way the music make you feel is irreplaceable.

Five essential glam records you feel everyone should own.
It’s not easy to choose just 5 records. I’ll name the most popular and easy to find records, in case you’re new to the genre:
-Slade “Slayed” LP 1972
-T.Rex “Electric Warrior” LP 1971
                   -David Bowie “The Rise And Fall of Ziggy Stardust and The Spiders from Mars” LP 1972
-Gary Glitter  “Glitter” LP 1972
-T.Rex “The Slider” LP 1972

If you had the opportunity to have Marc Bolan or Mick Ronson in Faz Waltz whom would you pick? Or if neither of these guys, whom would you pick? Why?
Bolan was the head behind T.Rex, so I don’t think it would work very well; too many cooks spoil the broth. Mick Ronson did a perfect job with Bowie. He’s the perfect right-hand man.

50 years ago people used to buy music and get their water for free, now people pay for water and get their music for free. How do you think this affects music in any way?
Well, you know, being a musician should be a job, exactly like being a plumber. If you didn’t get paid for your work and your effort it would be very difficult to keep afloat, and it is. Fortunately, for the moment, we all also have a “real job,” like someone use to say.

In a Global Texan Chronicles article, they stated, “Faz Waltz isn't necessarily a straight forward nostalgia band simply re-working bygone sounds in an effort to emulate their sonic heroes. More of a band who understands the importance of an era in music that most have decided to leave to history.  Do you feel this is an accurate of the band?
We just do our best to make good music in the most genuine way, we don’t try to be spontaneously nostalgic or original, but I don’t think there is another band just like Faz Waltz at the moment.

The band is diehard analog fans. Why do you think recording analog is so important as opposed to recording digital?
It could seem obvious, but I think it’s a just a matter of sound, and what you want to achieve.
Analog recording could work for some bands and not for others … it isn’t a magic formula, for the way we want to sound, it’s perfect, for example.

Where can people hear the band?
You can listen to our music on records and live first then Bandcamp, Soundcloud, Reverbnation, YouTube and on our official site www.fazwaltz.com , where you can find all the links to the social networks too.

What’s next for Faz Waltz?
We’re working on the new album; we’ll be in the studio this summer. Some new songs we’re playing now…

-Kids Are All Wild
-Makin’ Noise
-Hot Class (Working Class Teacher)
-Back In Town
-Crazy Little fun
-Telepath Baby
-Ready To Go
-Let’s Get Around
-Move over
-We’re All We Got
-Change