Thursday, May 5, 2016

Thee Rum Coves: Prime Party Starters of The South Pacific




One of my favorite parts of having a blog is getting to hear so many fantastic bands I probably wouldn't get to hear otherwise.  Magnificent groups from all around the planet send us their music they've released themselves.  This may sound daft, but one of the reasons I love digging deep into independent labels and self released records is because I'm afraid of missing something exciting somewhere.  In some dimly lit corner of the globe, something extraordinary is going on and I want to catch it before it blows out.  I don't trust stuffy old men in expensive suits working for entertainment corporations to do this for me.  I learned long ago that this is something I have to do myself.  Case in point: Auckland, New Zealand's Thee Rum Coves who rose from the rubble of  rock n roll maniacs The D4.  These guys take 60's Mod R&B, 77 Punk, pour gasoline all over it then light it on fire and don't stop until everyone in the room is hot footing it all over the place.  This is why Audio Ammunition exists; to shine a light on amazing, hard working bands that deserve your attention and Thee Rum Coves are most certainly that.


Interview by J Castro

Who is currently in the band and what does everyone do in it?
JAKE: We’ve just had a couple of changes in the lineup recently with a new drummer coming on board and Kendall leaving to go and do her own solo work. We’re back to a four piece with Jake Vox/ Guitar, Tomas Guitar, Jimmy Bass and Treye on Drums.


How did you all meet and decide to play music together?
JAKE: Jimmy and I played together in the early days of the D4 for a couple of years before I headed back to the UK from NZ. When I came back to NZ a few years later I started the band with Jono, the former drummer, and the universe put us in touch with Tomas, who’d just arrived from Chile… total cosmic alignment, man. Then the original bass player quit to move away and it was a natural move to get Jimmy in, who was looking to get into a band where he could just turn up and plonk away on the bass. Treye works with Tomas so we have two barista in the band, so if you ever want a kick ass coffee, come see us.


What band or musician first inspired you to want to pick up an instrument and learn to play and/or write music?
JAKE: I learned to play guitar playing along to It’s Alive by The Ramones, the perfect textbook for any budding guitar player, bass player or drummer! I also loved the Clash as a kid, they were from my part of West London and I loved everything about them; their politics, perfect front man, guitar slinger and bass player. From then on it was all about these –
-          The Clash, The Damned, The Buzzcocks
-          The Stooges, MC5, New York Dolls
-          The Kinks, Small Faces, The Who
-          The Saints, Radio Birdman, Celibate Rifles


How would you describe you band to your grandparents?
JAKE: I’d have to dig them up first.


What sorts of things do you typically enjoy writing songs about? 
JAKE: Girls and cars. Well, girls. I’d love to be able to articulate my politics but it always comes back to girls and relationships. Some real, some imagined.  Oh, and a bit of mental illness.


I’ve heard people say that playing and writing music is therapeutic to them.  Have you ever found this to be true?
JAKE: Absolutely. Playing music certainly is. Having a guitar to hand is the best way for me to relax. There’s no better social interaction than hanging out and jamming with people, creating something from nothing, literally pulling something from the ether. When you’ve got some likeminded people together and you can shift the dynamic or move the song along with a look or a nod, then you know you’re somewhere pretty good.

Writing songs can be the opposite of therapeutic though, particularly when it just isn’t working. It can be the most frustrating thing. And then sometimes songs pop fully formed into your head and it’s the easiest thing in the world.

I’m working on my post-therapy primal scream, birth howling solo LP at the moment… It’s a magnum opus of Freudian and Nietzschean existentialist soul bearing. It’s quite catchy. 

 
Thee Rum Coves S/T debut LP released December 1st, 2014

Does it annoy you or distract you at all to see some of your audience members fondling their phones while you’re up on stage performing?
JAKE: I never notice. I’m too busy trying to remember the words, stop my fingers cramping, avoiding breaking my teeth on the mic or ducking Tomi kicking me in the head.


After one of your shows, what sort of feeling or sentiment do you hope your audience walks away with? 
JAKE: I hope their feet hurt from dancing. I hope they’re humming our tunes. I hope they feel like they’ve just seen the best band around….. and I hope they are asking themselves exactly who that god-damned hot singer was, although in all likelihood they’ll be staring starry eyed at Tomi.


What is your favorite album to listen to from start to finish?
JAKE: Too many to mention but to pick one – Radios Appear by Radio Birdman. One of the greatest and most under-appreciated albums ever.


What’s the best advice anyone has ever given you that you still follow to this day?
JAKE: Two pieces of quality advice:
  1. Do what you do and don’t change for anyone. Play it and your audience will find you.
  2. And don’t be a dick.


