Showing posts with label Gary Glitter. Show all posts
Showing posts with label Gary Glitter. Show all posts

Tuesday, June 17, 2014

Yum Yums


     In a perfect world, there would be a tribute statue erected in Norway with the likeness of Yum Yums front man Morten Henrikson. For years he’s been strumming away writing and performing glowing pop songs, just the way the Norse God of pop songs intended. Songs that are so jam packed with guitar hooks and genuinely heartfelt lyrics that you instantly feel a connection with them. Sometimes I feel like maybe that's why bands like The Yum Yums aren't as popular as they should be; it's almost too emotionally “real” for most people to take. That's why all these disconnected theatrical rock star puppets rule the airwaves.  So where is this Norse God of pop songs and why isn't he striking down all of these fraudulent poets of musical swill you ask? Why he's too busy writing songs for his band The Yum Yums!

Interview by Jay Castro

What is the origin story of your band Morten? I know you have had a lot of people come and go, but with the original line up: how did you all meet and decide to form a band?
The Yum Yums was my idea from the start. My former garage band The Cosmic Dropouts had just broken up and I wanted to start a light hearted pop-band with punk energy to stand up to all the grunge, black metal and "beats per minute" crap that was out there in 1993. I wanted a band like Paul Collins Beat, The Barracudas, The Real Kids and of course The Ramones, plus more "modern" bands like The Queers, Psychotic Youth (Swe), The Vacant Lot and Sonic Surf City (Swe). A band like The Devil Dogs was also a HUGE influence. Still is! I basically recruited guys I knew were into the same music I was, regardless if they were "good" musicians or not.

As a kid, do you remember what band or musician made you want to pick up an instrument and want to write your own music?
Yep: The Monkees were my favorite band when I was 4. My mom bought me Monkees singles after we watched The Monkees TV show. Later I got obsessed with the British glitter and glam pop wave of the early 70's. Slade, Sweet, Suzy Quatro, Gary Glitter, Mud… you name it! They were all gods! Then Kiss, The Ramones and punk rock. Later I started digging backwards for ‘60's garage rock, surf, girl groups and bubblegum, even 50's Rock N' Roll, R & B and rockabilly.

What is life like for a power pop band in Norway? Are there some other similar bands to play with out there right now?
We have actually been pretty much alone, doing the kind of Ramones-y power-pop that we do. Norway is such a small country, so the bands we like to play with and hang out with are bands of various genres. Lately some new punk / power pop bands have turned up, though like Sugar Louise, The Promdates, The Whipshades, The Hallingtons. Other bands to check out would be Peter Berry and The Shake Set (‘60's beat), Los Plantronics (spaghetti-instrumental), Gringo Bandido (Intense Greg Cartwright-style pop rock).

On the new album …Play Good Music, the subjects of the songs run a full emotional spectrum of relationships, everything from being happy in love to being happy without it. Are all of these songs about the same person or are you able to look back and tap into emotions from your past?
The angry bitter and hateful songs are mostly about my ex girlfriend Caroline (of Caroline & The Treats), who had dumped me right when I was writing the lyrics for the album. Not a happy time, but good for inspiration I guess. The happier songs are either written before the breakup, or are about what life and love could or should be like in a perfect world. The album is actually still kind of hard for me to listen to. Oh well… these days I am writing songs for the next Caroline & The Treats album, which I also will record and produce. She writes her own lyrics though.


Aside from the obvious power pop influences, the song on the new album “And a Whole Lot of You” has an almost Motown intro like “Can’t Help Myself” by the Four Tops.  Are you a fan of Motown and groups like these?
There are a lot of different influences on the album. The main influence for “And A Whole Lotta You” is however bubblegum pop. No particular song. But I am of course a fan of the Motown stuff and bands / artists like that too. There were a lot of Motown influences in Bubblegum music too.

Although Yum Yum’s lyrics aren’t always happy and sunny the music that accompanies them usually is. Do you have any music that you put on when you’re down about something that can brighten up your mood?
Any Rock And Roll, baby! All kinds! As long as it rocks!

Where are the best places for people to hear or buy your music?
Anywhere we play, I guess. My favorite place to play is always at the Wurlitzer Ballroom in Madrid. We have a fantastic, faithful gang of fans there. Always a party! Where to buy our records? Any well-stocked records store, iTunes Store, or directly from me: mhenrik@online.no

What does the band have in store for us in the near or not so near future?
I have written A LOT of new Yum Yums songs, and we are planning to record a new album this summer / fall for release later in the fall. I guess I need to find another girl who can break up with me, so I can get the lyrics going. Lyrics are always a hassle! I hope we can release a new single shortly. I wrote a summer-song last summer called "Summertime Pop". It's about guys who spend their days and nights indoors playing their "Perfect Summer 45's" instead of going to the beach.










