Arctic Flowers – Weaver LP (Deranged)
Weaver is Arctic Flowers second LP and has the traces of mid ‘80’s
melodic punk all over it, most notably Killing Joke. Arctic Flowers while
self-billed as peace-punks seem to be musically more interested in Joy
Division’s moody dark sound with Killing Joke’s penchant for haunting melody.
Early goth punk fans perk up your ears because Arctic Flowers are here to hear.
– Ed Stuart
Atlantic Thrills – Atlantic Thrills LP (Almost Ready)
The Atlantic
Thrills are a band with the reverb on their amps turned to 10. Box Tops, Small
Faces, Yardbirds, Nuggets and other assortments of those era bands. “Day At The
Beach,” the previous single does have the listener reminiscing for the summer,
but Atlantic Thrills will not be simply not be content to billed as another
party band, a la New Swears. Atlantic
Thrills is rock n’ roll dressed in sharp suits, played through Twin Reverbs
with the neckties loosened. – Ed
Stuart
Bang 74 – High Flying Dreams LP (Self-Release)
Spanish
power-pop rock n’ rollers Bang 74 put out High
Flying Dreams in 2013, but we at the Audio Ammunition Fortress of Doom just
got this sent to us. Bang 74 are a mix of Big Star melody, some early Cheap
Trick and a touch of ‘60’s California pop like The Byrds. Bang 74 is far more
pop than power, which won’t bother the pop lovers one bit.
– Ed Stuart
Barreracudas – Promises, Promises 7” (Oops Baby)
Is it me or does
it seem like we haven’t heard from the Barreracudas in a while? Well, thanks to
Oops Baby this problem has been solved. “Promises” is the song from the first
note you felt like you have heard before, but you really haven’t. If someone
were to ask you what power-pop is in the modern age, I would play this song and
that should answer the question. “Young and Dumb” is a throwback to all those
great Ramones pop songs from their early LP’s with a Dictators tongue-in-cheek attitude
and lyrics. This single could have fit anywhere in ’79 power-pop catalog, but
thankfully for us this bubblegum gem is available now! – Ed Stuart
Batman & Garagekid – I’m not a monkey (I’m a bat), but I like bananas too! 7” (Bachelor)
This might be
the longest title for a 7-inch ever, but that doesn’t matter because by the
time you finish reading the 7-inch title, the songs will be over. Let me guess
the origin of this partnership, after Robin graduated to Nightwing, Batman
decided to give the Robin character a break and went with Garagekid instead. In
our non-DC universe, Batman & Garagekid are like The Sonics meeting The
Oblivians at all night garage house party. This is where Supercharger became a
no-budget rock n’ roll mainstay and the kids were looking for razorblades to
slice up their cheap pawnshop amp speakers to get that blown out sound. – Ed
Stuart
Cause of Death – S/T EP (No Front Teeth)
This is the
debut EP from this Southern California PUNK band. They use to be called Final
Solution (which if you recall NFT released their EP as well) but are now known
as Cause of Death and features former members of Shattered Faith. This is their
debut 7” as Cause of Death and this is one raging slab of wax through and
through! This has all the raw brutality of your favorite early SoCal punk bands
that recall early Bad Religion, Shattered Faith of course, and Adolescents. This
record has four songs that were indeed influenced by the bands and era
mentioned above but you’ll hear at first spin that these songs contain that
particular new brand of rage that can only be brought out of people living in
21st century society. ~
Jay Castro
Cheating Hearts – Another Lover EP (Self Released)
This German duo
consists of the debonair Stu Black that comes off like a mix of Johnny Cash and
Nick Cave belting out vocals and passionately strumming that guitar. The lovely
Viva Valli meanwhile feverishly pounds on the drums and lends her vocal talent
as well with a flawless Jayne Mansfield meets Nancy Spungen look. The music is
very minimalistic Rock n’ Roll that straddles the sound of Rockabilly and the
wild 1960’s garage sound of bands like the Kingsmen or The Troggs. Cheating
Hearts let the guitar drive the bus on their short song bursts about losing
love, wanting love, and making love.
Get on the bus and search for your soul in the darkness with Stu and
Viva. You may not ever find it but you’ll have a lot of fun looking! ~ Jay Castro
The Chemicals – S/T EP (Meanbean)
Also not to be
confused with current Portland punk band The Chemicals, this band called the
Chemicals were also from Montreal and this particular record originally came
out in 1985. Meanbean does a really good job and plucking records out of the
black hole of obscurity and giving them an all new look so these records shine
brighter than they did back when they were originally put out, this release is
no different. Maybe a bit less punk than The Wipers, the Chemicals have a bit
more of a British Invasion feel to them. They definitely do great pop-infused
rock songs, but I can hear how they might have been a bit too rough around the
edges. This may have been a bit too much for folks around the mid 1980’s, but
perfect for people that appreciate the frayed edges or great, timeless melodic
Rock n’ Roll! ~ Jay Castro
Childe – Living or Dying LP (Padded Cell)
Childe is
Phillip Elliott’s (Zen Fuck-Ups) other punk effort. Where Zen Fuck Ups plays a
fast UK punk more Partisans, Childe takes a more fuzzed out approach with heavy
UK ’82 influences like Blitz and Chron Gen. I realize I’m splitting hairs here
with the band differences. UK ’82 style always had an assault quality in its
simplicity and Childe is no different. If UK ’82 is for you, check out Childe.
– Ed Stuart
Chumped – Teenage Retirement LP (Anchorless)
Back to the 90’s
again, only this time we’re setting the Wayback Machine dial to the late 1990’s.
