Showing posts with label Resurrection Records. Show all posts
Showing posts with label Resurrection Records. Show all posts

Sunday, March 15, 2020

Yesterday and Record Pressing Plant Fire Show Notes and Links






One this episode the boys talk about what they're listening to: 

Jay's  really digging the new Sick Bags - Only The Young Die Good  LP on Spaghetty Town Records and No Front Teeth Records, the new Slander Tongue S/T LP on Slovenly Recordings and the new songs by Outtacontroller from their upcoming LP on Alien Snatch Records











Ken and Ed are really into the new Tommy Ray  - First Hits Free LP




Also on the show,  the guys talk about the fire that devastated Apollo Masters Manufacturing 

Robert Bauer/RIBsfit Media
https://www.rollingstone.com/music/music-news/apollo-masters-fire-vinyl-records-lacquer-production-949648/



The goons also "Smash or Trash" the new Strokes tunes!  






We find out the charming movie Yesterday just wasn't "Jarmusch" enough for Ken:



https://www.imdb.com/title/tt8079248/



Our featured song on the episode is "Addicted" by Dirty Cheetah 





and as per usual our opening theme song is "Alright" by Radiohearts 





Check out this episode!









Thursday, February 19, 2015

Mother's Children


     Mother’s Children don’t care what you call them as long as it’s not pop-punk, which I don’t see any danger of that anyway. With influence’s ranging from Nick Lowe, The Raspberries, The Zombies, Sweet and ELO, Mother’s Children craft songs like a gourmet chef cooks fine food. Their last LP, Lemon, was anything but. Instead Lemon is filled with the kind of American meets UK power-pop songs that most bands dream of writing for a single and Mother’s Children filled an entire album them. Mother’s Children don’t like being called pop-punk, but after listening to their songs you may come to agree with one reviewer that they are “Power Pop, with Actual Power.”


Interview by Ed Stuart

Who’s answering the questions?
Kenneth James; Singer / Lead Guitarist / Song Writer

Give us a brief history of Mother’s Children? How did you meet? What other bands you have played in and currently do play in?
We’ve been a band since 2008, so about 7 years. I broke up Sick Fits a year prior to do something new with our singer; Michael Hurts. The Million Dollar Marxists; another Ottawa group, broke up around the same time. The ex-Marxists went onto to form the Sedatives and the White Wires, while Tim and Davey went onto join us. It’s been the same fab four up until last year when we got Seiji, the current Average Times bass-player on bass for us. Two of us also back up Ian Manhire from the White Wires in Voicemail. Voicemail has been playing for about two years and has recorded about two albums but hasn’t released anything yet. I played in a version of The Barracudas, for a tour once, which was pretty neat.

Who is in the band and what instrument do they play?
Kenneth James – Lead Guitar, Vocals
Michael Hurts – Guitar, Vocals
Tim Ostler – Drums
Seiji W. Hewett – Bass, Vocals

How is the Ottawa music scene?  Is it competitive or like one big family?
Well it’s the only music scene I’ve been in, so it’s hard to tell. It’s definitely way better now, than when we started out. I’ve read about how great Ottawa’s bands and scene are lately. It feels like there’s a more positive energy and bigger crowds now at punk/underground shows than there was like 10 years ago. The Ottawa Explosion surely has something to do with that. There aren’t really any bands like Mother’s Children, so there’s no competition. Even if there was, it wouldn’t matter to us, because we just want to make music on our own terms.

What bands did you have in mind when starting this band?
I’m not lying even a little bit when I say that I wanted to be in a band that sounded like The Raspberries, Cheap Trick, The Sweet, The Zombies and T.Rex. I assumed with that mix of influences we’d come out sounding like Supergrass. We even had an organ player in the beginning. Over time, the band developed a more fast-paced, straight-ahead approach, which some people say is called Punk Rock. But those old influences are still very much looming in our songs.