Friday, May 16, 2014

Faz Waltz



     Somewhere in Italy, there is a group that eats and breathes T. Rex records while watching endless reruns of Marc. One of these disciples is Faz Waltz, one of two major glam punk bands originating from Italy. Faz Waltz plays the style of glam, punk, Rock N’ Roll that T. Rex, Sweet and Slade played before they musical term was coined. Just because the 20th Century is gone doesn’t mean there are those that forgotten the influence of “20th Century Boy.” It is only fitting Faz Waltz comes from Italy, a country shaped like a boot, and is the heir apparent to wear the same silver glam boots that Slade wore. 


Interview by Ed Stuart

Who’s answering the questions?
Hi, I’m Faz La Rocca.

Where is the band from?
Como, Italy.

Who is in the band and what instruments do they play?
Faz La Rocca: Vocals, Guitar
Diego Angelini: Bass
Marco Galimberti: Drums

How did the band start?
I have played in a band since 1998 and after some experiences with punk rock; I started to write material for a new project, Faz Waltz in 2006. I just wanted to have some fun with the roots of punk and try to stand out from all the other bands around.

What is it about glam music that is so endearing? At first, glam music was, arguably, thought of a passing fad, but it has been very influential especially in the last few years considering bands like Giuda and Faz Waltz are heavily influenced by glam. Any thoughts on why that is?
Well, glam rock has never been taken too seriously, it has been seen as a kind of joke. At the beginning, it was the same for Rock N’ Roll in the fifties. In 1970, the rock scene was founded on the magniloquence and the virtuosity, with a serious approach to the lyrics and the technical skills; glam rock wasn’t anything like that. Simple, easy, and fun just like Rock N’ Roll. Punk was coming.

What is the music scene like in your hometown?
We’ve got plenty of punk bands, some are very good, The Leeches for example, but apart from Faz Waltz and Giuda, there isn’t really a glam rock scene in Italy nowadays. That’s why in the beginning it wasn’t so easy to get gigs.

Do you feel being in a glam band gives you more songwriting freedom? On Back to Mondo, the band has melodic ballads like “King of Nowhere” and classic glam stompers like “I Wanna Find My Place.”  If Faz Waltz was a punk band do you think you would have the same songwriting freedom?
I’ve never thought about it. I just write songs, the way I like, the way they come, and it doesn’t matter. If a song is good, it’s good, sometimes it depends on who is listening I think. I know punks that love the ballads more than the glam stompers.

Do you think music can still be a vital force in such a disposable age?
For sure. music is what I breathe from the time I open my eyes in the morning till I go to bed, the way the music make you feel is irreplaceable.

Five essential glam records you feel everyone should own.
It’s not easy to choose just 5 records. I’ll name the most popular and easy to find records, in case you’re new to the genre:
-Slade “Slayed” LP 1972
-T.Rex “Electric Warrior” LP 1971
                   -David Bowie “The Rise And Fall of Ziggy Stardust and The Spiders from Mars” LP 1972
-Gary Glitter  “Glitter” LP 1972
-T.Rex “The Slider” LP 1972

If you had the opportunity to have Marc Bolan or Mick Ronson in Faz Waltz whom would you pick? Or if neither of these guys, whom would you pick? Why?
Bolan was the head behind T.Rex, so I don’t think it would work very well; too many cooks spoil the broth. Mick Ronson did a perfect job with Bowie. He’s the perfect right-hand man.

50 years ago people used to buy music and get their water for free, now people pay for water and get their music for free. How do you think this affects music in any way?
Well, you know, being a musician should be a job, exactly like being a plumber. If you didn’t get paid for your work and your effort it would be very difficult to keep afloat, and it is. Fortunately, for the moment, we all also have a “real job,” like someone use to say.

In a Global Texan Chronicles article, they stated, “Faz Waltz isn't necessarily a straight forward nostalgia band simply re-working bygone sounds in an effort to emulate their sonic heroes. More of a band who understands the importance of an era in music that most have decided to leave to history.  Do you feel this is an accurate of the band?
We just do our best to make good music in the most genuine way, we don’t try to be spontaneously nostalgic or original, but I don’t think there is another band just like Faz Waltz at the moment.

The band is diehard analog fans. Why do you think recording analog is so important as opposed to recording digital?
It could seem obvious, but I think it’s a just a matter of sound, and what you want to achieve.
Analog recording could work for some bands and not for others … it isn’t a magic formula, for the way we want to sound, it’s perfect, for example.

Where can people hear the band?
You can listen to our music on records and live first then Bandcamp, Soundcloud, Reverbnation, YouTube and on our official site www.fazwaltz.com , where you can find all the links to the social networks too.

What’s next for Faz Waltz?
We’re working on the new album; we’ll be in the studio this summer. Some new songs we’re playing now…

-Kids Are All Wild
-Makin’ Noise
-Hot Class (Working Class Teacher)
-Back In Town
-Crazy Little fun
-Telepath Baby
-Ready To Go
-Let’s Get Around
-Move over
-We’re All We Got
-Change