Hey I don’t mind, these were my High School years, back when I was just
discovering indie/underground music with wide eyed enthusiasm. hink back to a time when bands like
Discount and Tiger Trap mixed twee with the fractured noisy guitar sounds of
Sonic Youth. Back to an era when bands like J Church and Superchunk straddled
the sounds of Pop Punk and what was then called “Alternative,” and before the
word “Emo” was a household term. This record not only sounds like albums that
came out then but has a similar all around feel too. It radiates intellectual
slacker kinda like Ethan Hawke’s character in Reality Bites. ~ Jay Castro
Cross Wires – Your History Defaced EP (Self-Release)
Cross Wires take
some your favorite bands like the Buzzcocks, early Who and some ’79 mod revival
to combine to make Your History Defaced
a pretty good EP. I’ll admit the EP starts a little slow with “Modern Art,” but
really takes hold with “Shades of Light and Dark.” In some ways, Cross Wires
reminds me of The Adored which for those unfamiliar was a punk-pop-powerpop
band from LA that had a song they co-wrote with Pete Shelley. – Ed Stuart
Dirty Fences – Ladies Choice EP (Oops Baby)
Sludgy,
powerful, and highly melodic are some of the thoughts that immediately came to
mind after hearing this new EP from this New York City quartet. It’s got that
NYC sleazy feel like the New York Dolls had but it also has a lot of Detroit’s
MC5 and Stooges groove and power to it as well. Like a hard rock band that grew
up listening to Motown would have. The record has a very 1970’s production and
tempo to it. The choruses are super catchy, they make you want to raise your
fist and shout along, the guitars find the hooks floating around in the air and
redirect them at your face, the rhythm section pounds away on your eardrum and
they got a scrappy singer with a raspy style and charisma to spare. ~ Jay
Castro
Duncan Reid and the Big Heads – Difficult Second Album (Wanda)
In 2012, the
former bass player/co-lead vocalist of London Punk legends The Boys quietly self-released
one of my favorite albums called Little
Big Head. It was one of those albums where you drop what you’re doing in
amazement because you can’t believe how good it is. It’s an album you want to
immediately call all your friends to tell them about it. Now the year is 2014
and Duncan has gotten himself a regular backup band calling themselves The
Little Big Heads and they’ve been relentlessly touring since the first album
came out. Difficult Second Album picks
up where Little Big Head left off and
Little Big Head picked up where Boys Only left off back in 1980, all
without missing a step.
Duncan Reid and the Big Heads continues to make remarkable soul
searching power pop songs with singer/songwriter warmth and intimacy and on
their second album and I hope they continues to do so for many more albums to
come. ~ Jay Castro
Dwight Twilley – Always LP (Big Oak)
Dwight Twilley
might just be the elder statesman of American power-pop. Twilley and
collaborator Phil Seymour were a force to be reckoned in the mid to late ‘70’s
with such hits as “I’m on Fire,” Twilley’s own mid-‘80’s hit “Girls” and the
recently rediscovered “Looking For The Magic” thanks to the movie You’re Next, was a piece of karmic luck
considering the previous label headaches and near misses he had in the past. On
Always, Twilley hasn’t lost his touch
for penning the same kind of Beatle influenced melodic rock n’ roll tunes that
made him a critical success in the first place. – Ed Stuart
The Dying Shames – S/T EP (No Front Teeth)
This band, like
a lot of bands on the famed No Front Teeth label, is a mixed bag of members of
other bands from the London area. The Dying Shames consist of members of The
Gaggers, Miscalculations, Ricky C Quartet, Los Pepes and more. This record
however doesn’t sound like any of the above-mentioned groups. This is brilliant
(and yes I mean that in every sense of the word you disbelievers!) 1960’s Mod/R
& B Rock n’ Soul! These punks jump into the Kinks/Small Faces pool of cool
water holding on to 800, 000 volt live wires. Four original songs of melodic,
hook driven rock n’ roll recorded in all analog so you can really savor the
flavor. These songs aren’t just played like hyper, long lost cover songs from
back in the day either. These tunes you can tell are well crafted from five
lads with heart and soul and who have the utmost respect for the genre. My hat’s off to these boys: one
of the best 7”s I’ve heard all year!
~ Jay Castro
Edward Rogers – Kaye LP (Zip)
Rogers is been a
prolific songwriter as Kaye is his
fifth solo effort. On Kaye, Rogers
has the elder statesman of mature songwriting down. At times, Rogers reminds me
a lot of solo Lou Reed, earlier than later. Kaye
is dedicated to Kevin Ayers (founding member of Soft Machine) and psych legend
and this heavily influences Rogers as
well. Rogers’s mixes an array of songs like “Copper Coin” melodic balladry to
Reed influenced glam-pop of “After The Show.” – Ed Stuart
Eleanor Rigby – The Best Of Eleanor Rigby Vol. 1 LP (Future Legend)
Eleanor Rigby’s
life sounds like it could be a TV show premise, What Happed To Eleanor Rigby? Rigby’s story goes like this ‘80’s
mod singer/starts singing career, releases controversial catchy single “I Want
To Sleep With You,” single gets banned due to condom giveaway along with
single, she releases one LP, disappears and achieves cult status. In true
artist fashion, her LP and singles trade for big money now the she is no longer
active. Rigby is arguably the UK Debbie Harry, a singer known as much for her
looks as for her voice. Listening to “Love On The Phone” reminds of early
Blondie. The Best Of Eleanor Rigby Vol. 1 is a collection of singles, covers and
other assorted tracks from Rigby’s career. Most of the songs range from ‘60’s
pop to mod revival in both sound and recording. While you may never know what
happened to Rigby, this LP will give you an idea of what all the hubbub is/was
about. – Ed Stuart
Electric Mess – House On Fire LP (Soundflat)
A little bit of
a new twist added to this New York City band’s third LP. Their first Self Titled LP released in 2010 and
their second LP, Falling off the Face of
the Earth had a straight up Mod R & B feel. The opening song “Better to
be Lucky than Good” has a harder edge to it, like maybe Esther Crow and her
assembly of impeccably dressed gentlemen have been listening to The Humpers and
The Devil Dogs a little bit. Even the song title sounds like it could be a lost
tune from Steve Baise and the boys. But don’t worry; there is still plenty of
the old Electric Mess you know and love on the rest of the album: keyboards
bouncing around every which way and tambourines and hips shaking all over the
place! ~ Jay Castro
Eric Barao – S/T LP (Self-Release)
Eric Barao is
the former singer/songwriter/co-founder of The Cautions who in their heyday
wrote some very critically acclaimed power-pop LP’s before calling it day. Now,
Barao is on his own and writing songs that lean heavily towards the pop side.