In an interview with AUX, Kenneth mentioned Sparks’ Mael brothers, Nick Lowe, Ray Davies, Jeff Lynne, and Roy Wood as influences. What was about these musicians that drew you them originally?
Sparks for everything. The songs are fun, hook-filled, and occasionally epic. And the lyrics are perfection to me. Just the right amount of weird. Same thing about Ray Davies (the Kinks) and Nick Lowe. Although not as weird; it’s the unique way they are able to throw a story into a simple pop-song that is a major inspiration to how I write lyrics. Lynne and Wood, well you can follow their careers from the Move and the Idle Race who were psych-pop bands, and watch them evolve into the hugely successful Electric Light Orchestra. Quite the musical journey, and the tunes were always top-notch. Another influence to my lyrical writing is John Waters movies. I love just how declarative his characters are. The acting is bad, but the actors speak with such conviction you just have to listen! That’s kinda like our music.

In the same interview with AUX, Kenneth spoke of a very interesting band philosophy “I don’t like pushing my music on anyone, especially since there are just so many bands and varying tastes out there,” he says. “But I’d like people to know how to find us when they’re ready.” One could make the argument, that when a band plays live they are indirectly pushing the band on the fans especially since the only other alternative for the crowd is to step outside the venue to not hear them. Can you elaborate more on that quote?
Yeah, sometimes you’re gonna have to listen to bands you hate, and sometimes you’re gonna BE the band people hate. I guess I’m just a sensitive “artiste.” I’d rather stay underground than be shrugged off by a cold, indifferent public. Yet I refuse to make the music that the public wants to hear, HA! I sometimes feel we belong in a different, simpler time. As a kid I grew up with the Oldies AM radio station playing all the time, and I never knew that they were “Oldies” until I got older. You are right though. All bands have to push themselves to get anywhere, especially when they’re just starting out. When you make music that isn’t the accepted norm, sure, you get creative satisfaction, but the fallout is a lot of folks just won’t care, and that can sting. We prefer to play small venues and house shows. I feel they have a more open-minded and fun vibe going down. If the crowd is up-front and responsive it’s the best thing in the world. If they’re not, I kind of feel foolish. I think we come off as kind of reserved compared to some of the bands we play with. Running around the stage or being super intense just isn’t our thing. I just want to sound good. So yes, you must go outside your comfort zone a little bit if you’re gonna blaze your own trail. A LOT if you’re gonna try to change anything for the better.

In an interview with 53rd and 3rd, the band didn’t really seem to enjoy being labeled power-pop, but then at the end it was stated “Call it anything you want really, just don’t call it pop-punk,” which begs the question, why not pop-punk?
HAHA! I guess we don’t leave a lot of options for ourselves do we? I dislike labels, but I understand it’s important to be able to categorize bands. I’ll accept “Power-pop” as a title. Our music is certainly heavy on both those things. Someone once said in a review; “Power Pop, with Actual Power,” which was great. I love Punk Rock, it’s truly thrilling. I have hundreds of punk albums and we play with punk bands all the time. We get a kick out of playing fast and loud, but I just never felt the music we were making was punk music. I guess I just don’t wanna set the wrong expectations.

What are some things you like about all the digital avenues presented to musicians nowadays (Bandcamp, blogs, blog writers, Facebook, smaller record labels, internet magazines, etc.) to help bands today?  And some things you don’t like?
There’s a lot of shit talk in some places, but all the other stuff is great. There are many web-zines and blogs worldwide who have reviewed us and said wonderful things about our records. There was a time when the only reviews I ever read were in an actual magazine. You used to have to create a website from scratch, with pages and everything. Now we just have a band camp and we make money without really doing anything. We’re not about making money, we just want our music to be accessible, and all the resources you just named are great for that. Small record labels however, are the true heroes. I know how hard putting out records is. Without them we’d be nowhere.

Where can people hear Mother’s Children and what’s next for the band?
HUGE Cross-Europe tour with Calgary’s the Mandates in May 2015!
Our bandcamp has pretty much all the songs. (motherschildren.bandcamp.com) It’s all on vinyl too. Our newest one is on Mammoth Cave Records in Canada (www.mammothcaverecording.com) Resurrection Records in the USA (www.getresurrected.com) and Taken By Surprise in Europe (www.takenbysurprise.net) We just recorded a few new songs this month. There will be a new 45 coming out soon to hold you over until our next full record.