What is the best way people can hear and get a hold of your music?
JAKE: We’ve just signed a distribution deal with Aeroplane Music so you should be able to source our stuff here soon http://www.aeroplanemusic.co.nz/ or you can go to our own Bandcamp site here https://theerumcoves.bandcamp.com/. People can contact us through Facebook too: https://www.facebook.com/Thee-Rum-Coves


What lies ahead for the band in 2016?
JAKE: Lots of shows around NZ. Get some recording done. We’re planning on doing a couple of EPs in short succession and trying to get them both out this year. Then looking for shows in Australia and the rest of the world! 


















Tuesday, May 3, 2016

The Backhomes: Bringing Mystique Back To Indie Rock



Photo by Sara Hembree


The Backhomes describe themselves as “Scruffy, Spacey, Psych Pop.”  They are indeed that, and a whole lot more!   To me ears, this Canadian duo's music is a captivating blend of dark electro atmospherics mixed with melodic British style shoegaze that’s not afraid to mix thick guitars and powerful soaring melodies along with commanding keyboard wails.  Their second LP TIDALWAVE that was released last year reminds me a lot of one of my favorite records: the Jesus and Mary Chain’s brilliant 1992 LP Honey’s Dead.  That’s not to say they sound like an old 90’s cover band though.  The Backhomes have plenty of original tricks up their sleeves and know the precise time to lay them on the table.  This band is in the middle of an unstoppable upwards trajectory and with stunning records like theirs I can't see their descent any time soon.  


Interview by J Jordan Castro


Who is currently in the band and what does everyone do in it?
Kees Dekker: guitar, vocal, sampler, synths. 

Aimee van Drimmelen: guitar, vocal, organ


How did you all meet and decide to play music together? 
KEES: We met in Montreal and had been a couple for a few years before we started playing together. I started playing with Aimée's band Key of K, and then we started trying some stuff just the two of us. It felt really exciting so we kept going from there.


Photo by Sara Hembree


What band or musician first inspired you to want to pick up an instrument and learn to play and/or write music? 
AIMEE: I grew up in the 90s, in a time of so much good raw music. I always wanted to play in bands but was way too shy to actually do it. One day my friend Maica (Maica Mia, Caro Diaro) was telling me how she was playing with some rad guys who had a studio. I basically jumped on that train, got my first electric guitar (a Teisco) and started making weird music with wonderful people. 

KEES: For me it was a combination of my brother and his friends, and Eric’s Trip, who were my favourite band in my hometown (Moncton). They showed me that you could be expressive and artistic without necessarily been a master musician... 


How would you describe you band to your grandparents? 
KEES: Hmm, they are all gone now, but I think I would have described it as something they probably wouldn’t love hearing, but that it was very important to me.

AIMEE: They probably wouldn't have asked me about it.


TIDALWAVE LP released May 5th 2015 on Shake! Records & Legwarmer Records

What sorts of things do you typically enjoy writing songs about? 
KEES: I enjoy writing about things that seem to match the mood of the piece of music and my sense of joy or frustration with something, sometimes its personal, sometimes it’s through a character’s point of view.

AIMEE: I usually write about emotions, day to day situations, desires, the state of the world. Usually shit I have to get off my chest. It's fun placing random rants into the structure of a song, and finding the right fit. 


I’ve heard people say that playing and writing music is therapeutic to them. Have you ever found this to be true? 

KEES:  I would say it's essential to my wellbeing. Nothing feels like things aligning and coming together in sound, thoughts and energy.

AIMEE: When I started playing music it felt like I found a puzzle piece that had been missing for a long time. It also made me realize that my life would never be "normal".



Photo by Sara Hembree


Does it annoy you or distract you at all to see some of your audience members fondling their phones while you’re up on stage performing? 
AIMEE: I think there's a culture brewing in the indie music that's sort of anti cell phone, or at least anti cell phone zombie culture, which is pretty rad. Don't be a slave to the thing in your pocket, enjoy real moments don't just brag about what you saw to the ether. 


After one of your shows, what sort of feeling or sentiment do you hope your audience walks away with? 
KEES: I hope that they feel inspired by the sounds and the animations and visuals. Hopefully they go home and make some music or art, I love when a band makes me want to make stuff.


What is your favorite album to listen to from start to finish? 
KEES: Hard to pick one, but probably JJ Cale 5.

AIMEE: I just found Kraftwerk Computer World on cassette and it's been getting a lot of play in my studio. It's a pretty perfect album and feels so of the moment. 





What’s the best advice anyone has ever given you that you still follow to this day? 
AIMEE: Don't hold back.

KEES: Make the art and the rest will follow... Remember what’s important and why you started doing it to begin with.


What is the best way people can hear and get a hold of your music? 
KEES: Bandcamp is the most direct. We sell our LPs, tapes, and downloads there. You can also find our cassettes via Shake Records and Weird Canada & at some shops... 


What lies ahead for the band in 2016? 
AIMEE: We are going to Europe Friday (which is why this interview is so late) to play some shows with Black Mountain. When we get back we're gonna finish a new batch of songs and hopefully put out a new LP in the fall. whoot!!!