There is a heavy ‘70’s pop influence to Barao’s songs most notably ELO without
the effects, but also not too far from early New Pornographers territory
either. This is a pop LP for pop lovers who aren’t afraid to follow Barao down
to melody lane. – Ed Stuart
The Estranged – The Estranged LP (Dirtnap)
If you are looking
for a typical Dirtnap release, you are searching in the wrong place, but shying
away from The Estranged will only hurt you in the end. The Estranged is the
dark underbelly of Dirtnap, well that might be arguable, but what they are is a
darkly melodic T.S.O.L., mixed with Gun Club and hints of Christian Death
sprinkled in. The Estranged is at its heart Dance
With Me and Beneath The Shadows
T.S.O.L. era where goth and punk were just starting to date and was an exciting
new musical couple. – Ed Stuart
Faz Waltz – Kids Are All Wild 7” (Contra/Surfin’ Ki/White Zoo)
While Giuda may
get all the press and attention like a first-born child, Faz Waltz is like the
little brother in the Italian glam scene that shouldn’t be overlooked to due
their age. “Kids Are All Wild” is a teaser single for the upcoming Move Over LP, but for me “Change” is the
standout track. “Change” sounds a lot like Lennon’s “Instant Karma!” but played
the way Slade or T. Rex would have played had they wrote the song. Both songs
on Kids Are All Wild have all the
stomp, swagger and catchy hooks you would expect from Faz. – Ed Stuart
Faz Waltz – Move Over LP (Contra/Surfin’ Ki/White Zoo)
Faz Waltz grew
up on a daily diet of Slade, Sweet, and T. Rex and did their school research
projects on ‘70’s vintage glam amp sound and songwriting. While their parents
might have been upset because they weren’t studying proper subjects, all that
research definitely paid off on Move Over,
the band’s fourth LP. Faz Waltz is at the top of their game and writes catchy
songs so effortlessly they can afford to put them out as B-sides. If you ever
loved UK glam and bovver rock, Faz Waltz is the band that would have been on
constant play in your 8-track machine or wore out the needle on your turntable.
– Ed Stuart
Feral Trash – Trashifiction LP (Dirt Cult/Mammoth Cave/P Trash)
This Canadian
trio belts out some really catchy, up-tempo punk rock with a bit of pop to it. It’s
too tough to call power-pop, but a smidge too melodic to really call it
straight up punk rock. I think you know what I’m saying. Their music does
however possess a sense of urgency and a manic punk energy. This is their debut
LP following last year’s stellar Dead
Eyes EP, two of those four songs can be found here on this LP. The guitars
are there, but not in your face and coupled with the female backing vocals give
the songs a light, breezy feel to them. Feral Trash goes really well with Radioactivity
and Low Culture. Terrific LP, the band sounds confident and sure footed with
their sound, very rare these days epically on a debut LP! ~ Jay Castro
The Flinettes – File Under POP! 7” (La-Ti-Da)
Wow you would
think after a while, the power-pop well would run dry up in Canada or at least
freeze with winters they get up there, but the Canadian pop invasion continues
and this time it’s The Flinettes. File
Under POP! is more on the pop side (hence the title) than on the power.
“What Was One” sounds like a lost Northern Soul track with some girl group
back-up vocals. “It Could Have Been Love” is a song that The Flinettes could
have secretly put on any Powerpearls comp and you swear it’s from that time
period and the title track is a hybrid mix of Dexy’s Midnight Runners meets ’79
mod/power-pop revival meets early Costello. Oh, Canada you have done it again. – Ed Stuart
The Great Explainer – The Great Explainer LP (Panic State)
Billed as punk,
but leaning more to the hardcore side. In actually, Great Explainer plays, for
the most part, a straight head punk with a singer that reminds me of Fucked
Up’s vocalist. The Great Explainer
does have its moments of stop/start urgency and melodic breakdowns, but not a
lot of them to slow the overall LP tempo down. I would call this melodic
hardcore, but I’m sure the kids have some other term for it now. The Great
Explainer has heavy vocals with the musical muscle to back it up all the way
from hardcore mainstay New Jersey.