Friday, November 7, 2014

Bad Coyotes





     The Bad Coyotes are billed as “rock and roll sex punk,” which you could argue the meaning of until the cows come home or until the bar kicks you out and still really never know what this phrase means. What can you bet on is that Bad Coyotes are a mix of The Kids, Saints, Rip Offs, the Infections and bits of Teenage Head wrapped into one hot blooded band hell bent on raw energy and lo-budget recording. Time for Sex Positions is a hot mess of an EP and could be the musical equivalent of a candy apple with a razorblade inside with only the core left.


Interview by Ed Stuart

Who’s answering the questions?
Jason Coyote

Where are Bad Coyotes from?
Oakland, CA
Comprised of Andy and Jason who are from Virginia. Mark is from Peru and Scotty is from Richmond, CA.

Who is in the band and what do they do?
Jason Coyote - vocals / band dad
Mark Reategui - bass
Andy McLobster - guitar
Scotty Jizz - drums

How did Bad Coyotes start?
Andy and me were listening to a lot of hardcore and garage rock and had been playing in a hardcore band called Not Invited. Mark was playing in Deadfall and Scotty was playing in Rhygin HC. We were all playing in hardcore bands and we just got more interested in Rock N’ Roll more particularly old Rock N’ Roll and 70’s punk and Back From The Grave type stuff. Andy’s been listening to a lot of garage stuff and fuzzed out grunge and shit his whole life and put us onto a lot of cool bands like Supercharger and The Gories and New Bomb Turks and Oblivians and shit like that. I’ve always liked a lot of ‘70’s punk type shit like The Vibrators and Teenage Head and The Kids, Pagans etc. I dunno, we were all guys who liked to party together and hangout and boom! We had Bad Coyotes, shits been a disaster ever since ha, ha, ha.

If you could only own one band that Greg Lowery was in (Supercharger, Rip Offs, The Infections, Zodiac Killers) which one of the bands would it be and why?
Supercharger! Shits fuzzed out as fuck and totally rips!

What bands have been the most influential on Bad Coyotes?
Hard to really answer this one, everyone in this band is such a different person and has so many musical tastes it’s really impossible to pin point the shit. We all like Los Saicos a lot. We all like New Bomb Turks and The Kids. We spent a lot of time terrorizing Oakland and SF in my old dodge blasting lots of Nuggets Rock N’ Roll and everything from Youth of Today to Cocksparrer to Sonics to a CD that had the Mexican hat dance on repeat, we’re fuckin idiots man.

Do you think music can still be a vital force in such a disposable age?
Music is the only thing left that no one can really control. A human being can make noise with their mouths and bodies. Music is true freedom and expression. Anyone who tries to say otherwise is a fuckin jerk off. Shit is easily disposable these days but like a fuckin disease everything finds a way to break out and fester and infect the masses. I personally think humans are a fuckin disease that will destroy the earth and if all the hippies in the world who are trying to save it just off themselves they would be helping their own cause and be less annoying. But the creation of music is one of the coolest things we’ve ever done, even plants and animals like that shit.

In the Bad Coyotes bio, the band is described as “rock and roll sex punk.” Can you describe what that is exactly?
That’s just some dumb ass shit that doesn’t mean anything and our bio is fucking stupid as shit! Mark wrote it . . . pfffffff!
I think I made that up as a description while I was drunk and we thought it was a cool thing to describe ourselves as for awhile but it literally means absolutely nothing. I hope it catches on and becomes a genre like dbeat or riot girls or emo or some other shit that’s stupid and pointless.

How did the band initially meet Resurrection Records? Did they offer to put out the Time For Sex Positions EP based of the band’s other releases?
Well, no. Well, maybe. Shit I dunno. Homey at Resurrection is a really awesome guy who has a good ear for good tunes and likes a lot of different shit.  He’s got a great label and we’re very grateful to be a part of it.