– Ed Stuart
The Greater Wall – Whatever, Feels Right EP (Self-release)
Whatever you
think of Bandcamp or the cassette revival, I think we might be able to agree
that is has definitely expanded the playing field for bands and has provided a
greater access for bands to be heard. Case in point, The Greater Wall. In their
other life, two-thirds of this Vancouver band performs some sort of stoner rap
hybrid, but The Greater Wall is a mix of punk and post-punk. Whatever, Feels Right is influences from
both coasts of the US. ‘90’s melodic pop-punk like Down by Law mixed with some
Dischord touches (Grey Matter, Dag Nasty). – Ed Stuart
The Ha-Rang#! – She Wants Pretty EP (Self-Release)
The Ha-Rang is
all over the place and I mean that in a kind way. She Wants Pretty has its musical toe in garage, ‘70’s-era Rolling
stones, psych and general organ fueled mayhem. The Ha-Rang#! are not for the
folks that want to hear two to three minute songs. The listener is to give the
songs time to develop and let the music invite you in much like a nice
grandmother who has been simmering soup on a hot stove all day long. – Ed Stuart
Hassler – Fed, Worked and Watered LP (Deranged)
Punk, Oi!, UK
82, metal and all-out hardcore. Hassler is pulling out all the influences in Fed, Worked and Watered. Hassler is made
up of members of Bad Skin, Career Suicide, School Jerks and numerous others.
Songs are short, powerful, a sonic punch with growling vocals over top that
throughout the LP float between straight up hardcore and harder edge punk. – Ed
Stuart
Institute – S/T EP (Deranged)
Hardcore guys
from Wiccan, Reside and Glue are doing anything but with their band Institute.
Their S/T EP right off the bat
reminded me of Christian Death with the snotty (arguably affected) So Cal
vocals and suspiciously reminiscent Posh Boy/Frontier sound. Institute is from
Austin, but you could have fooled me. Institute mixes Christian Death, early Siouxsie,
early Subhumans and Warsaw to make this early goth/deathrock/post-punk EP a
current blast from the past. – Ed
Stuart
Juvie – Chugga Chugga Bang 7” (Surfin’ Ki)
The A-side
“Chugga Chugga Bang” is a straight up boot stomper in much the way of T. Rex,
Slade and other Bovver Rock. The B-Side songs “Everybody’s Rockin” and “You Did
It Again” owe more to Chuck Berry/Little Richard 1950’s rock n’ roll meets the
Real Kids. This is the kind of music that played loudly in the kinds of cars
that you only see at car shows where the pairs would stop at the drive-ins
before hitting the all night basement party. I might have mixed decades, but
after listening to this catchy single, it won’t matter. – Ed Stuart
Juvie – It Ain’t Love EP (Surfin’ Ki)
Singed my ear canal
this record did!! This Minneapolis
band launch wild, catchy Rock n’ Roll that’s wrapped tightly in guitar hooks
that take cues from 1970’s rock monsters like the Rolling Stones, T. Rex and
Gary Glitter. The A-Side is a tall shiny monument erected in the name of Marc
Bolan himself with an ultra catchy bluesy riff that burrows in your brain and
begins to take over your senses. The B-Side is an instrumental that makes you
wanna strap on your white platforms just to stomp to the beat of this tune! The
absolute icing on the cake is the production. There’s a sound that rock records
in the 70’s had that makes them sound powerful, like a jet engine. Juvie pretty
much nailed it here! Terrific record
can’t wait to hear more! ~ Jay Castro
Kama Kama – Shift LP (Self Released)
Sometimes I hear
a record and I am at a total loss. I hear so many influences in some bands it’s
hard to describe in just a few sentences. Once again I will try my best to give
describe what I hear and feel when I listen to this Bloomington, IL band. It
definitely has a Post Punk era Manchester, England/Jangle Pop feel to it. It’s
got traces of early Echo and the Bunnymen melancholy, Johnny Marr style guitar
hooks and all of this seems hurried and uneasy like some Joy Division songs
without the sheer misery and sense of disparity. Now imagine all of that
modernized with a clearer production than any of those other bands ever had. Kama
Kama continues the unique and infectious sound they laid down on their 2012
debut EP The Tiled House. ~ Jay Castro
LA Drugz – All Burned Down 7” (Self-Release)
LA Drugz’s last
release Outside Place was showered
with glorious reviews like the best EP of 2013 from Lord Rutledge, the band
could have retired and much like the Nerves lived on per that one EP. LA Drugz
didn’t do that and returned with All
Burned Down. At first, All Burned
Down is not power-pop follow-up you might think after Outside Place, but this single hides it’s hooks inside the more
punk bite. “All Burned Down” has an intro and breakdown that any indie-dance
band would be jealous of and “Runnin’” takes a Heartbreakers style riff and
turns into a punk-pop gem. I’m a little surprised this single hasn’t scooped up
yet. – Ed Stuart
Legendary Wings – Do You See LP (Dirtnap)
Legend has it
that this Kalamazoo, MI band sent in a demo tape to Dirtnap Records (who have
their hands full already and are said to not be accepting demos anymore) but
made an exception due to the full frontal radness assault that they heard in
Legendary Wings. Jeff and his
Kalamazoo crew mix ultra catchy melodies, loud guitars and earnest vocals like
the Ramones, Real Kids and The Beat do and Legendary Wings are every bit as
captivating. The band has matured a bit since their 2012 debut Making Paper Roses (also on Dirtnap) but in a good way I assure you. They
took their sound and tightened a bit here, fortified a little there and made a
superior sophomore effort, something few bands are ever able to accomplish. ~ Jay Castro
Life Like – Savages 7” (Deranged)
St. Louis
4-piece hardcore Life Like has taken the NYHC sound and used it as their sonic
template for their debut 7-inch Savages.