In an interview with Buck Biloxi and The Fucks in Terminal Boredom, there is a quote stating, “Bad Coyotes are some wild dudes who get confrontational and yell and kick ass.”  This leads me to the question how are Bad Coyotes live shows normally?  What are some of your favorite shows as a band?
Our shows usually consist of one or two people getting hit in the head with a microphone stand. I got sunglasses on a lot and can’t see good out of ‘em. Andy usually antagonizes the crowd with cheap shots and weird noises. Mark usually says something prolific in Spanish and Scotty generally looks out at us in disgust and shakes his head and tries to rush into the songs so we can’t talk anymore and piss more people off. Scotty is a handsome man with a good heart; we love him. Also he quit so we need a new drummer, ha, ha, ha, ha, ha!

Anyways at our shows the crowd usually is scarred or confused and stands at the back of the room awkwardly or leaves. People in the bay area don’t like violence very much. I don’t think we’re a violent band. I just think people need to learn how to untighten their buttholes and fuckin party selflessly every once in awhile for craps sake. This is what happens when we play garage shows. When we play with punk bands or hardcore bands at like house shows and warehouses etc, people circle pit and throw shit back and party and generally have a good time. It’s a mixed bag and the candy in it doesn’t always taste good.

50 years ago people used to buy music and get their water for free, now people pay for water and get their music for free. How do you think this affects music in any way?
Bottled water is for buttholes; steal everything.

Where can people hear the Bad Coyotes and what’s next for the band?
You can find Bad Coyotes records in the $1 bin at most record stores or buy them from the labels that put them out for more than a dollar. Our music is free and not free on the Internet. I suggest getting our 7-inches from Resurrection records or Modern Action records or Mile High Records. As far as what’s next for Bad Coyotes, well, we’ve been asked to play in many different countries. We’ve been asked to play with amazing bands. We’ve been given tons of opportunity and watched it pass us by because of work problems or money problems or mental problems or substance abuse problems. We’re always stuck with each other’s problems, I dunno, we’ll probably break up. Know any good drummers?









Thursday, July 10, 2014

Reviews



Atlantic Thrills – A Day at The Beach 7” (Almost Ready Records)
According to the bands bio, this Providence, RI band can play anything from full blown nuclear mushroom cloud garage punk to fun in the sun drenched surf ditties; let this record stand as exhibit “A” as evidence to why the above statement is 100% truthful. The A side, “A Day at The Beach” is the perfect soundtrack to a warm day on the sand, dancing, frolicking about and even playing volleyball with an oversized beach ball.  The B Side, “Hold Your Tongue,” is a 1960’s garage Rock N’ Roll stomp-o-rama similar to The Monk’s song “Complication.” Atlantic Thrills effortlessly deliver the goods . . . and then some! – Jay Castro


1-800-BAND – Diver Blue 12” EP (Almost Ready Records)
When I was growing up in the 1980’s, these are the type of songs I would hear anytime the radio was turned on. Now, I realize writing statements like this date me and possibly rears the ugly head of a “My generation is better than your generation” article, but it is a little sad that to find the songs that 1-800-BAND writes are ones that have to be searched for. Diver Blue is full of a mix of American Power Pop (think early Tom Petty and The Beat) mixed with ‘80’s pop that nestles it’s way into your head like an earwig. Memorable and catchy choruses mixed with earnest vocals with a splash of Dwight Tilley thrown in. – Ed Stuart


Ausmuteants – Amusements LP (Goner Records)
Dusty Australian synth-punk band of apocalyptic doomsayers Ausmutants bring us songs pieced together with duct tape, scrap metal and ultra melodic hooks all wrapped in shell casings of bleakness and urgency.  Ausmutants immediately remind me of contemporary bands like Miscalculations and Sex Crime with hints of bands from the way back machine like Screamers. This long player delivers songs that are short, sharp, and dark.  Ausmutants aren’t a carbon copy of the above-mentioned bands make no mistake about that. They push and shove their way right to the top of their game and stand side by side next to the genera’s best. – Jay Castro


Liquor Store – In The Garden LP (Almost Ready Records)
Years ago, Canadian Club whisky ran an ad campaign entitled “Damn Right Your Dad Drank It.” The ads featured a series of vintage pictures of young versions of “dads” pictured with women other than their wives, hanging out with friends, and proclaiming the virtues of having a van. Where am I going with this? Liquor Store seems like the kids of these vintage “dads” and upon finding “dad’s” long hidden record collection and old photos were so influenced that they decided to start a band. Liquor Store plays a mix of garage and classic rock, which upon first thought you might think wouldn’t work, but on In The Garden it does. Liquor Store plays the kind of rock that is heavy on guitar chops and falls somewhere between MC5 “Kick out the Jams” and Credence Clearwater Revival influenced southern Rock by way of New Jersey.  – Ed Stuart


The Reigning Sound – Live at Goner Records LP (Goner Records)
This record was recorded June 26th, 2005 and was originally available only as a limited edition CD, until now that is! If any of you aren’t familiar with The Reigning Sound, I have but one question: WHY NOT? Greg and the boys deliver some brilliantly melodic, well-crafted punk Rock N’ Roll tunes that ooze warmth, charm and style that is nearly unsurpassed by any of their contemporaries. This record is as good a place to start listening to this band as any. The sound quality is excellent plus you get a sample of the oomph that Reigning Sound brings to the stage. In the land of Rock N’ Roll, The Reigning Sound is giants among men. – Jay Castro


Ex-Cult – Midnight Passenger LP (Goner Records)
Ex-Cult live in a world where punk and post-punk meet. Midnight Passenger is an arguable equivalent to Wipers, Mission of Burma and X (Australia not Los Angeles). Razorblade guitars with an art-damaged, noise punk urgency set against a bubbling punk cauldron on some songs while others are a full of 1960’s psychedelic mood and atmosphere.  – Ed Stuart


Hard Girls – A Thousand Surfaces LP (Asian Man Records)
The San Jose, CA power trio’s second album has songs that are tightly packed with their unique brand of melodic, intelligent ferocity. To me, the qualities I hear in this band are similar to the ones I love in bands like Jawbreaker, J Church and Superchunk. A swirling blurred force of guitars and drums whisking quickly and violently around you with honest vocals that serve as the anchor to keep everything from getting too out of control.  On the band’s Facebook profile they list “havin’ fun” and “gettin’ over depression” as some of their interests. Thankfully we have bands like Hard Girls that makes those things easier for the rest of us to get through! – Jay Castro


Ricky C Quartet – I Miss You b/w Feed The Crocodiles 7” (Wanda Records)
With a LP coming out this summer, I’m wondering if I Miss You b/w Feed The Crocodiles is a teaser single to hold us over until the summer. If it is, then I will patiently wait. This single is a ripping two songer that finds Ricky C Quartet (or RCQ) playing a mix of Saints, The Kids and 1960’s proto-punk. “I Miss You” has an intro that seems to be a missing part to a Mick Jones sung Clash song that doubles as both influence and homage. Solid release! – Ed Stuart


Stalins of Sound – Tank Tracks LP (Slovenly Recordings)
Stalins of Sound hurl dark and damaged punk rock that rides a black sound tidal wave of synthesizers and anxiety. The name of the band and the cover photo of the record, that shows a tank on a busy freeway mowing down motorists, pretty much sums up their music. These San Diego residents deliver the soundtrack to the harsh reality of when (not if) the machines finally take over and humanity’s days are numbered. The human race resists their extinction agenda however, and a rag tag crew of cold, calculating militant types band together and fight back. The Stalins of Sound are geared up for the first strike against the enemy stronghold. – Jay Castro


Hobocop – Half Man Half Cop LP (Slovenly Recordings)
From what I could gather from various sources was that Hobocop was a two-person band from Oakland around 2010, but are no more. The ex-Hobocop members are Cody, currently is in Shannon and The Clams and King Lollipop, and Owen, who moved to New York City to pursue an animation job. While this is nothing like what Cody does in either of his current bands, Hobocop are a mix of fuzzy, dirty, bedroom and/or basement recordings that have the 4-track spirit of Sebodah while playing a lo-lo-fi 1960’s garage punk. – Ed Stuart