6-song 7” EP, that has all the classic heavy hitting parts mixed with the
slower pit inducing breakdowns. Lovers of ‘80’s NYHC should check this band
out. – Ed Stuart
Los Pepes – Los Pepes for Everyone LP (Wanda)
London,
England’s Los Pepes for everyone indeed! I couldn’t agree more with this
statement! Their debut LP should be given out with every Dole check, every
Civil Servants exam and made available at every polling place so that anyone in
any free nation should have access to it. If more people would bask in the
sounds of Los Pepes then this world would be a better place to live in. They
sing and romanticize about things that we can all relate to: loneliness, guilt,
and falling in love with the wrong people. Its classic sounding power-pop laid
on a heavy foundation of loud Rock N’ Roll guitar hooks and energy. It sounds
as if it could have been a lost gem from the late 1970’s. I’m just glad this
gem was unearthed at all for the entire world to enjoy! ~ Jay Castro
Lovesores – Focke-Wulf vs. Spitfire 10” (Hound Gawd!)
Is there such a
thing as a rock n’ roll A-bomb? If there were such a thing, the Lovesores would
be it. While Focke-Wulf vs. Spitfire,
starts with a slow burning “Waiting For The Man” meets New York Dolls style
riff, it burns red hot afterwards. Lovesores in just a short time went from
punk rock n’ roll contender to its arguable champion. Scott “Deluxe” Drake
(Ex-Humpers) leads the Lovesores into the ring and at this point the band has
not even reached their potential. Drake has the Lovesores in top form and as
previously done with The Humpers, the rest of the band is killer. So far
Lovesores have been sparing with the songs on previous releases and this
release is no different, just four songs on this 10-inch in as many minutes. If
you can get your point across in less than ten minutes, why spend thirty
minutes doing it? – Ed Stuart
Low Culture/Needles//Pins - Split EP (Dirtnap)
First off the
skillet is Low Culture, which deliver more of their critically acclaimed brand
of fast strumming, ultra catchy and up-beat punk energized music. Chris Mason
definitely brings that Marked Men charm into whatever band he’s in. And
speaking of critical acclaims, next onto the plate come Vancouver’s
Needles//Pins who just dropped a fabulous LP onto the masses via Chris’s Dirt
Cult records. Needles//Pins has a somewhat similar style to LC only with a bit
more Ramones street toughness to it. If you’re a fan of high energy,
ridiculously melodic punk rock (and let’s face facts here: if you aren’t you’re
a total sap and you have no business even reading this blog in the first place)
then this record comes highly recommended. ~ Jay Castro
Maniac – Demimonde LP (La-Ti-Da)
In a Los Angeles
land there is a star around every corner or so it seems, and while using the
term all-star might be redundant, I’ll use it again. Yes, LA already has Crazy
Squeeze, but Maniac is the city’s next all-star band. Featuring members of Cute
Lepers, LA Drugz, Images, and Clorox Girls to name a few. Maniac’s debut
single, Dim Sum, only gave listeners
a taste of what was too come like a musical movie trailer and now Demimonde is the feature film. Demimonde is a mish-mash of influences
from The Dickies, Weirdos, Briefs and even Wire. Maniac is a high-energy thrill
ride that brings some angular leads to match it’s straight ahead tempo that is
accomplished so well you can the tell the band members can do this in their
sleep. How does it feel to be a star? Ask Maniac. – Ed Stuart
Meenk - Scamu Scau EP (Self Released)
Clever and
catchy wallflower jangle pop with a splash of melancholy softly radiates from
this Brooklyn, NY outfit’s new record. This EP was produced and engineered by Julian
Fader and Carlos Hernandez of hyper punk/funk band Ava Luna with recording help
from NY experimental folk singer/songwriter Ben Scherer. The three definitely
succeeded in creating a distinct and charismatic mood that envelops the entire
record, similar to Scherer’s 2007 folk instrumental Rooms EP. You can almost see vocalist May Rio slink and sway in an
intimate dimly lit NYC club like Hope Sandoval crossed with Emiliana Torrini
with the rest of the band leisurely and masterfully backing her every move. ~ Jay Castro
Mike Hudson & The Pagans – Hollywood High LP – (Ruin Discos)
What’s This Shit
called . . . all right I’ll stop. Now that I got that out of my system, Hudson
and The Pagans are finally back. He has been writing books in the meantime
since his musical career was put on hiatus, most notably Diary Of A Punk. Hollywood
High is the return effort and is inspired by Evita Corby, the girl from
Iggy’s Kill City LP. If you are
looking for Shit Street, look again,
but this LP does have Cleveland stamped on it whether in the loud rock n’ roll
of the Dead Boys or the more medolic stuff like Stiv and Iggy’s solo stuff.
This round of Pagans is still rough around the edges, but is more of a musical
sniper shot instead of the buckshot of youth. – Ed Stuart
Ministers Dead/The Bleach
Boys – Split EP (No Front Teeth)
Ministers Dead
are from London and Hertfordshire and play a straight jump kick to your face,
hard hitting, melodic hardcore with a “call to arms” style lyrics that you
don’t hear much from No Front Teeth. The sound has more in common with the
Southern California in the 1980’s than it does with 1977 and the UK. The Bleach
Boys (who are THE Bleach Boys from back in the late 1970’s) serve up a good
complimentary style of music to this split 7” but with a different lyrical
approach. Where Ministers Dead want to rile up the masses and ignite the
revolution, Bleach Boys are older blokes that express their distaste for
western society by writing lyrics full of sarcasm and dark humor. Think of them
as the George Carlins of Punk Rock! Not only is the music great, but the cover
art is killer and like most No Front Teeth releases has different variations of
it. ~ Jay Castro
Neighborhood Brats – Recovery LP (Deranged)
The Brats return
with their debut LP after a slew of well-received singles and EP’s.