Wavelengths – S/T LP (Rubber Brother Records)
Wavelengths summon up the fun, lighthearted spirits of the 1960’s and manage to funnel them into your speakers and into your uptight cranium. Enjoyable tunes of loose psychedelic, kick back lounge and garage splatter about. I am certain this record has been specifically written to raise your good time mood to a near uncontrollable level. Never taking themselves too seriously, which is a good thing with song titles like “Take It Sleazy,” and at the same time deliver some straight rock right outta the garage with songs like “I Don’t Wanna.” Wavelengths keep the rock rollicking throughout the album’s duration. – Jay Castro


Wolvves – Go Demon or Go Home (Rubber Brother Records)
Wolvves is one-part lo-fi garage rock, one-part Spits, one-part rap and one-part psychedelic. If you learn anything from Go Demon or Go Home, it’s that these guys like smokin’ weed and preferably all day if you let them. Much like Fidlar, New Swears and a host of other bands, that have tapped the teenage party lyrical vibe, Wolvves is covering similar ground but what they do is mix it up musically by shifting garage-punk, rap verses and psych to arguably become another soundtrack for a growing number of kids. - Ed Stuart


Los Puchos – S/T Cassette EP (Rubber Brother Records)
Jordan of Petty Things along with his brother formed the heart of this now defunct Tempe, AZ band. “Puchos” is what the Argentineans refer to as cigarettes, in case anyone is wondering. This cassette reels out some easy going summer lazy tunes that remind me what it would be like to take the mule ride down the Grand Canyon: fun, moving, spiritual, but by no means in any hurry. In my opinion, the standout tracks are “Victoria” which blends what the Puchos do best plus add some garage rock stomp and strut. The other being “Joanne” which reminds me of something Van Morrison could have written.  When all is said and done, Los Puchos graced us with an absolutely solid release, a shame that the band called it a day. – Jay Castro


Playboy Manbaby – Bummeritaville LP (Rubber Brother Records)
Punk? Ska? Funk? No wave? Yes, yes, yes and yes. Playboy Manbaby is like James White and The Contortions fronted by an art-damaged/hardcore raspy vocal singer. Just like The Contortions, Playboy Manbaby is always seeking to strike the balance of when to turn on the punk and when to break it down to funk and on Bummeritaville the band does this exceptionally well. No wave punk-funk with a horn, which brings to mind the New York No Wave scene and the arguably underappreciated Go Go Go Airheart. – Ed Stuart


Durban Poison – Thunderwolf Cassette (Shake! Records)
The Thunderwolf is a mythological creature that seems to exist in different cultures. To the Japanese, the creature is a white wolf wrapped in blue lightening and is said to be pretty calm and harmless except when there is a thunderstorm then it becomes agitated and leaps all around in trees and rooftops scorching all it touches. This same reaction also comes from listening to Durban Poison brand of high-octane music. The Victoria B.C band of ladies and gentlemen shoot bolts of melodic, aggressive punk Rock N’ Roll out of their fingertips that causes one’s soul to stir. Like the Thunderwolf creature this cassette will leave scorch marks on your tape player no matter what the weather condition. – Jay Castro


Bad Doctors – Burning City LP (FDH Records/P. Trash Records)
For all the kids who were born too late for the 1980’s (another thing to blame on your parents), but are totally enamored by the decade, Bad Doctors is a band to claim as your own. Bad Doctors has a steady list of classic influences like New Order, Fascination Street era The Cure, Depeche Mode and later Devo to create a musical tapestry that has everything you would associate with these bands. Pop melodies set against moody rhythms with vocals reminiscent of Ian Curtis. Synth-punk-new wave, when done wrong, can sound like a bad cliché, but on Burning City, Bad Doctors are doing it just right. – Ed Stuart


Primitive Hearts – High and Tight LP, (Resurrection Records/FDH Records/P-Trash Records) & S/T 7” EP (Resurrection Records/No Rules! Records)
These records came out last year but they just recently arrived at the drawbridge of the Audio Ammunition secret mountain castle/fortress. We played them (a lot) and loved ‘em so we want to share the experience with you, our friends. Just because they came out a year ago doesn’t make them any less relevant by any means. Primitive Hearts play a kind of pop punk/power pop hybrid that not a lot of bands have been able to pull off: The Yum Yums, The Basement Brats, and The Parasites are just a few that come to mind at the moment. They sing about loves won and lost, the good times of yesterday and the ones that are yet to be had. Primitive hearts are the band you put on when your best lady stomped on your heart and when you’re getting psyched for the big Saturday night. – Jay Castro


Hector’s Pets – Pet-O-Feelia LP (Oops Baby Records)
Hector’s Pets takes a lot of cues from Too Tough To Die-era Ramones, Dictators, Chuck Berry riffs, Thin Lizzy-esque vocals and Beach Boys harmonies to make a guitar driven Rock N’ Roll, Dirtbombs influenced LP with enough pop for the power-popper in you. Pet-O-Feelia has tongue firmly planted in cheek, as if the title wasn’t indication enough, songs like “Station Wagon” and “Teenacher” are catchy reminder of how early ‘70’s Punk N’ Roll could be tough and fun just like Hector’s Pets. – Ed Stuart


Cat Party – A Thousand Shades of Gray 7” EP (Resurrection Records)
This band is a current band from California, but sounds like they came from England in the late 1970’s and early 1980’s marching with the likes of The Cure, Echo and The Bunnymen and Joy Division. Although they share a dark romanticism with the above-mentioned bands, Cat Party put a bit more velocity behind it. Unlike a lot of bands that share the same influences, when you listen to Cat Party their music doesn’t just make you want to listen to the originals, their music makes you want to listen to more Cat Party: melodic, melancholy with just a hint of late 1970’s punk bubbling beneath the surface to keep things moving. Me being a huge fan of this type of music (yes, I’m a lover not a fighter) I cry brilliance! – Jay Castro


Snookys – Steroids 7” (Self-release)
Garage-punk from Italy that would fit right at home with anything Rip Off had ever put out. “Steriods” has a riff that is as mean as anything from The Infections catalog. On Steroids, Snookys have given the world three ripping songs of short, raw, energetic punk rock that mixes 70’s Australian punk (think Fun Things “Savage”) with late 90’s garage (Infections). – Ed Stuart


Honey Badgers – Buena Park LP (Resurrection Records)
California’s Honey Badgers bring forth a brand of catchy, fun, ferocious, Billy Childish influenced garage Rock N’ Roll to us in matching black suits and skinny ties. This album is a bi-polar rollercoaster ride of emotion; from playful little ditties like the song “Funky C” to full swing garage mayhem demonstrated in the songs “Bumstick” and “Bone Zone” where you can almost feel the lead singer screaming at you two inches away from your face. The band does employ keyboards, and it is utilized in some songs way more than in others, but it doesn’t by any means take away from the 1960’s garage kick that this record was meant to be an homage to. I think the forefathers would be proud. – Jay Castro


Lunch – Quinn Touched The Sun LP (Resurrection Records)
On Quinn Touched The Sun, Lunch has added the ingredients of Gun Club, Wipers, Minutemen, No Wave and garage rock to its noisy punk rock stew. Lunch, like many other new bands, has been baptized at the church of garage punk rock, but they do not just stop there. Songs like “Monochrome Lust” have taken Gun Club’s punkabilly and taken it to new directions while “Frill and Lace” and “Teen Guitar” can not hide Lunch’s love of pop melodies employed in much the same way as Wipers did.  – Ed Stuart




The Shrills – Melt Down LP, Pink Hotel Cassette EP, Ghoul Kids Cassette EP (Resurrection Records)
The Shrills fire away cannon blasts of lo-fi, trashy Rock N’ Roll chaos with slathers of 1950’s rockabilly and doo-wop incased in bombshells of 1960’s garage pandemonium.  Imagine if Flat Duo Jets and Supercharger came together in a remote part of the universe like some sort of unstoppable Rock N’ Roll Voltron robot but instead of a sword is armed with a keyboard. Now it heads towards earth on a strict mission to rid the world of all that is dull and tedious in contemporary music. This gives you some idea of what I’m trying to keep from exploding my speakers for the last few days. All three of these releases contain the same high proof mixture with little to no let up! – Jay Castro 