Neighborhood Brats still have their Avengers meets LA Dangerhouse sound, but on
Recovery, the Brats are armed with a
new rhythm section (most notably from Gestapo Khazi) and a more controlled
musical temperament. The old Neighborhood Brats might have opened your front
door with an explosive and stayed for the party afterwards; the new Brats show
up with their invitation in hand only to poison the drinks and watch the guests
squirm in the aftermath. Recovery doesn’t
start with the knockout punch of a rookie boxer, but hammers you down with a
series of well-timed musical jabs and body shots before applying the finishing
uppercut. – Ed Stuart
The New Flesh – Absurd LP (Deranged)
What a great
name for a band! The New Flesh name sounds like it’s ripped right out of a
Hellboy/B.P.R.D. comic storyline or an ingenious new horror movie idea, but I’m
getting way off track. The New Flesh is one of Oakland’s newest and more
promising bands. Absurd has the
hallmarks of Christian Death, T.S.O.L. and Joy Division all mixed together for
a wonderful post-punk/darkwave stew. Absurd
the official follow up to their demo tape that was successfully making the
rounds. While sadly Neon Piss might be no more, its members have risen again in
The New Flesh. – Ed Stuart
No Problem – We’re Already Dead LP (Deranged)
Don’t let the
cover art for We’re Already Dead fool
you, on first glance it might give the impression of a crust/hardcore band due to
the number of jacket spikes, but this is not the case. Now, while I’ve read
other descriptions of No Problem being labeled as hardcore I might have to
disagree on the basis of what the term has currently come to embody. Hardcore
as it was used in the early ‘80’s to describe bands like early D.O.A., Circle
Jerks and Bad Religion may be right on, but in today’s world I would consider We’re Already Dead punk. No Problem is
the singer from Wednesday Night Heroes new project and in some ways it’s not
that far off from WNH, but definitely leans to early D.O.A. style of punk. – Ed Stuart
The No Tomorrow Boys – Bad Luck Baby Put The Jinx On Me LP
(Hound Gawd!)
Is switchblade
rock n’ roll a term? I’m sure I have heard it or read it somewhere before. If
there is ever a band this term could apply to, it’s the No Tomorrow Boys. The
band looks like quintessential ‘50’s bad boys from The Wild Ones and play the
music of Buddy Holly, Little Richard, Link Wray, and Chuck Berry, but with so
much danger that while listening to the LP you have to keep your eye on the turntable’s
arm so it doesn’t cut you for fun. Bad
Luck Baby Put The Jinx On Me was born in dive bars, played by teen rebels
and brought from town by the street bikes they rode in on. This is roots rock
n’ roll done so well you might just forget the originals; No Tomorrow Boys took
their influence from. – Ed Stuart
The Number Ones – The Number Ones LP (Deranged/Static Shock)
This band also
goes by the name of #1’s so as too avoid any confusion. I first heard The
Number Ones (or #1’s as they are listed) on the Big Itch Compilation 7-inch that came out a year or so ago.
“Sixteen” is a power-pop smoker, and the arguable stand out song from Big Itch, is fighting to be a standout
song on a LP that is full of them. The Number Ones sound like a missing Good
Vibrations band that somehow, perplexingly, never made the compilation. Rudi,
Undertones, Protex influences are all here on this self-titled LP that sounds
as fresh as any genuinely heartfelt and unpolished power-pop gem from the
aforementioned era. – Ed Stuart
The Parrots – Loving You Is Hard 7” (Bachelor)
While The
Parrots are from Spain, they share a similar taste in sound and songwriting to
some better-known western contemporaries like New Swears, Fidlar and Black
Lips. “Loving You Hard” could practically fit into one of those aforementioned
bands catalogs without missing a beat. While I can’t verify the affinity for
partying like the other three, The Parrots are off too a good start with
writing some catchy jangle-garage-pop that should not be ignored. – Ed Stuart
Pregnancy Scares – Mind Control EP (Deranged)
After reading
about many other bands and projects each member of Pregnancy Scares is involved
in, it’s amazing that they have the time to practice, record or play shows at
all. Members of Steve Adamyk Band, Crusades, and Mother’s Children, founder of
Bruised Tongue Records and the main man behind the Ottawa Explosion somehow
have carved out time to make one mean punk/hardcore EP. Mind Control’s opening
track “Master Race” is a sizzler and a burning opener. The rest of the EP is on
the more menacing side of hardcore with throat scraping vocals and aggressive
riffs. While Ottawa is more known for it’s poppier, Pregnancy Scares is a
reminder there is a darker side lurking in the cities pop underbelly. – Ed Stuart
Red Dons & TV Smith – A Vote For The Unknown 7” (Deranged/Taken by Surprise)
I’m not sure who
originally thought of this combination, but kudos to whoever did. TV Smith
(Adverts) and the Red Dons (who had have members from Clorox Girls, Estranged
most notably) have teamed to make A Vote
For The Unknown a definite listen. I could say this reminds me of Adverts,
but actually its reminds me of Skids meets mid-80’s melodic punk/post punk.
Originally recorded in 2011, this release is finally seeing the light of day. –
Ed Stuart
Road Rage – Road Rage EP (Self-Release)
With a name like
Road Rage, you have to figure the songs are going to be more rock than roll.
That’s Rock > Roll for all the mathematicians out there. Road Rage could be
a graduate of the two guitar Les Paul/Marshall attack from the
Turbonegro/Backyard Babies school of rock that has served them well. – Ed
Stuart
Scraps – S/T EP (No Front Teeth)
For anyone who
read my interview with Bobby Passion from the Scraps that posted earlier in the
month on these here illustrious pages, you know how much I like these guys and
you have an idea of what they already sound like based on my two cents above
the interview piece and your copy of their EP is currently flying over the
mighty Atlantic in a cargo plane from No Front Teeth. If you haven’t then I
will give it to you briefly so you can still catch Marco at the NFT
headquarters and he can still get your EP out today. This is killer late 1970’s Brit Punk inspired music: raw,
feral, melodic and minimalistic punk rock. Reminds me a lot of the Damned, Eater
and Slaughter & The Dogs. Not total mindless throwbacks though, this is
music made by three young guys with plenty to say about the here and now and
have the talent to say it their own way.