The Rich Hands – Out Of My Head LP (Fountain Records/Burger Records)
Out of My Head could be the bubblegum soundtrack for this generation of lovelorn kids looking for first dates and the perils of dating with a lack of funds. The Rich Hands mix Buddy Holly and Chuck Berry three-chords and a riff simplicity with ‘60’s bubblegum pop and ’70 American power-pop with outsider cool to make some highly catchy power-pop Rock N’ Roll. “So Fine” sounds like something Teenage Head would have written while “Teenager” is the soundtrack of late night car races where trying to impress your girl might end by driving off a cliff. – Ed Stuart


V/A – No Rules! No Fun Compilation LP (No Rules Records)
Holy Smokes, this is one of the best comp records I’ve heard from beginning to end in a really long time. It’s as if they had Audio Ammunition in mind when the fab folks over at No Rules concocted it. The fun starts off with Oakland’s Top Ten and their cover of The Real Kids “Hit You Hard” sung with female vocals, which adds a new twist to an already killer song. The record keeps up the pace with some of my already favorites like Youthbitch, Primitive Hearts, Mean Jeans, and Chemicals just to name a few. Bands I discovered on here that I now love are Piss Test, Huff Stuff, and Perfect Look. If you’re a fan of fun pop punk that’s high on the melodic side and bursting with energy, then you owe it to yourself to get this record NOW! – Jay Castro 


Dime Runner – Race To Nowhere LP – (Resurrection Records)
Orange County has a very storied history of punk and has produced many seminal bands from its two area codes, Adolescents, Social Distortion and The Stitches to name just a few. Dime Runner takes a more punk Rock N’ Roll approach to their OC sound much like The Pushers did and other Hostage released bands have done. Race To Nowhere (which came out late 2012/early 2013) is full of razor sharp guitar and the county’s trademark snotty vocals. Dime Runner, while they may not reside behind the Orange Curtain, certainly has the trademarks of the county’s best punk bands. – Ed Stuart


The Shanghais – Pretty Mean 7” (No Rules Records)
The parade of fantastic releases just keeps coming from the lads at No Rules Records this time with this EP by these Oakland, California girls (and boy) The Shanghai’s! What we got here is (and I wanna add that’s it’s not nearly enough) some cat claw catchy, pop punk with thick buzz saw guitars and furious drum bashing accompanied by melodic female vocals and on occasion some doo wop-y backing vocals. The production on the record is just minimal enough to give the songs that edge and abrasion that music of this sort needs yet isn’t so lo-fi that it blocks the melodies from beaming through. I look forward to living in a world with a band like The Shanghai’s walking amongst us and making music. – Jay Castro 


Bad Coyotes – Time for Sex Positions 7”  – (Resurrection Records)
Self billed as “Oakland rock n roll sex punks,” Bad Coyotes play a Rip Offs/Infections style of high-energy budget rock with a guitar sound that sounds like a chainsaw cutting through sludge at an early The Kids pace. “Rat Breeders” keep up that intensity while adding traces of Walk Among Us Misfits into the mix. Time for Sex Positions is mixed high into the red for maximum energy and minimal clarity. Greg Lowery would be proud!  – Ed Stuart


Sex Scheme – S/T 7” EP (Puppet Combo Records)
Brooklyn, New York’s Sex Scheme scruffily thrust at you some brutally blown out, lo-fi, broken blues, with harmonica and all. Supposedly the band spent 60 dollars recording this record. Not that it matters; hundreds of thousands of dollars are spent to produce absolute rubbish. When playing this record however, be warned that the humidity level of the room suddenly rises to the levels that are unmatched by the southern states of the union in the middle of the summer months, the room you’re in suddenly has dirty maroon shag carpeting and the paintings on the wall turn into velvet renditions of what they once were. Turned up, sleazy out, and fuming all around: this is the order of the day for the band Sex Scheme and they execute this order quite well. – Jay Castro