~ Jay Castro
Sex Crime – S/T EP (No Front Teeth)
Portland, OR’s
Sex Crime also does a brand of Punk Rock with synthesizers as their weapon of
choice but these boys and girls have yet another unique take on this particular
wild animal. First off, this band consists of current and former members of
bands like The Epoxies, The No Talents (yes THE No Talents from France),
Suicide Notes, The Rickets, and more I’m sure I’m leaving out. They’ve only
been around for a couple of years yet have already released a handful of EP’s
and have toured Europe. This ain’t your goofball band of smelly kids that can
barely see their adolescents in the rear view mirror. The members of Sex Crime are punk rock lifers and they all
bare an impressive résumé. They’re
not here to impress anybody, they’re here to bring exciting punk rock with an
element of danger that will melt the flesh from your face and that is exactly
what this EP does! ~ Jay Castro
SGNLS – 2 LP (FDH/P. Trash)
Gary Numan would
be proud. His legion of synth-punk followers and driving force has taken hold
especially in bands like SGNLS. 2 is
full of Tubeway Army and Gary Numan synth-punk songwriting and atmosphere, but
fans of Screamers will be pleased too. Credit to the writer of SGNLS’s bio for
the witty crack at the use of the “punk” suffix on synth-punk because the band
can’t really play keyboard, but with SGNLS this is not the case at all. SGNLS
uses the keys to full atmospheric effect while contrasting clean melodic
guitars especially on the intro of “Horizon.” FDH seems to becoming home to
bands of this genre with Bad Doctors and now SGNLS. Solid! – Ed Stuart
The Snookys – Junk Food LP (One Chord Wonder)
We first heard
of The Snookys at the Audio Ammunition flying fortress from the Steriods 7 inch the band submitted for
review. Now The Snookys are back with Junk
Food. On Junk Food, the Snookys
have turned down some of the vitriol without losing the bite. The Snookys still
at their core are a garage-punk band, but they have slightly moved away from
the Rip Off records influenced songwriting to add a lot more punchy and
outright catchy songs like “Stab You” that are reminiscent of early Hives while
“Down In the Basement” and “Fire Alarm” are part Saints and UK ’77 era punk.
Sometimes when you take your foot off the gas just slightly a whole new world
opens up. – Ed Stuart
Sonny Vincent & Spite –
Spiteful LP (Ultramafic)
This is one wild
disc! I sat there reading who was in this band and had to read it three times
over to convince myself I wasn’t just seeing things. The Spite are of course
Sonny of the Testors on guitar/vocals, Steve Mackay of the Stooges on sax, Rat
Scabies of The Damned on drums and original Sex Pistol Glen Matlock on bass! The
music however is the REALLY amazing part: loud, mean, trashy Rock n’ Roll! From
the first song “Dog on The Subway” the whole album gives the feeling of an
uncontrollable wrecking ball swinging around your head. The mammoth 14-song
record does have some slower numbers in it, but even those have a sensation of
barely controlled energy waiting to explode. This goes to show you if you still
have the rage, age don’t mean squat!
~ Jay Castro
Stalin Video – Vivisektion
EP (No Front Teeth)
Stalin Video
comes to us partly from South Carolina’s Now in 3D and London’s Gaggers and sounds
like a perfect blend of both. The songs are quick, razor sharp ditties of ultra
bratty synth/doom punk. There are a few bands doing this sort of thing like
Australia’s Ausmuteants and No Front Teeth label mates Miscalculations but none
have this kind of jittery uneasy feeling of organized chaos and good ol’
fashioned ‘77 punk snootiness.
This 7” is one sided but its 5 songs of relentless laser blasts that
don’t skimp on manic energy. So run and take shelter behind a pile of rubble or
a smoldering vehicle because Stalin Video are slowly moving forward and are
scanning the perimeter for all remaining life forms: they will destroy whatever
or whoever is found alive. ~ Jay
Castro
Steve Adamyk Band – Dial Tone LP (Dirtnap)
The only problem
with being a fan of Steve Adamyk Band is trying to keep up with all of their
releases and if you’re a fan, you want to. I have heard (as far as I know) all
or most of these Ontario wild men’s records and I am never disappointed, Dial Tone is by no means an exception. This
record continues to let us follow Steve Adamyk Band on their journey to perfect
their own unique brand of aggressive, trashy, angst filled power pop punk. This
time the band enlisted the help of Warm Soda front man Matthew Melton for the
recording and it definitely adds a new depth to their sound. Every time you
think SAB has hit peak perfection their next record comes out and you realize
they’ve just set the bar higher for themselves yet again! ~ Jay Castro
Stoic Violence – Chained 12” (Deranged/Video Disease)
No holds barred,
in your face hardcore from Long Beach’s Stoic Violence. Long Beach is tough and
gritty and so is Stoic Violence. While there are umpteen bands nowadays with
violence in the name to give a sense of danger, Stoic Violence Chained provides danger with their
pummeling drums and mean guitar riffs. Stoic Violence, mainly compared to Hoax,
reminds me of Poison Idea, Reagan Youth and other bands of this ilk. – Ed Stuart
Sugar Stems – Only Come At Night LP (Dirtnap)
First of all my
band was lucky enough to open for these guys and girls. Sugar Stems live are
amazing and their lead guitar player is smoking, but since this isn’t a live
review I’ll get back on track. Only Come
Out At Night opens with the best Blondie song that Blondie never wrote, but
after that it’s pure Sugar Stems. Sugar Stems is a power-pop band through and
through and the only real change for this LP is the addition of a keyboard
player. If you were a fan of the previous Sugar Stems releases, nothing here is
going to stop you continuing on as a fan. “Haunted” sounds like a lost Dave
Edmunds/Rockpile song. “Only Come At Night” would and should be a hit if there
ever was one and was KEXP’s Song Of The Day. Sugar Stems are not all fun and
light though as they add some heartache into the mix like a musical sweet and
sour that satisfies your pop-felt soul.
– Ed Stuart
Sunken Monkey – Party Scars LP (Self Released)
From the town of
Burnley, England come four burley chaps singing about love, life and all the
woe and splendor than accompany both. Their music sounds like they would have
earned a prominent set time during the Warped Tour heyday of the mid 1990’s
right in between Pennywise and Down By Law. Thick guitars, shout along melodies
with “all the ooos and aahs in all the right places.” I can easily imagine this
band on an old Plan B skate video. The record is well produced and despite the
goofy band name these guys wear their hearts on their sleeves and sing, play
and sweat like they mean it. ~ Jay
Castro
Teen Death – Crawling EP (6131 Records)
Whoa, I haven’t
heard new music like this, and done this well, in a very long time. Heavy, fuzzed up mucky guitar riffs
with reverb dripping all over the place similar to early Nirvana and a singer
that shouts with a snotty tone in his voice similar to Mudhoney’s Mark Arm. A
tremendous debut from this, not Seattle or anywhere in the Pacific Northwest,
but by way of Baltimore, MD trio of young, bratty, vigorous musicians ready and
eager to resurrect the Jimi Hendrix and Pete Townshend inspired guitar
decadence of 1990’s grunge! These are people that see this type of music as a
jumping off point and if they continue are sure to take it to all new heights! ~
Jay Castro
TIT – S/T
EP (FDH Records/Volar Records)
The Philly boys
at FDH bring you a new project from Shawn of Digital Leather and Bobby of The
Hussy. Anyone that’s heard either of these bands (and if you haven’t, you
really should!), this sounds pretty much how you would expect a perfect
amalgamation of these two minds would. It’s wrapped in dark monotone vocals and
mechanized drumming all while riding on a vessel of synthesizers and guitars
that take you through a dark demented Charlie
and The Chocolate Factory type tunnel to an unpleasant future filled with
rotting buildings and the smell of smoke in the air. TIT goes well with Stalins
of Sound, Ausmuteants and Miscalculations; TIT: bringing you the now sound for
the no tomorrow! ~ Jay Castro
Vampires – Every Kind of Light EP (Self Released)
Thanks to
Stephanie Meyer and her horrendous interpretation of Vampires, the mere sight
of the word now makes me cringe and bury my head. I thought this was going to
be some kind of grind core/goth/industrial parade of crap like something they’d
play at a fetish ball or something, but I was actually pleasantly surprised. The
first two songs are a bit on the dark side, but it kind of reminds me of Gish era Smashing Pumpkins with a bit
noisier/chaotic production. Loud, heavy guitar hooks rule over vocals that
willingly submit to its supremacy. The third song “Winnipeg Song,” which is where the band is from, begins
with a Death Cab for Cutie inspired riff before it starts to kick into a higher
gear. Good, solid release that kept my interest though all four songs of the
EP. ~ Jay Castro
Venomous Pinks – Exes & Whoas EP (Self Released)
The four
Phoenician ladies in Venomous Pinks play tough Punk Rock N’ Roll for you
scrawny humans to admire and aspire to be someday if you can keep up. Their new EP is crammed full of sweat,
beer, tattoos, and even Agnostic Front’s Roger Miret’s head pops up a couple times
in the skirmish as well. Some of the other hard rocking ladies that come to
mind when listening to this are Civet and Distellers’ Brody Dalle. The band has
just released their second EP and has been around since 2011. They play in
Phoenix/Tempe area quite a bit. What does that tell you? This band likes to
play live better that sitting around tinkering with some silly recording
machine. Venomous Pinks gain strength from your weakness and feed off of your
nightmares, soon they will be coming around and you will be powerless against
them! ~ Jay Castro
Voight-Kampff – Last House on the Right 7”
– (Deranged)
For those of you
that think guys in hardcore bands only live and breathe hardcore, you are dead
wrong. My first two cases are Marvelous Darlings and Smartboys, which involve
members of Fucked Up, No Warning and others. The next case would be
Voight-Kampff. VK is a two-piece duo from two hardcore guys that sounds nothing
like hardcore at all. One member of Life Like and the other from Damage Deposit
take a musical 180 and make Last House on
the Right an ode to the goth/darkwave era of early Bauhaus with pieces of
The Normal and top it all with Samhain’s ambience and atmosphere. – Ed Stuart
The Wipers – Nome Noma EP (Meanbean)
Not to be
confused with Portland’s Wipers, this band is from Montreal and sadly this was
their one and only release. It originally came out in 1980 and re-released in
1981 and that’s it. The crate was shut, sealed and placed in that enormous warehouse
they showed at the end of Raiders of The Lost Ark. Thankfully Meanbean found
it, dusted it off and presented it back to civilization and boy I sure am
thankful they did. This is a killer two song 7” of new wave/power-pop/punk
which was obviously put out at the wrong time. This reminds me of The Vapors or The Normals which are two
of my favorite bands. The original
version was just in a plain white sleeve and Meanbean prepared a killer picture
sleeve and the record now also comes with liner notes from some of the band
members and available on color vinyl: definitely giving it the royal treatment
it deserves. ~ Jay Castro
